Sorry, this movie sucks

If you don't like this, we can't be friends.

Fun premise, good actors, bad writing. This film seemed to have potential at the beginning but it quickly devolves into a trite action film. Ultimately it's very boring.

The storyline feels a little thin and moth-eaten in parts but this sequel is plenty of fun.

This is the sad and touching story of Ira Hayes, with a fine acting job by Tony Curtis. Do not expect action scenes with battles and heroics. There is only a brief section that takes place on Iwo Jima;the rest is drama. Some may argue about this or that point of historical accuracy-- with good reason probably--but when all that is done, we're left with just a good drama about a young man who could not cope with the bizarre role of 'national hero' that fate forced upon him. The story is about how events outside his control affected his relationships with friends, family, his community, comrades and his country. We wish life could have turned out better for such a decent man.

If one didn't know the actual history one might mistake this film for the truth. And that's a shame, since a story as important as this deserves absolute truth. Worse is that the film presents itself as absolutely true, and more than a few reviews here accept that at face value.FACT: Hayes had multiple friends in his platoon, was widely liked, was friendly and outspoken. He wasn't the shy, easily intimidated pushover surrounded by indifferent or even racist soldiers.FACT: Hayes's drinking problem was sporadic, and not as devastating as shown. He was in fact a very LIGHT drinker, and thus a few drinks could get him drunk far easier a severe alcoholic could. Ironically this film's stance against racism is undercut by perpetuating a racist stereotype about Natives.And just plain strange...the film shows the friendship between Hayes and the fictional Sorenson as a thinly veiled frustrated gay relationship. That's because the screenwriter was a closeted gay man back in the days when much of society wouldn't accept that. He projected his own struggles onto Hayes, which is really bad (and confusing) filmmaking.Almost as strange...the bizarre choice of Curtis as Hayes, done up in heavy pancake makeup that makes him look almost like a drag queen at Halloween. Coupled with his "poor little me" impression of Hayes, it comes off as about as realistic as a boy scout dressed in plastic feathers giving a speech about "us poor Indians." Hayes deserved far better than this, and so does the audience. Thank God for Flags of Our Fathers finally giving the world a far more decent (and more accurate) picture.

This film is a somewhat accurate account of Ira Hayes' story, and is well-meaning, but it suffers from the fatal miscasting of Tony Curtis. Curtis certainly tries hard, but the very idea of a Brooklyn-voiced actor with striking good-looks slathered in bronzer playing an ordinary-looking man from Arizona is ludicrous. Granted there weren't any movie star Native-Americans at the time to fill the role, but you never get a sense of an average guy doing his job: Curtis is far too gorgeous (although the make-up people do try to hamper his looks, unfortunately transforming him into something resembling a Romulan from Star Trek.). And yet some would not only ignore this, but also claim this is Curtis' finest performance. Hardly. See 'The Boston Strangler' or 'The Sweet Smell of Success" or 'The Defiant Ones." As for the film, it is relentlessly moody and downbeat, with an equally moody music score. The Iwo Jima material is almost right, but marred by the idea that Hayes would become a mess because of the loss of James Franciscus' character. Not that the fictional character is so bad, but the dull acting of Franciscus makes him impossible to care about. Since the film takes great pains in making this character so important to Hayes, it should be handled by a much more powerful acting presence than a stiff second-rate TV actor. Meanwhile, Hayes' fame rests with his helping put up the famous flag at Iwo Jima and then be put through the war bond drive and publicity grind stateside, yet the two others(Gagnon and Bradley) who were also involved in both flag raising and publicity war bond tour are barely in this film. 'Flags of Our Fathers' takes full advantage of this character interaction, but this film ignores it almost completely (granted it could have been due to rights issues from Gagnon and Bradley).But it IS a story that was important to tell and worth watching, regardless. Sadly it was not a success back in 1961 and remains obscure to this day. Possibly 'Flags of Our Fathers' will give it new life.

I must agree with several others in saying that this is Tony Curtis' finest performance on film. He brings Ira Hayes to life and generates much pathos for the plight of the character. Another really good performance is Gregory Walcott's portrayal of the Marine drill sergeant. He was the exact duplicate of my drill sergeant from Ft. Leonardwood many years ago. I have seen Walcott in other roles, all forgettable, but this one is outstanding. At the start of boot camp, I am roaring with laughter at the anecdotes customary to military life, especially in basic training. Later, when we see Hayes quacking like a duck (as a civilian) it is almost pathetic. My favorite scene is the one where Hayes is riding out the string on another bond tour appearance nursing a hangover when he catches the attention of Sorenson's mother. What follows is enough to break any man's heart. It is the only solace Hayes will find for many years to come.