Very well executed

Not sure how, but this is easily one of the best movies all summer. Multiple levels of funny, never takes itself seriously, super colorful, and creative.

Very good movie overall, highly recommended. Most of the negative reviews don't have any merit and are all pollitically based. Give this movie a chance at least, and it might give you a different perspective.

The story, direction, characters, and writing/dialogue is akin to taking a tranquilizer shot to the neck, but everything else was so well done.

This is truly one of my all time favourites. I hadn't written a review of it until now because I had been concentrating on newer films, but I just got through watching it again with my Dad. I had almost forgotten how awesome it was. I was VERY fortunate to score the Anchor Bay DVD just before it went OOP. Hard to believe that now it is going for over $70 used, if you can find it.Anyway, George Peppard has always been one of the coolest guys, at least in his Pre-A Team days, and especially early on (check out some of the Banacek episodes if you have a chance. The Pilot is particularly good. And YES... I do have both the Pilot and 2 seasons : )Michael Sarrazin has always been pretty slick too, and he is good here. But, it is primarily the great story that REALLY makes this film special. Also, I think the director did a particularly good job in keeping the pace and action very tight and the mood suspenseful and involving. I personally feel that it was one of THE very best Thrillers made around that time. It is much better than it's current rating of 6.x in my lowly and wretched opinion. I easily give it a strong '8'HIGHLY RECOMMENDED! (if you can ever get your hands on it : )

This is a movie as easy to watch as to forget but it's quite entertaining.The story is very far-fetched,but in this kind of spy thriller including amnesia ,mysterious conspiracies and who-the-Hell am I? subject,it's the rule of the game.George Peppard tries hard to be evil but he does not always succeed;Michael Sarrazin is the perfect victim/culprit (God only knows) .The love story may seem derivative and it is,but there are enough unexpected twists to sustain interest throughout.The working title ("the plastic man" ) was perhaps a better choice than "The Groundstar Conspiracy "but it might have been a spoiler.

This is a great movie to watch especially if you love a good, hard twist in the end. Just when you think you know what the truth is and who the evil bad guys are, the last five minutes takes you in another direction you did not see coming. George Pappard's character's is fantastic as the government troubleshooter willing to go to any lengths to ferret out traitors and moles among top secret government operations. There are a lot of great lines in the film too that helps the viewer to appreciate just how much power the troubleshooter has to protect the country, and scary when you realize he actually needs that much authority to do the job. There is no way they could remake a better movie now unless they filled it with a lot of thrilling action scene or sex scenes. Even if they did, it would not match the psychological thrill of this original.

When George Peppard is the major ‘name' of a movie – especially one made in the 70's – you may suspect you're on dodgy ground from the off. When his co-stars are Michael Sarrazin – a one-trick pony whose career spiralled downwards sometime around 1975 when the trick had been seen too many times – and Christine Belford – a brief escapee from TV movie hell – you know it for a fact.THE GROUNDSTAR CONSPIRACY is a far-fetched thriller with sci-fi undertones that moves far too slowly, telegraphs most of it's ‘twists' far too early (apart from the big twist at the end, which, believe me, sends this sad effort way off the credibility meter) and suffers from some horribly clunky dialogue. Perhaps a director at the very top of his game may have been able to salvage something, but, unfortunately Lamont Johnson – another journeyman whose labours have mostly been in television – was never that good a director. Peppard, as a tough, no-nonsense agent, seems to be rehearsing his Hannibal role in THE A-TEAM without the humour, while Sarrazin flashes puppy-dog eyes and tries to look puzzled. Lucky Christine Belford, then: her role calls for her to look bewildered much of the time, and, when she does, she looks completely natural. Approach THE GROUNDSTAR CONSPIRACY as a mediocre B-movie, ignore its obvious – and woefully unrealised – ambitions, and you may just wring some drops of entertainment from this old flannel.