The story is of a small town in the early west and of a 'shooter' of reputation that drifts into it and stands up to the controlling family that runs it. But far from a John Wayne, this hero is caught and brutally beaten and left to die, only to be saved by a prostitute that has also suffered under the hand of this group of desperados. The only one possible to stand up to the shooter is another solitary man who joins with the notorious family although he is deputized as the town's sherif.
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Really Surprised!
best movie i've ever seen.
It's easily one of the freshest, sharpest and most enjoyable films of this year.
Although I seem to have had higher expectations than I thought, the movie is super entertaining.
THE SHOOTER is a fairly middling straight-to-video western flick which is pretty good considering that it was directed by Fred Olen Ray, the king of the sci-fi B-movie. The film stars action favourite Michael Dudikoff as the usual mysterious gunslinging hero who rides into town and helps to clean out a gang of bad guys who have been busy oppressing the loyal townsfolk. There are scenes of whipping as well as a heck of a lot of shooting, a graphic and strenuous sex scene, and some overacting from the supporting cast members. By comparison Dudikoff underplays it throughout and is given a bit of a dull character to work with. William Smith's bad guy is better although the film as a whole is strictly average.
Where do I start? The hero should have learned to ride a horse before filming a western. Red lipstick marks on a persons back really don't look like whip cuts. Hats of that period didn't have modern metal ventilation holes and the style of saddles used were not developed until the mid 1900s. After firing about eighteen rounds, our hero finally had to reload his six-shooter and there was zero "kick" when revolvers were fired. What bad guy takes the time to tie the picture perfect rope noose to hang the heroin? Who knew all the "whores" out west were so attractive? I could go on. All in all,a very amateurish production.
Getting away from action movies for awhile, Michael Dudikoff does a western for a change, and the results are one of his best movies. This time around, he plays a mysterious drifter (what else?) who gets more than he bargained for when he comes to the rescue of a woman in the desert and returns her to town. County singer Randy Travis is good as one of the bad guys, and Valerie Wildman does a nice job as the girl. Veteran character actor William Smith is also (as always) a standout, with that gravely voice that just makes him perfect casting for the bad guy. Also nice is seeing Dudikoff play a vulnerable character, one who can't rely on fancy fighting skills to stay alive. One scene that helps to support the vulnerability of his character is when he's overcome by thugs and beaten to a bloody pulp and left for death. Afterwards, he must recover with the help of Wildman, and when he's well enough, he comes back gunning for revenge. Though it sometimes has the look of a film that was made by a bunch of friends wearing costumes gathered from some second-rate clothing stores, it works for what it is. Dudikoff isn't going to replace Clint Eastwood as the next western megastar, but he's good in the film and gets to show off a different side with his character. Worth a rental for those looking for a decent 90 minutes on a dull night.
Action, horror, sci-fi, exploitation director Fred Olen Ray shows he has some talent as a director. Character actor William Smith is one of the best tough/bad guys in the industry. He treats the viewer with the best acting performance of his career. As for Randy Travis he gives his best Lee Van Cleef impression. He's not bad in the film. Smith and Travis make the movie. As for the rest of the cast none of them really stand out. Ray did a great job directing this flick, Smith and Travis were good, I'd give this B western on a scale of one to ten(ten being the best) a seven.
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