Memorable, crazy movie

Expected more

best movie i've ever seen.

Pretty good movie overall. First half was nothing special but it got better as it went along.

This film is what it is because of its story (which it owes to the novel) and overall good acting, especially by the main character. In addition, there are some great lines in he movie that display and respond to the racism of the times. In so many ways this film is still relevant today. The plot, more than anything else makes this movie a classic. Few films of that era, or any other, captured any meaningful part of the essence of a black revolutionary struggle. Most were full of 'getting the man' or 'paying back whitey' and that really isn't much a political agenda. One of my favorite parts is when the main character says: "this ain't about hating white folks, because its gonna take way more than hating to sustain you. This is about wanting to be free..." and I can't remember the rest, but it was an important thing to put inside the movie.Lastly, one of my favorite things about the movie is the ignorance of the white mayor, which is mirrored in real life today. They are so absorbed in their upper-class, ultra-white view of the world, they can never see an alternative view of things especially as it relates to how people of color see themselves, their lives and their respective governments. Regardless of your political stance on things, you'd have to admit: Iraqi's did not greet us as liberators. The Vietnamese largely did not want American politics or interference. Cubans have not largely rebelled against Fidel Castro in spite of all of the pr4ssures placed on them by the US. Part of it is, that the US gov't is oblivious to what people really want and the other part is that they really don't care what people want, they care about their own interests.This was shown throughout the film when the CIA director and the mayor made any number of condescending and overtly racist remarks about and directly to black people. lots of great sound-bites in this. I love this film, its one for the collection.And I was told when I viewed it in college, that it was played to all CIA recruits, I guess as a deterrent.

Very intelligent and sublimely scripted film that stars Larry Cook in a truly powerful role. Cook plays Dan Freeman, the first CIA-recruit since the start of the agency. After an intense training and a mind-strong career of 5 years, Freeman returns to the ghetto where he grew up and mobilizes the future-less black youth to stand up for themselves and begin a violent revolution against the white authorities. The message and criticism in the screenplay is so well-elaborated because Sam Greenlee adapted it from his own novel. True, the film contains a little too much talking and some of the sentimental speeches are hard to swallow (like Freeman's supposedly heart-breaking tale of how he taught his grandmother to read), but most of the criticism against America are quite thought-provoking, daring and way ahead of their time. Around the hour, more action kicks in and we're treated to several convincing riot-sequences and atmospheric images of the ghetto under siege. But, perhaps the most fascinating aspect about "The Spook who sat by the Door" is the psychological battle inside the protagonist's head, resulting in a dazzling end-scene. Knowing the controversy a film like "New Jack City" caused, I'm sure that this movie would provoke far worse situations when re-released properly.It is claimed that this movie was "lost" for over 30 years so it got honored by an immense cult-status. I can only recommend for you to see it yourself.

Dan Freeman (played by Lawrence Cook) is a token black CIA operative. Trained in all sorts of espionage, he is relegated to working in the copying department as a "showcase" employee of integration. As the title suggests, he's placed by the door of the office so he's the first person everyone sees. Incensed by his mistreatment (and the racial stereotyping of his superiors), he resigns to his native Chicago as a social services worker.Secretly, he is training a street gang into a guerrilla army to be the vanguard in a race war, using all of his training by "the man" against "the man".The details are impressive. Freeman explains how to establish a hierarchy in an underground movement, how to recruit new members, living on the street, and forming new cells. He also details how racial stereotypes can be used to one's advantage, citing how no one ever notices a smiling black man in an office carrying a mop.The film is a faithful adaptation of Sam Greenlee's controversial novel of the same title, and a haunting look at what MIGHT have (and maybe damned near) happened in the USA during that turbulent period of history. The film was quickly followed by a long line of "blaxploitation" films, often made with little regard for content and style. But "Spook", shot on a small budget, has a powerful message: Never underestimate anyone! Not even "the spook who sat by the door"!As a motion picture, it does have technical weaknesses, but the drama is well-played, the plot is very tight and the characters are believable. The language, however, is very harsh. A white man (like myself) may find the diatribes against "whitey" shocking, but this film was made during a time of great racial strife, and it echos those times.Made in 1973, it still packs a punch, and is worth tracking down and buying (Do a web-search! That's how I got my copy!).A ground-breaking film! (Does anyone but me catch the irony of the main character's name? "Free Man"?)

I viewed this film in a Pan African Studies class at California State University, Northridge in 1993. Professor James Dennis who was a Civil Rights activist who made the Mississippi Freedom Rides told us this was the best film about and by African-Americans, and I agree with him wholeheartedly! I would like to get this video and show it in the classes I teach in history. This film was ahead of its time. Sam Greenelee is a very good writer and captures the essence of the struggle for African-Americans.