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DNA revolves around a woman with close ties to a beloved Algerian grandfather who protected her from a toxic home life as a child. When he dies, it triggers a deep identity crisis as tensions between her extended family members escalate revealing new depths of resentment and bitterness.
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In prison in colonial Algeria, shortly after the end of the Second World War, three indigenous cellmates make out. Once free, they attack the authority represented by the triad of the boss, the gendarme and the administrator. “Living the colonial condition,” confided Tewfik Farès, “is something! It’s not sociologically or historically speaking. It’s life. And I think that’s all there in it. [...] For a hundred and thirty years, we wait. We hold back. We push back. We hope. At the same time, on different occasions, there are skirmishes, unrest.
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Reviews
I like movies that are aware of what they are selling... without [any] greater aspirations than to make people laugh and that's it.
... more
There are better movies of two hours length. I loved the actress'performance.
... more
This story has more twists and turns than a second-rate soap opera.
... more
Good films always raise compelling questions, whether the format is fiction or documentary fact.
... more
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