A merchant marine captain, rescued from the Chinese Communists by local visitors, is "shanghaied" into transporting the whole village to Hong Kong on an ancient paddle steamer.
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I love this movie so much
You won't be disappointed!
A great movie, one of the best of this year. There was a bit of confusion at one point in the plot, but nothing serious.
Like the great film, it's made with a great deal of visible affection both in front of and behind the camera.
His ship seized by the Chinese Communists, American Merchant Captain Tom Wilder (John Wayne) languishes in prison but Chinese villagers help him escape to sail them to Hong-Kong.Wayne plays a role originally intended for Robert Mitchum prior to an altercation with the producers. Mitchum was fired from the production by Wellman. Wayne took over the lead after Gregory Peck turned the film down and Humphrey Bogart requested a large amount of money to assume the role.Many people have focused on the way China and the Chinese are treated in the film. Many of the Chinese roles are filled by obviously non-Chinese actors. And because this is shortly after the Korean War, Chinese-American relations are not great. But I think Wayne getting the part is the more interesting story... this is clearly a role Mitchum would have dominated at, Peck would have brought acting chops to, and Bogart would have the Bacall rapport. But Wayne? Other than his fan base, he seems like an unlikely choice.
Exciting flick on the danger waters of the Orient with Wayne as a seasoned merchant Marine Captain undertaking several adventures and risks in Communist China . It deals with a merchant marine captain, named Tom Wilder (mid-career John Wayne, though Robert Mitchum was originally cast but he was fired from the film after an altercation) rescued from the Chinese Communists by local villagers , as he is assigned by Mr Tso (Paul Fix) to carry out a risked mission to transport the whole village to Hong Kong on an ancient paddle steamer . As he must smuggle throughout enemy territory plenty of nasty communist soldiers and cruisers . Along the way Wilder is helped by the sympathetic Big Han (Mike Mazurki , usual partner in John Wayne-John Ford films) and accompanied by a beautiful as well intelligent woman called Cathy Grainger (Lauren Bacall , she later starred with him again in his last movie 'The Shootist' ,1976,).This enjoyable picture packs thrills , drama , action , sea battles , and results to be pretty entertaining . John Wayne's good vehicle , though Gregory Peck and Humphrey Bogart turned down the role and to keep his new production company Batjac afloat, Wayne agreed to play Capt. Wilder. Enjoyable acting by Lauren Bacall , there was some surprise when Lauren Bacall agreed to make the movie since she was a left-wing Democrat and the film was right-wing Cold War propaganda ; while John Wayne took the role after Mitchum was fired she expected to clash with him since she was a left-wing Liberal and he was a right-wing Conservative . Having Wayne already disposed of all unfriendly Japanese in the WW2 such as ¨Sands of Iwo Jima¨, ¨Operation Pacific¨ and ¨Flying Leathernecks¨ , this one marked the start of new assignment against any Oriental with Communist leanings such as subsequently did in ¨Green Berets¨ . Agreeable support cast such as Paul Fix playing as Mr. Tso , Mike Mazurki as Big Han and brief appearance by Anita Ekberg as Wei Ling and James Hong as a communist soldier . Colorful and evocative cinematography by William H. Clothier , John Wayne films' usual cameraman . Emotive as well as thrilling musical score by Roy Webb .The motion picture was professionally directed by William A Wellman . Wellman was an expert in all kind of genres as Gangster, drama , Film Noir , Western and adept at comedy as he was at macho material , helming the original ¨ A star is born ¨(1937) (for which he won his only Oscar, for best original story) and the biting satire ¨Nothing sacred¨ (1937) , both of which starred Fredric March for producer David O. Selznick . Both movies were dissections of the fame game, as was his satire ¨Roxie Hart¨ (1942), which reportedly was one of Stanley Kubrick's favorite films. During World War Two Wellman continued to make outstanding films, including ¨Ox-Bow incident¨ (1943) and ¨Story of G.I.Joe¨(1945), and after the war he turned out another war classic, ¨Battleground¨ (1949). In the 1950s Wellman's best later films starred John Wayne, including the influential aviation picture ¨The hight and the mighty¨ (1954), for which he achieved his third and last best director Oscar nomination. His final film hearkened back to his World War One service, ¨The Lafayette squadron¨ (1958), which featured the unit in which Wellman had flown . He retired as a director after making the film, reportedly enraged at Warner Bros.' post-production tampering with a movie that meant so much to him .
Sorry to say this but, this movie would have rated much higher if a different lead was cast. Don't get me wrong this movie is very watchable. With Wayne & Bacall starring, Paul Fix supporting, good writing, solid acting by leads and bit players it had it all but one thing... John Wayne is out of character. This movie as I said before would probably have been rated at between 7.5 to a 9 if Robert Mitchum had not been fired from the lead role early in the picture. Since this movie was being produced by Wayne's fledgling BATJAC Productions, he was forced into the role by Warner Bros., saying they would pull the plug on distribution if he did not star. Too bad. I can easily see Kirk Douglas sending this over the top. Just think of his performance in the movie In Harms Way and you'll get the idea. Jimmy Stewart would have been great also. Think Harvey....see what I mean! If your a Wayne fan as am I, you'll scratch your head and wonder.....hmmmmmmmmm. Later Wayne would have had the clout to say no. I'll rate this at 7 paddles on the River-boat wheel.
"Blood Alley" details the story of a Chinese village trying to escape Maoist oppression during the 1950's. It is definitely anti-Communist in its theme and pro-West (United States) in showing the very common desire by those under Communist rule to escape that rule. The performances were okay, not memorable. The chemistry between Bacall and Wayne was okay, but not like Maureen O'Hara (whenever you saw Wayne and Ohara you honestly thought there was something between them). But there was chemistry, also shown later when Wayne starred opposite Bacall in "The Shootist". Basically, this is one of those movies where John Wayne played "John Wayne" – a remark Travolta made in "Get Shorty" referring to "El Dorado" and "Rio Bravo" about John Wayne movies. In some John Wayne movies, John Wayne showed his acting depth ('The Cowboys", "True Grit", "She Wore A Yellow Ribbon", "Fort Apache", "Stage Coach", "Red River"), some he just played "himself". This was one of them. That was not necessarily a bad thing: because the "himself" character was the stereotypical American Ideal of manhood, who is strong, independent, flawed, a man that loves liberty, and will fight to the death for the weak. That is the type of character that "Tom Wilder" played by Wayne in "Blood Alley".Since "Blood Alley"'s main theme is escape from a communist state: Communism is the "bad guy". So the movie must take the early portions of it to illustrate how bad the "Bad Guy" is. Once the escape takes place, then it is a classic chase movie with some good moments of suspense with rescue in the nick of time. The movie is uplifting and of course has a happy ending. The things that leave this movie open to criticism should be taken in context with 1955. Casting Paul Fix, Mike Mazurki, and Anita Ekburg as Chinese would be unthinkable today in the "uptight" period that we live in: I call it leftist Puritanism. But we must remember, there were not a lot of Asian leading men or women- and certainly not that many Chinese – as a matter of fact there are very few today if you think about it. So it is not strange to have Caucasians playing Chinese. One might laugh at having Anita Ekberg playing one, blond hair and all. What people also don't realize is not all Chinese nationals have the typical features that we consider Asian (the epicanthal folds or "slanted eyes"). I lived in China for many years, there are a large number of ethnic Russians from Inner Mongolia and they get extremely insulted if you call attention to the fact that they don't "look" Chinese. Furthermore, to the Chinese: casting a Japanese as a Chinese is far more offensive. Just ask a Mainland Chinese what they think of the Japanese. Casting based on the eyes is ignorance and arrogance of the American "thought police" who enforce this correctness. These "technical" issues with the movie that I saw are understandable and I place them with Derek Jacoby fulfilling the role of narrator in his cashmere ensemble right out of GQ in Henry V (Kenneth Branaugh). "Blood Alley" is a very good period piece to understand the fear and lines drawn between Communism and the Liberty found in the United States. To understand what really happened reading/watching histories that are produced 50 years later after never illustrates why people did what they did. This movie is not right-wing because Lauren Bacall was extremely liberal, but like most Democrats of the 1950's she was extremely ANTI-COMMUNIST and was a patriot like John Wayne: she wanted America to win. It was propaganda, like all movies are propaganda, because it tries to lead the viewer to a certain conclusion. If the director can't do this, he is a lousy story-teller. "Blood Alley" makes the following points: 1 Communism is bad. 2 Communists oppress their populations: True 3.People desired to leave Communism: True 4. Communists murder those who won't conform: True. The fact that you want the Chinese village to get away means William Wellman is good. "Blood Alley" was also allegorical. Because at this time, Hungary was in revolt and thousands of Hungarians were making their escape using the bridge at Andau. You really could not make a movie about escaping over a bridge because it would be boring. So "Blood Alley" was a morale building movie reminiscent of the movies made during World War 2 where Hollywood cooperated in the war against Nazism and all its evil. This movie was made during the Cold War with Hollywood at that time divided between avid Anti-Communists and Communist apologists. I have always been intrigued by the hypocrisy of liberals that wholeheartedly fought Nazism which was not really a threat against the United States, they really only threatened Europe, but dismissed Communism that was openly and passionately trying to overthrow the republican (not party) system of government in the United States and replace it with a socialistic Marxist/Leninist System. Communists had shown their willingness to be the aggressor already in Korea, Hungary, and Viet Nam. This movie was raising alarm bells. Strangely for all those who have this neutral view toward Communism, Communist countries had to put walls up to keep their people within their borders and employ trusted guards to shoot anyone trying to escape. But still with this reality, people tried to escape, because the value of freedom was worth the risk of death. They wanted freedom, and that meant leaving one political system to live under another – the American System. With the current political climate in the US where we have those who would like to change that system of Liberty to a Socialistic system with Marxist undertones, we should ponder the legacy of those people commemorated in "Blood Alley". "Better Dead than Red" was not just a cliché to some during the 1950's and now in the early 21st Century.