Joshua

December. 01,1976      R
Rating:
4.5
Trailer Synopsis Cast

A black soldier returns from fighting for the Union in the Civil War only to find out that his mother has been murdered by a gang of white thugs. He becomes a bounty hunter, determined to track down and kill the men who killed his mother.

Fred Williamson as  Joshua
Cal Bartlett as  Jed / Calvin Bartlett
Brenda Venus as  Sam's wife
Isela Vega as  Mexican woman

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Reviews

Beanbioca
1976/12/01

As Good As It Gets

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CrawlerChunky
1976/12/02

In truth, there is barely enough story here to make a film.

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Portia Hilton
1976/12/03

Blistering performances.

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Fleur
1976/12/04

Actress is magnificent and exudes a hypnotic screen presence in this affecting drama.

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Scott LeBrun
1976/12/05

Fred Williamson also authored the story and wrote the screenplay for this Western vehicle for himself. He plays the title character, a black man who fought for the Union side during the Civil War. He travels to the homestead where his mother (Kathryn Jackson, "The Black Godfather") has been a maid for a frontier family. Unfortunately, an outlaw gang has just been there. They've killed his mom and made off with the ranchers' wife (Brenda Venus, "Foxy Brown"). Naturally, he relentlessly stalks them, aiming to kill them one at a time in the name of vengeance.Produced and directed by Larry G. Spangler ("The Life and Times of Xaviera Hollander"), this is neither very good nor very bad. It's a rather middle-of-the-road film with competent but undistinguished filmmaking. The scenery looks reasonably good as shot in the 2.35:1 aspect ratio, but you can tell this was still done on a budget. The music by Mike Irwin is fairly decent, but also repetitive. The Hammers' story is very simple and straightforward, and leads to a cynical ending. It's violent without being very gory, and poor Venus does get raped by the bad guys, although this *is* implied rather than explicitly shown on screen. The cast, overall, is nondescript, adequately filling out their roles but never amounting to much. Mexican superstar Isela Vega ("Bring Me the Head of Alfredo Garcia") doesn't get a lot to work with, playing the good hearted woman who comes to Williamsons' aid at critical times. Ralph Willingham, in his only film role, is annoying as shrill old fart Weasel, a member of the gang.Taking everything into consideration, this is an okay viewing for a Hammer fan / completist, but it's absolutely nothing special.Six out of 10.

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Woodyanders
1976/12/06

Tough black soldier Joshua (a credible performance by Fred Williamson, who also wrote the slight script) returns home after fighting for the Union during the Civil War only to discover that his beloved mother was murdered by a gang of evil white bandits. Joshua decides to track said gang so he can exact a harsh revenge on all of them. This attempt at emulating the gritty style and brooding mood of an Italian spaghetti Western is a decidedly mixed bag: While Larry G. Spangler's competent direction, the breathtaking Monument Valley locations, the laconic dialogue, the handsome cinematography, and the stark serious tone are all up to par, the often sluggish pacing, predictable meandering narrative, and Mike Irwin's jarringly wonky and incongruous electronic score leave something to be desired. The acting is likewise hit or miss: Cal Bartlett cuts a suitably hateful figure as ruthless ring leader Jed, Brenda Venus makes for a fetching damsel in distress, Isela Vega contributes a lively turn as a feisty Mexican woman, and Ralph Willingham dreadfully hams it up as annoying comic relief crazy old coot Weasle. An okay diversion.

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bkoganbing
1976/12/07

Joshua starring Fred Williamson in the title role tells the story of a returning black civil war veteran who finds his mother murdered and some other woman abducted by this gang of some really loathsome cretins. Of course Williamson's duty is clear.The film was shot in the sacred John Ford country of Monument Valley, Arizona which as a tourist spot boasts of its fame as a location for some of the best westerns ever done. This however was not one of them.The story of Patty Hearst was fresh in people's minds and the woman abducted decides she likes it with the gang. Let's say she becomes less and less inhibited in her sexual relations with the gang and she's more like an outlaw groupie by the time the film ends.Unless you're a fan of Fred Williamson, pass this one by.

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spj-4
1976/12/08

I don't usually like westerns, but I enjoyed this immensely.Twice! I didn't find the music irritating, as some found it. I thought it developed the drama all the more with each drumbeat & rhythm, as if embracing the beat of hooves on the mostly primitive landscapes encountered! I enjoyed the adventure from the comfortable distance of a lounge room setting, far removed from rattle-snakes & even more vicious & treacherous humans, who were shown generosity of spirit & heart, that they attempted to cruelly & aggressively turn on their hosts. Such remains mostly unresolved, but I liked the coolness of the loner, quietly righting wrongs along the way, mostly against the odds, but with effortless precision & skillfulness if not mastery as he goes about his unfolding journey. You can't help but think this guy would have been a hero, probably much unappreciated, in his earlier journeys! Hence, "the black rider"! Probably relentless & skillful & talented beyond what he has cause to display in each interaction! Personally, I was mindful of the concept of 'vengeance is mine says the Lord!' I could well imagine God inspiring such a man in pursuit of love for his beloved, mother or wife or other aspects of love, as variously reflected here in the powerless but generous farmer, & the quiet ways of the returned war hero on a new mission, who seemed to be threatened more than he spoke! But in his own way, he was a VERY believable "007" in a real world setting of immense hardship & injustice we are not much removed from, but we should be grateful much of the world has moved on from much of what is found here! "The Wild West" was not a place we'd want to return to mostly! Yet its somehow all around us in each advertising break & news bulletin & insights into worlds we are free to observe but not interact with or help, secure we think, but always being observed. Even from the comfort of a lounge chair, where the viewer is free to journey into frontier land for a gripping journey like this, mostly of hardship & heartbreak & enduring suffering, but of much merit, courage, relentlessness into bravery & towards justice & love against the odds! And take with you, as with me, the drum & simple rhythmic beat the repetitive music masterfully captured. As a man of good heart marches on to his inner beat of heart & spirit & soul! Whatever those around him make of him & his love & his quietly honoured concept of justice, integrity & love!!!

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