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Experimental film following a cycle of seasons as well as the stretch of a single day as a man and his dog slowly ascend a mountain.
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Reflections in the Dust
“I don’t believe in love because I’ve never seen it,” responds a young woman to an unseen interviewer in the first few minutes of the movie. This bleak portrait of loneliness and social exclusion is set on the edge of a desolate swamp where an aging clown and his daughter are struggling to survive. The location could be the end of the world, a place where hope has vanished along with a belief in the afterlife and the existence of God. The two unfortunates live together without the likelihood of change, as fear, aggression, and anger take hold of them – but they also experience sudden moments of tenderness.
Kinkón
Kinkón (1971), a silent adaptation of Merian C. Cooper and Ernest B. Schoedsack’s 1933 classic, King Kong. Zulueta re-filmed a television broadcast of the original, and through creative subtraction and manipulation of camera speed, condensed the original’s feature length to an intensified seven minutes. The cathode-ray flicker and flattening that results from the re-filming defamiliarises the original, but its classical continuity mode of address continues to operate on the viewer, and the increase in velocity makes mesmerisingly urgent the dramatic plot of the original. —Senses of Cinema
Still Lives
'Still Lives' comprises a trilogy of films by Patrick Sheard; Lamenta, Libertas and Exitus, anthologized here in their entirety.
Person Being/in the Nature of a Human
Ema Nudar Umanu is the story of the dream of a woman who has died told to a man born from a duck's egg in a jungle far from anything. It is the story of a couple forced together, coming to realise that what they each wish for is to be one another. It is a story about the point at which life is death, love is loneliness, man is woman and dream is reality. Five weeks from initial concept to shot and made on the barest of budgets, the film is an unprecedented undertaking that brings to life a dream from beyond the grave. Ema Nudar Umanu is a romance of liberty, draped in tragedy, comic and absurd.
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Reviews
I think this is a new genre that they're all sort of working their way through it and haven't got all the kinks worked out yet but it's a genre that works for me.
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Clever, believable, and super fun to watch. It totally has replay value.
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It’s not bad or unwatchable but despite the amplitude of the spectacle, the end result is underwhelming.
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This movie tries so hard to be funny, yet it falls flat every time. Just another example of recycled ideas repackaged with women in an attempt to appeal to a certain audience.
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