I like the storyline of this show,it attract me so much

Wonderful Movie

A brilliant film that helped define a genre

This movie tries so hard to be funny, yet it falls flat every time. Just another example of recycled ideas repackaged with women in an attempt to appeal to a certain audience.

I am watching this film on TV right now. If you are in the mood, it is hilarious. "How did you sleep?" "Terrible. I was up all night, trying to get the window open." "The room doesn't have a window." "No wonder I couldn't get it open." The movie is a terrific period piece (early 60s), with sight gags (man cutting steak with a newly invented electric knife cuts the table in half), period references (hitching a ride from the Beverly Hillbillies). Every B actor from the 1950s has a walk on, and even some greats like Milton Berle and Danny Thomas can be seen. If you want some kind of incredible plot with tricky double crosses and new sports cars driven off bridges, pass on this. If you feel like fun, lean back and laugh.

This was a lost film for decades, until someone at Turner and United Artists resurrected it for a few TV showings. Apropos of all the other reviews here, unless you enjoy 60s culture as viewed by middle-aged men of the period, the movie will leave you at a loss. Morey Amsterdam, who co-wrote and produced, and Rose Marie are alternately embarrassing and silly. Morey's one-liners were dinosaurs on the vaudeville circuit and would have been rejected immediately for the Alan Brady Show. A low-budget and unfunny pastiche of bad jokes that simply painful to sit through. However, there is some amusement in seeing Richard Deacon try in vain to rise above the material. A few of the cameo roles are of historical interest. A bomb at the box office when first released in 1966, this film is best left in the vault.

Even by the dismal standards of mid-1960s spy spoofs (others have titles like "The Last of the Secret Agents?" and "The Maltese Bippy"), this is a forlorn little comedy, shot on Desilu sets and looking like a quickie TV show. Every Desilu TV star on the lot that day puts in a witless cameo (Irene Ryan, Danny Thomas, Carl Reiner); the rest is Rose Marie and Morey Amsterdam, Buddy Sorrell and Sally Rogers in all but name, exchanging lame repartee as a bumbling pair of friends to a nubile bookstore owner (the conspicuously untalented January Jones), all of them caught up in labored international intrigue. Amsterdam co-wrote the screenplay and thus has only himself to blame, but he and Rose Marie look distinctly unhappy amid the low-budget surroundings, and the movie's reputation as a legendary stinker is well deserved. Harmon Jones, who actually has a good movie or two to his credit, directs in a grab-the-paycheck-and-run style that's winceworthy.

This had a long reputation as one of the worst movies ever made, though few had actually seen it. It took me until the winter of 2007 to catch up with this one, and while by no means a good movie, it is at least an interesting one. I understand that the backstory behind this low budget production was that The Dick Van Dyke Show was wrapping up, and a few of its stars put together an independent movie. Morey Amsterdam produced, co-wrote, and starred, along with Rose Marie and Richard Deacon. As insurance, he filled his script with jokes, and filled his movie with cameos. Its plot about spies and espionage does not hold together, but now, after 40 years, the movie works on another level. The plot is dated, the stars and cameos are very much from another era of showbiz, and the jokes are of the irresistibly corny variety that have also faded into memory. So now the film is a quirky little cultural artifact of sorts. It is not good cinema, but in the wake of the Police Academy series, Dude Where's My Car, and Freddy Got Fingered, it can hardly be called among the worst movies ever made. It is offbeat, silly, dated, and, if you're in the right frame of mind, rather fun, especially if you have an interest in the era, or fond memories of it.