Three US sailors aboard a decoy ship fight German U-boats in World War I and try to win Sally who works on the Coney Island midway.
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the audience applauded
Awesome Movie
Although it has its amusing moments, in eneral the plot does not convince.
Through painfully honest and emotional moments, the movie becomes irresistibly relatable
Immediately after the United States enters World War 1 against Germany, three men from Coney Island by the names of "Baltimore" (William Boyd), "Dutch" (Robert Armstrong) and "Skeets" (James Gleason) enlist in the U.S. Navy and leave behind a young woman named "Sally" (Ginger Rogers) who each of them have fallen in love with. Unfortunately, Sally only loves one of them so the other two Dutch and Skeets) do their best to keep them apart by deceiving Baltimore about Sally's true affection for him. However, although Baltimore falls for their deception, they soon discover that he has his own plans for them as well--and his involves a deception towards the German Navy. Now rather than reveal any more I will just say that this was a comedy which had a bit of slapstick humor here and there but otherwise I didn't really see much humor in it. Of course, this film was produced over 80 years ago when budgets were rather strained so perhaps it deserves a bit more slack. Be that as it may, although it wasn't a great film by any means, I didn't think it was necessarily that bad either and for that reason I have rated it accordingly. Average.
Suicide Fleet will appeal to those interested in historical naval equipment, indeed, it provides us with nearly documentary footage of several types of contemporary nautical ships. Unfortunately for me I'm not all that interested in what the navy was like during World War One, and the drama (and comedy) in Suicide Fleet comes up lacking in every respect.We get what amounts to about a twenty minute prologue introducing us to three friends (William Boyd, Robert Armstrong and James Gleason) who are all smitten with the same girl (Ginger Rogers). Then the United States enters the Great War as it was called at the time, the three men all enlist and Ginger practically drops out of the picture. The rest of the movie alternates the exceptional documentary footage with weak comedy concerning our protagonists that reminds one of a poor episode of Gomer Pyle. From time to time we also receive some well-done action scenes, but a definite lack of audience involvement with any of the characters (Armstrong and the sometimes excellent Gleason are too frivolous and too hammy, Boyd is too stiff, and Rogers has simply disappeared) keeps us from caring very much about any of it.Hard to recommend for other than historical purposes, or if one is trying to follow the arc of Ginger Rogers' career (which is why I watched it). While she's around she's darned cute as a girl plying salt water taffy at Luna Park.
This film is much better than other reviewers would lead you to believe. If you're a fan of Robert Armstrong, James Gleason and early Ginger Rodgers as I am that would be almost enough. The three guys and a gal plot may seem old now but it wasn't then. It's carried off pretty well here. I appreciated the views of 1930 New York including Luna Park at Coney Island. As far as I can tell the midway was actually filmed at an amusement park in California; it certainly added a sense of reality. I, too was confused by the 1931 clothing in a film taking place in 1917. I kept wondering what war broke out. However, such anachronisms are to be expected in almost every period film. Women's hair styles and makeup always give it away. And if Greed could carry it off wearing late 1890's clothes in 1922 crowds, why complain here? But the naval scenes are the star here. To my knowledge they are the most extensive authentic scenes ever filmed. It's obvious that the Navy gave it's complete cooperation. Everything looked authentic because it was. I loved that the film shows the German side without prejudice (or subtitles). Frank Reicher and Henry Victor lend an air of authenticity here, too. Except for the semi-comic interludes it could have been an excellent documentary. Over all this should be better known for its appeal to World War I fans and naval historians. Look fast for Richard Alexander (Prince Baron of Flash Gordon) as a crew member with one line.
Three carnival workers romance the same girl until WWI interferes with their plans. They join the Navy and the plot meanders all over the place with tiresome effect.WILLIAM BOYD (later "Hopalong Cassidy") spouts his dialog in a slow-moving way, and ROBERT ARMSTRONG and JAMES GLEASON mug their way through some silly shenanigans as sailors looking for a good time. Boyd is the Chief Petty Officer who comes out of retirement to rejoin the service. GINGER ROGERS is the carnival gal who can't seem to decide whether to get serious about Boyd or not, until the finale.It's hopelessly contrived and full of hokey situations, dated dialog and interesting only for a glimpse of the Naval ships.Summing up: Totally unsatisfying from almost every standpoint.