During a ride with his new pony Sinoya, the young Clay Gibson by chance finds the secret housing of the multiple murderer Tris Hatten. He reports immediately to Sheriff Adams, who strongly recommends him not to tell anybody about it. Unfortunately Clay talks to his father nevertheless. He believes Adams just wanted fame and reward for himself and accuses him in the newspaper. Thereby he endangers his son, who's now targeted by a killer which Tris' girlfriend Winnie hired for revenge. Written by Tom Zoerner
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Very very predictable, including the post credit scene !!!
Just perfect...
Fun premise, good actors, bad writing. This film seemed to have potential at the beginning but it quickly devolves into a trite action film. Ultimately it's very boring.
It's simply great fun, a winsome film and an occasionally over-the-top luxury fantasy that never flags.
There seems to be a lot of the same kind of people that inhabit the town that Hugh O'Brian is the sheriff of as there were in High Noon where Gary Cooper was the law. O'Brian gets about the same amount and kind of support that Cooper did.The Brass Legend has Sheriff O'Brian getting a tip from young Donald MacDonald that notorious outlaw Raymond Burr is in the area and keeping company with a lewd saloon woman Rebecca Welles. Before they get down to business O'Brian has the drop on Burr.Well by God this is not according to the code of the west where you're supposed to face the bad guy down and maybe get killed. Bad enough that Welles believes it and makes no secret about it, but half the town thinks like she does and thinks that Burr got a raw deal. Further they don't like that O'Brian tried to keep young MacDonald's name out of it thinking that one of Burr's friends might want to shoot the snitch even if he's 12 years old. Sure enough a particular low life specimen does.O'Brian is a stalwart hero in the mold of Wyatt Earp whom he just started playing on television. Burr is always an interesting villain and Welles as the vengeful saloon woman is fascinating.The Brass Legend a good B western, fans of O'Brian and Burr will not be disappointed.
A marvellous Western from Oswald, a director who brought an intensity and fluidity to the B-Western that seems impossible given the five-to-seven-day shooting schedule it and the equally impressive 'Fury at Showdown' (1957) shared. Burr and O'Brian are the baddie and peace officer respectively set on collision course, when O'Brian captures Burr only to have him escape. The action is breathtaking - the climax has Burr and O'Brian racing towards each other on horseback, guns drawn - but it is Oswald's assertive camera, creating a jail break in one long take, for instance, that one remembers.Ph. H.
Routine Western with not much to recommend it, which is rather surprising since director Gerd Oswald has something of a cult following. The problem lies with a stone-faced O'Brien and an undistinguished script whose high-point comes in a gun jousting showdown along a country road. In fact, only bar girl Millie (Rebecca Welles, aka Reba Tassell) manages to inject some life into the proceedings. Too bad Raymond Burr's villain Tris Hatten doesn't get more screen time. He has all the makings of a good florid baddie. It's odd to see Burr in such a leering role after his career years as the super-straight Perry Mason. Anyway, the European-born Oswald plays the unfamiliar material of a Western in pretty straightforward, unimaginative fashion, when what's needed is something to lift the movie above the ordinary.
O'Brian is the town sheriff (just like on TV) attempting to keep peace, and in so doing, must remove Burr. Good cast in a better-than-average plot bring this picture to an exciting duel on horseback. Burr's death scene is memorable.
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