Lis Rhodes’ latest essay film Disquiet, made against the backdrop of the pandemic, continues her ongoing project of documenting and drawing attention to the progressive eradication of justice, equality and individual liberties as a consequence of neoliberal capitalism. Using still images, sound, text and her distinctive voice-over, Rhodes calls out the evils of globalisation whilst taking a truly global approach in her incisive analysis. From the atomic destruction of Hiroshima to the conquest of the skies, Disquiet draws connections between the local, the transnational, and even the extra-terrestrial, in order to untangle the relationship between violence and profit. As Rhodes poignantly asks: ‘can warnings warn, when violence is a profitable industry?’
Reviews
I cannot think of one single thing that I would change about this film. The acting is incomparable, the directing deft, and the writing poignantly brilliant.
I am only giving this movie a 1 for the great cast, though I can't imagine what any of them were thinking. This movie was horrible
It is neither dumb nor smart enough to be fun, and spends way too much time with its boring human characters.
This film is so real. It treats its characters with so much care and sensitivity.
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