Plenty to Like, Plenty to Dislike

Very good movie overall, highly recommended. Most of the negative reviews don't have any merit and are all pollitically based. Give this movie a chance at least, and it might give you a different perspective.

The joyful confection is coated in a sparkly gloss, bright enough to gleam from the darkest, most cynical corners.

I didn’t really have many expectations going into the movie (good or bad), but I actually really enjoyed it. I really liked the characters and the banter between them.

This movie was a GREAT DISAPPOINTMENT! And that is due to the staff of IMDb who posted it in the genre as "WESTERN." But let me explain after the plot.A "GANGSTER" is stealing cattle and selling them to the market. His son, who is now grown, comes to meet him. (Apparently the boy had not met him since a small child.) He and his son begin to get along really well. He wants to teach his son all that he enjoys so he introduces the young man to horses. Before long, the FBI arrest the father and take him to federal prison at Leavenworth, Kansas. The son joins the army and gets himself transferred to a nearby camp in Kansas so he can mastermind the prison break of his father. He does but has a change of heart in the process and has to go after his father to bring him back to prison. His father, who broke out with another prisoner, has a fight with the other prisoner because that one wants to shoot the man's son. He shoots at him with a Smith & Wesson .45 semi-automatic clip-loading pistol. And then the father shoots him with a similar weapon and kills him. The father escapes and on goes the movie.I've listed these details to PROVE this is NOT A WESTERN! It has ABSOLUTELY, Positively NOTHING whatsoever to do with the genre of Western. It is a 1920-1930's gangster movie with submachine guns, cars, and at no time does anyone wear a "sixgun" strapped to his hip, wear Western clothing or talk like a cowboy. Everything about this movie is 1920-1930's flavor. Whoever the staff person was that placed it in the "Western" genre was is a fool. And I am extremely disappointed with IMDb for such blunder as it cost me a lot of money to obtain this extremely rare movie thinking I was getting a Western.I checked the "spoiler" because I'm not certain if this is a "spoiler" or not. Perhaps it is as I've expressed myself deliberately to the staff of IMDb with the hope they will correct this blunder and be more careful with their listings. For any website that would brag of "Visited by over 27 million movie lovers each month!" ought to be more accurate as 27 million other people will be disappointed also to learn they cannot trust this website for accurate genre listings.

RIDE A CROOKED MILE (Paramount, 1938), directed by Alfred E. Green, is an interesting little second feature film that is actually a showcase for Akim Tamiroff, a resident character actor, and Leif Erickson, a young recruit under contract to Paramount for two years, in his first major screen performance as the central character, but the sole interest of this long forgotten movie is Frances Farmer, whose name today is unfortunately more associated with biographical books and movies of her five terrible years committed to an insane asylum rather than of her brief (1936-1942) but not too spectacular movie career. What's even more sad is that after appearing in COME AND GET IT (Samuel Goldwyn, 1936), featuring Edward Arnold, which is hailed by many to be Farmer's best screen performance, that Paramount failed to give her more rewarding and challenging parts. But the fault can also be blamed on Farmer herself, who preferred Broadway over Hollywood, and was known to have been very difficult on the set during filming.The story involves Akim Tamiroff as Mike Balin, a hard-fighting Cossack who is the head of a gang of thieves who hijack cattle on their way to the stockyards. Balin meets up with his ex-wife, Marie (Genia Nikolajeva) whom he hasn't seen in over 20 years. In as much as they can't stand one another, Marie, who know calls herself Myrna, informs him that he has a 21-year-old son, Montgomery Simpkins (Leif Erickson), whom she leaves with him so that father and son can get acquainted. Mike resents this young stranger claiming to be his son, and even hates the name of Montgomery. But after father and son fight it out together, the old man's resentment towards his son immediately changes to admiration and respect for that not only is he "handy with his dukes," but presents himself to be just as tough as he is. Changing his son's name from Montgomery to "Johnny," both father and son form mutual bonding. "Johnny" then becomes interested Mike's lady friend, a café hostess named Trina (Frances Farmer). Later, the law catches up with Mike and is caught and arrested while in the steam room, and is sentenced to serve time in Leavenworth Prison. After Johnny becomes a state trooper, he plots to help his father escape, but is caught between his loyalty to his father or to his job.In the supporting cast are Lynne Overman as "Oklahoma," Mike's cell mate; John Miljan as Lt. Colonel Stuart; with Fred Kohler Sr., Robert Gleckler and Monte Blue, among others.RIDE A CROOKED MILE is surprisingly good for a "B" film, a forgotten movie by all means with a western-sounding title, but what hurts the chances of having this movie ever resurrected again on either cable television or distribution on video cassette is the lack of marquee names. It's featured star, Akim Tamiroff, gives his usual familiar accented tough guy performance who gets really rough on anybody who abuses animals, especially horses. Although Leif Erickson, (the actor, not the first European explorer of the New World) does a commendable job as Tamiroff's long lost son, his days as a central character in a motion picture would soon be short-lived. After appearing opposite Sylvia Sidney in ONE-THIRD OF A NATION (Paramount, 1939), Erickson soon drifted to small roles in second rate movies, and even smaller roles in "A" productions, such as the Barbara Stanwyck version of SORRY, WRONG NUMBER (Paramount, 1948). TV fans of the late 1960s would remember him fondly for the lead in the hourly TV western series, HIGH CHAPARRAL for NBC in the 1960s. It should also be noted that Erickson and Frances Farmer were both married when they appeared in this production. Farmer and Erickson even get to sing a Russian song during the café sequence.RIDE A CROOKED MILE is a fine action film that tries and somewhat succeeds into being a different kind of "B" movie. Even the prison scenes are well staged, done in good tight and close-ups. Of major interest to film historians, it's sole purpose for seeing this is not for its limited presence of Frances Farmer, but the movie as a whole. (***)

Another completely peculiar film from Paramount, ostensibly made to capitalize on Akim Tamiroff's growing reputation, but of interest today mostly for the only screen pairing of then-married Frances Farmer and Leif Erickson (billed as Erikson in the film). This film takes the cake plot-wise, dealing with former Cossacks (whatever those are!) who have become cattle rustlers in the USA. Erickson plays the estranged son of Tamiroff, who has to choose between helping his father escape from Leavenworth or pursuing a military career. Farmer, in one of her more interesting screen roles, plays a Russian emigre saloon singer (there must have been a lot of those, don't you think?), doing a credible accent (much like her radio appearance with Errol Flynn in "British Agent"), and singing a wonderful duet in Russian with Leif (who was a professional singer before breaking into movies). The press materials for this film actually spend a lot of time mentioning Farmer's recent stage success with "Golden Boy" (even naming her braided hairstyle "The Golden Girl"), pretty much relegating Erickson and even Tamiroff to the sidelines. A strange, strange motion picture, but indispensable for Farmer fans.