Brilliant and touching

brilliant actors, brilliant editing

Best movie ever!

Pretty good movie overall. First half was nothing special but it got better as it went along.

Gunsight Ridge is directed by Francis Lyon and written by Talbot and Elisabeth Jennings. It stars Joel McCrea, Mark Stevens, Joan Weldon, Addison Richards, Darlene Fields and Carolyn Craig. Music is by David Raksin (title tune sung by Dean Jones) and cinematography by Ernest Laszlo. McCrea plays Mike Ryan, an undercover Stage Line agent who while investigating a series of robberies takes the job of a deputy Sheriff in a border Arizona town. Gunsight Ridge is a neat little Western, better than most of its black and white type because it rises above its formulaic story to reveal interesting characters and good strands of plotting. In the mix is the detective work as Ryan hunts stagecoach robber Velvet Clark (Stevens) whilst also enforcing law in the town. There's a gang of ruffians on the outskirts of town known as The Lazy Heart Boys, who offer a side-bar of criminal activity, while Ryan and the Sheriff's daughter (Weldon) start to build an attraction. There's cold blooded murder on show, a rampaging stagecoach sequence through the rocky terrain and a finale up in them thar rocks that satisfies greatly. It is also a film that looks and sounds terrific. Raksin's score is full of thunder and sorrow, while Laszlo's moody photography is atmospherically noirish. It's the characterisation of Velvet Clark that is the trump card though. He is shown to be a ruthless killer and thief, yet he also has a sympathetic edge. He is given some depth by the writers, shown to be a frustrated pianist, he's tortured by his artistic leanings and how he has ended up on the wrong side of the law. With McCrea doing another in his line of straight backed and stoic man of the people turns, the dual aspect of good and bad characters works beautifully. There's other little character moments of worth as well, such as Carolyn Craig playing a young farm girl romanticising herself with the outlaw Clark, and old Sheriff Jones (Richards) obsessed with catching the robber because he doesn't want his perfect record blemished. Comfortably recommended to fans of 1950s "B" Westerns. 7/10

Joel McCrea stars in Gunsight Ridge as an undercover agent for Wells Fargo which has been getting regularly robbed on a certain stagecoach run through the territory of Addison Richard who is the sheriff. He's not getting the job done so McCrea's brought in.The title refers to a particularly rough stretch of country where McCrea has his final showdown with the bad guy or at least the chief bad guy.There are two sets of them, one is a group of four cowhands from George Chandler's ranch who do a little cattle rustling on the side, two of them western standbys L.Q. Jones and Morgan Woodward. The other is a man of mystery who plays an exquisite piano and goes by the unlikely western name of Velvet. This is a guy who clearly has some issues which in a better script would have been more explicitly dealt with. Mark Stevens may have had his career role in playing this man.Addison Richard gives a nice performance as an aging sheriff who won't quit until the stagecoach bandit is taken dead or alive. McCrea does what he can to help and the sight of Richard's pretty daughter Joan Weldon gives him all that more interest.Viewers might also note the presence of farm girl Carolyn Craig who helps both Stevens and then McCrea. She's one lonely girl with a budding libido and an itch to get off the farm. In a bit role as a bartender is Dan Blocker who with his frame and voice you can't miss.Not one of Joel McCrea's best westerns, but his fans should like it.

The reviewer who praises the cinematography for this film makes a great point. This film is beautifully photographed.Ernest Lazlo's discriminating deep focus black and white cinematography is the glory of this film but much else deserves praise. For one thing, the narrative breaks cinematic icons in a way the foretells "Butch Cassidy and the Sundance Kid". These iconoclastic moments run throughout the film. One of the most central is the sympathetic view of the central outlaw Velvet Clark, who, though not quite the protagonist, almost serves as one. Joel McCrae plays against him with a quite almost bond that nearly gives the film a sense of depth.A lovely iconoclastic sequence comes near the end of the film with the late Carolyn Craig playing a farm girl caught in the "romance" of the outlaw. She died much too young.Robert Golden and Ellsworth Hoagland's editing is discerning. The music does not quite overwhelm viewers and I like that.Director Francis Lyon's work is understated. He was a film editor and one has a sense he had the story well in control as he directed this film. He did some terrific television work and a Disney film set in North Georgia that I especially admire.I think what one has here is a film full of promise with an almost witty script by Talbot and Elisabeth Jennings. I say almost because it never quite becomes entirely iconoclastic but it comes close. I very much enjoyed watching this movie.

Pretty fair Western. The script meanders some, but with characters coming in and out of the story line, it's not a conventional screenplay. McCrea plays a stagecoach agent on the trail of hold-up man Mark Stevens. They're not exactly routine good-guy bad-guy. As a deputy sheriff, McCrea enjoys collecting county taxes and getting a 10% cut-- and how many tax collectors have you seen in a Western? Also, bad guy Stevens plays the moody piano, not well, but enough to suggest a sensitive soul lurking somewhere inside-- and how many Western villains have you heard named "Velvet"!. Then there's teen-age Carolyn Craig alone on the prairie, doing a good frontier imitation of Debbie Reynolds, and ready to hook up with anything in pants. I like the four rowdy cowhands who take about 10 minutes to totally trash a cabin. The scene may be unnecessary, but it sure looks like someone's having a lot of fun. Also worth noting is the final shootout, which takes good advantage of the scenery and reminds me of the final shootout in the classic Winchester 76. All in all, there are some offbeat touches for a cowboy movie of the 1950's. And besides, any film with that great Western star Joel McCrea is worth watching.