The Worst Film Ever

good back-story, and good acting

Excellent, Without a doubt!!

Easily the biggest piece of Right wing non sense propaganda I ever saw.

If a movie gives you Hedy Lamarr to look at, it seems churlish to complain. But even the presence of one of the most beautiful women who ever lived, plus the adorable June Allyson and the endearing Robert Walker do not begin to compensate for the hideously vulgar and phoney goings-on.This routine princess-falls-in-love-with-ordinary-American comedy is joined with a love story between Walker and Allyson, the woman he really loves without realising it. |Nothing wrong with that, but she is paralysed from the waist down. Why? Because--the doctor gives us his medical opinion--in childhood she was not loved enough!Can you imagine the feelings of parents of crippled children on hearing such a thing? Back in the Forties, most people would have thought such a question absurdly oversensitive, but now it's a matter of common decency. Not only that, there is a long dream sequence in which Allyson imagines herself, in a feathered evening gown, dancing with Walker. Worse yet, at the end she actually begins to walk! and starts dancing with him! In the absence of a FAIRY princess to wave a magic wand, this is repulsively vulgar and cruel.Not only that, but Allyson is portrayed in a manner right out of cheap Victorian sentimentality. She does not sit in an ugly wheelchair but reclines on a couch, rising from it only when Walker, visiting her in the evenings, carries her to the roof for some fresh air. I wonder if any kid in the audience ever piped up, "How does she go to the bathroom?" She has a lovely flat, full of antiques and beautifully kept, which is understandable, as she works at painting dolls, and earns as much as--$3 a day! Poor June! She spends the whole film in cotton pyjamas or a floor-length, high-collared, puffed-sleeve nightie, while Hedy gets to float around in one fabulous evening gown after another.Some more hypocrisy: The princess wants to see some low life, so Walker, very reluctantly and apologetically, takes her to a place where the floor show is a couple in 19th-century costume, singing "Wait Till the Sun Shines, Nellie." Positively decadent! One man punches another, leading to the kind of phoney free-for-all that happens only in the movies. I have always wondered why, if two men start fighting in a saloon, other men should suddenly start fighting each other all over the place, and women should whack them over the head with bottles. Any suggestions?

Hedy Lamarr plays a foreign princess who travels with her entourage to New York City in the hopes of meeting up again with a former flame who writes a daily newspaper column (and detests royalty!); while staying in a swank hotel, the princess is befriended by a boyish, charming bellhop who develops a crush on her, despite the fact he's also playing big brother/boyfriend to a bed-ridden girl who lives in his walk-up. Very odd romantic comedy seems to lay the character eccentricities on a bit heavily...but once the mechanisms of the plot take hold, the players seem more at home within this scenario, which is jaunty and friendly more than funny. As the bellboy, Robert Walker doesn't seem to know whether to play his role like a grown-up or a klutzy kid--so he does both; he's very ingratiating with his double-takes and exasperated looks (he gives the hotel receptionist a beaut!), and a lengthy scene early on--with Walker reading a fairy tale out loud to his girl, and indeed the neighborhood--is very tricky yet easily pulled off by the actor. Lamarr is less successful; her royal visitor doesn't require a lot of joy or spontaneity, and she isn't reluctant to show her emotions, but still she's an awfully grim beauty, harboring love's disappointments. June Allyson has the strangest role, that of an invalid girl who can walk but chooses not to (?), but she beams like Judy Garland and her smile is a welcome relief after too much of Lamarr's scowling. There's a nice musical dream sequence that seems a little padded, yet the hotel staff, Agnes Moorehead's Countess, and Walker's cohorts are all a very likable bunch. Not a completely successful fantasy, but a well-produced, well-paced one with lots of happiness to go around. *** from ****

I just saw this movie last night on TCM. I thought it was really sweet and funny. I would also like to own it on DVD.It's about this princess who isn't happy because she's not with the one she loves.She visit's new york hoping to find him. Meanwhile you have this Bellboy named Jimmy and his friend Albert take care of this pretty woman named Leslie who can't walk. Jimmy ends up being the princess's personal attendant. She wants Jimmy to help her find Paul the one she loves which Jimmy doesn't realize he's doing so he thinks the princess likes him. Jimmy is fond of her so he end's up spending most of his time with her then Leslie. Leslie is very much in love with Jimmy and wants him to be happy. Jimmy later realizes that he does loves Leslie in return and so he stay's with her to love her and help her walk again. The princess wants to be with Paul so she wants to give up royalty for him. Sweet movie.

Hedy Lamarr is a princess in love with a commoner - and Robert Walker thinks he's the commoner - in "Her Highness and the Bellboy," a delightful 1945 movie that costars June Allyson and Rags Ragland. Walker is one of Hollywood's most tragic stories - a talented actor whose personal problems led to a year-long institutionalization and later, his sudden death shortly after his brilliant work in "Strangers on a Train." Here, he is energetic, fast-talking, and adorable as Jimmy, a clumsy bellhop assigned to Princess Hedy while she's in New York with her aunt (Agnes Moorhead). Hedy is fantastically beautiful, as always, though her part isn't very showy compared to the others. June Allyson plays an invalid who lives upstairs from Jimmy and his buddy, played by Rags Ragland. She's very young, pretty, and sweet as a lonely young woman whose life is brightened by the constant entertainment of these two men. She's in love with Walker, and when he develops a crush on Lamarr, her heart breaks. Lamarr is in love with a columnist, (a wooden Warner Anderson).This movie seemed on the long side, but it's very warm and entertaining fare. Six years later, Walker will look as if he's aged 20 years. He's a light that went out too soon, and it's nice to remember him at his most vibrant.