Simply Perfect

One of my all time favorites.

Just perfect...

It's the kind of movie you'll want to see a second time with someone who hasn't seen it yet, to remember what it was like to watch it for the first time.

Exciting espionage picture from Warner Bros. that holds the distinction of being the first explicitly anti-Nazi movie made in America. Star Edward G. Robinson doesn't appear until nearly midway through the film. The first half of the movie is about the various characters involved in a Nazi spy ring. Robinson plays an FBI agent who catches one German-American (Frances Lederer) acting as a spy and uses him to try and nab bigger Nazi fish.Fascinating from a historical perspective but also gripping entertainment. It was based on a real case, which might explain why it has this realistic feel to it that you don't often see in pictures of the time. For example they don't even catch all the bad guys in the end. I'm surprised the Code allowed that as it usually called for all evil-doers to be punished. The newsreel-style narration is also a nice touch. The cast is good with (mostly) solid performances from everyone. Frances Lederer is hammy but he grows on you after awhile. Paul Lukas and George Sanders play Nazis. Sanders is good and Lukas is fantastic in the film's meatiest role. Robinson is also great in an understated performance. Given that this is WB we're dealing with, there's of course a wonderful supporting cast featuring the likes of Joe Sawyer, Dorothy Tree, and many German actors (some of whom used fake names to protect their families back in Germany)."You guys are worse than gangsters" shouts one man when he's thrown out of a German American Bund meeting for expressing a dissenting opinion. There's some humor in that, I suppose, since WB was the pioneer of the gangster movie. But they would also make some of the best ant-Nazi war films during WW2. In many ways, this could be seen as their first step in that direction.

Anatole Litvak directed this docudrama dealing with covert Nazi activities in America beginning in 1937, where a prominent German physician named Dr. Kassel(played by Paul Lukas) has just given a propaganda speech to the growing German American Bund, a group of Americans of German descent who are encouraged to be loyal to Germany over the U.S. Francis Lederer plays a money-hungry spy who will eventually be turned by FBI agent Edward Bernard(played by E.G. Robinson) who is assigned the task of cleaning up the spy ring. George Sanders costars as a German officer in charge. Interesting film may be little more than propaganda itself, but remains a fascinating time capsule of its era.

I'd never heard of this film but when I saw it in the cable lineup for Turner Classics this morning I had to be there, especially with Edgar G. Robinson heading the cast. Interestingly, Robinson doesn't even appear until about half way into the picture as an FBI agent hot on the trail of a German-American turned Nazi spy. I have to admit, there were times the story got pretty chilling for me the way it portrayed Nazi infiltration into American daily life look so easy to do. The blind obedience to Adolph Hitler professed by Dr. Karl Kassel (Paul Lukas) in his speeches to local bund gatherings is somewhat hard to imagine today, but then again, I've seen era footage of a Hitler rally in Madison Square Garden, so I have to believe this wouldn't have been impossible.What I thought was pretty cool was the way Agent Renard (Robinson) got Kurt Schneider (Francis Lederer) to crack, playing to his vanity and sense of self importance. No doubt the job was made easier by Schneider's inability to make his spy activities pay off in a big way with his German contact Schlager (George Sanders). It's also noteworthy to mention how Germans in the film reacted in horror to the mere mention of the word 'Gestapo'; every time it was uttered it brought on a near panic attack.I'm really curious how this film was received back when first released. Gallup polls taken in 1936 showed that only one in twenty Americans were in favor of America getting involved in another war, but it took only two more years of Hitler's aggression to convince Americans that strengthening our Armed Forces for a conflict would be in our best interest. In perhaps the best line of dialog that would preview America's eventual entry into World War II, Attorney Kellogg (Henry O'Neill) states his considered view to Agent Renard that "When our basic liberties are threatened, we wake up."

Confessions of a Nazi Spy was made anticipating the fact that American involvement in World War II was inevitable so it is better to know thy enemy. Based on FBI files, Confessions of a Nazi Spy was a story about both the German American Bund and its links to the Nazi regime and the espionage and sabotage it tried to do.The film is done in a documentary style, more popular over at 20th Century Fox than at Warner Brothers, with films like The House on 92nd Street and Calling Northside 777 as examples of the style.The Nazis shown here are straight up villains be they respected physician Paul Lukas or disgruntled plebeian Francis Lederer. I think Lederer modeled his character on Bruno Hauptmann, the Lindbergh baby kidnapper and maybe the most unpopular man in America at one point. Hauptmann's appearance and voice were in newsreels to study and isn't it ironic that the man he wronged became a spokesman for appeasement.On the other hand Edward G. Robinson is quite the stand up hero as the FBI agent investigating the Bund. Robinson was one of the bigger anti-Nazi activists in Hollywood and was proud to be included in what he considered a very important message.No subtlety used in this film. For those not interested in the anti Nazi message, Confessions of a Nazi Spy does succeed on the entertainment level as well. But I will say that playing America the Beautiful over the end credits was a bit much even for audiences in 1939.