A Disappointing Continuation

When a movie has you begging for it to end not even half way through it's pure crap. We've all seen this movie and this characters millions of times, nothing new in it. Don't waste your time.

It really made me laugh, but for some moments I was tearing up because I could relate so much.

True to its essence, the characters remain on the same line and manage to entertain the viewer, each highlighting their own distinctive qualities or touches.

Pavel Lungin's "Oligarkh" (alternately called "Tycoon" and "Tycoon: A New Russian" in English) looks at the free-for-all that dominated post-Soviet Russia. The protagonist becomes the richest man in the country through all manner of vile means. It was unfortunate that Boris Yeltsin, initially seen as a champion of democracy, sold his country off to the old functionaries who became oligarchs. Some have fallen from grace and even faced criminal prosecution, depending on which ones the government favors.I understand that Platon Makovsky is based on Boris Berezovsky. It probably could have just as easily focused on any of the magnates who rose to prominence in the 1990s. The point is, these ruthless people turned the Russian Federation into their playground.It's not a masterpiece, but worth seeing.

Oligarkh, is an average movie about a group of friends taking advantage of the opportunities "new Russia" offered after the dissolution of the Soviet Union. The movie has certain value in giving a rough sketch of how the vacuum left by the collapsed communist system was filled by various criminal elements. However, it fails to do that comprehensively, possibly because, as it targets the Russian audience, it assumes too much information. The transformation of the 'naive, jolly group of friends" into a vicious, ruthless, hierarchical criminal organization is not well demonstrated, phases of changes in characters' world views and emotions largely left to the imagination of the audience. Since the story is told going back and forth in time, some of the criticism can be overlooked, but one cannot help but notice some plot holes. Moreover, it ends in a quite cheesy way, reminding a cheap Hollywood B-movie, something I do not hope to see in a supposedly-sophisticated Russian movie.The acting is generally good, but not outstanding. I thought supporting characters were more impressive than the hero, and I especially liked the commissar and his style. Direction is not bad, and actually it made me think that it was directed by a talented, but inexperienced director. It seems Lungin has a longer career than I expected.

Well, the good news is that this is definitely a very fun and entertaining piece of cinema. The bad news is that, like most movies with very few exceptions, it took a cool premise and failed short in delivering it. Storytelling needs a lot of polish, plot resolutions may seem dumb at times, and acting can range from very good to absolutely horrible from scene to scene and from actor to actor. There's very little that this "Russian Godfather" has to say that wasn't already said many times (and much better) in "Godfather", "Scarface", and "Once Upon a Time in America".None of that matters when it comes to the fun factor - unless of course you're one of those self-professed "critics" who spend more time ogling pretty ladies than following the story twists that are neither confusing nor overly complicated, or people who think that any movie that talks about a serious and controversial topic should be strictly unbiased documentary. Be neither, and don't take the movie too seriously.

This is a very good and realistic movie showing the birth of Russian capitalism, the people who were behind it, the Russian mafia in its true form, and the man who made a fortune in a dawn of Russian capitalism. The movie is based on the novel "Bolshaya Paika" (The Big Slice) by Yuly Dubov about Boris Berezovsky, the true oligarch of Russia. This is the man whom Vladimir Mashkov brilliantly portrays in the charachter of Platon. 9/10