Great Film overall

Bad Acting and worse Bad Screenplay

Absolutely the worst movie.

This is one of the few movies I've ever seen where the whole audience broke into spontaneous, loud applause a third of the way in.

..."When I think about the Moonlight on the Wabash, I'll think about my Indiana home." Remember Jane Froman singing that beautiful song? Well, you can just forget about the tune in this 1944 film. That being said, the musical score playing this song is about the best thing this dud of a film has to offer.Lon McAllister plays the troubled youth who comes to live with his Uncle and Aunt Bolt, played by Walter Brennan and Charlotte Greenwood. Greenwood has one very effective scene in the film when she describes to her nephew why Uncle Bolt is the way he is. It's all about the usual gripe and grudge he has against his former partner, played by Charles Dingle. Remember him 3 years before as Bette Davis's suspicious brother in "The Little Foxes?" Dingle is reduced to having little to do here. The plot in the film is weak and the script is even weaker. Jeanne Crain, in her supposed first mature film, comes off as if she is ready to join Mickey and Judy to create a show in the barn.The film deals with horse racing, something which was close to Walter Brennan's heart when he starred in his supporting Oscar winning performance 6 years before in "Kentucky."The disappointing end with the horse matches the film-one big disappointment. See June Haver, Mrs. Fred MacMurray, as the girl with designs on McCallister as well.

Hard not to like this picturesque celebration of America's heartland. Sure, it's idealized, filmed as though it stepped off the pages of a glossy Town and Country magazine. And that's along with a super-engaging Crain and McCallister whose two youthful innocents seem worlds away from today. Add Brennan and Greenwood as the tough-love adults and it's a great core cast. The values are strictly family and conservative-- right down to grace before dinner-- but in a non-sanctimonious way.Director Hathaway paces the spare plot nicely so that events never drag. McCallister's got to get surrogate dad Brennan back into the horse business. But to do that, he must win a trotter's race (an Indiana specialty), and in the process develop eyes for the de-glamorized tomboy Crain who's stuck on him. Naturally there are complications, including Haver's glamorous rich girl who proves a temporary distraction. But, surprise, surprise, things do work out in the end.No, they sure don't make 'em like this any more, right down to the Huck Finn swimming hole and Greenwood's stern mother figure looking like she stepped off that famous American Gothic painting. Hollywood's nostalgia factory was hitting on all eight with this warm, non- sappy tale. I guess my only reservation is why they went to Kentucky to film a tribute to Indiana. Oh well, we're probably lucky they didn't cut corners and do it in the studio backlot.

Home in Indiana is a wonderful movie. I saw this on AMC when I was a kid and still remember it. It's a film about a troubled youth who comes to live on his aunt and uncles farm. At first he doesn't want to be there but then he makes some friends and eventually gets involved in some kind of chariot horse racing. The music score and talent makes this film a classic. Another movie called April Love, with Pat Boone and Shirley Jones , came out about 20 years after Home in Indiana and copied the premise of the movie. Jeanne Crain is the one I remember most in this film, I think it was her second film. I think Fox released this movie and I hope they release this timeless movie on DVD soon, along with other Jeanne Crain films.

Your reaction to HOME IN INDIANA will depend entirely on whether you are a horse racing fan or at least a fan of films about horse racing. Since I am neither, I found this movie pretty dull going except for the acting and human interaction.Walter Brennan and Charlotte Greenwood are very good in the early part of the film and are convincing as the tough, unsentimental guardians of Sparke, played by Lon McAllister. Jeanne Crain is fresh and likable and was clearly a face, body and personality to watch, though she looked much prettier and sexier a year later in STATE FAIR. June Haver presents us with her doll-like perfection and seems as bright, chilly and inhuman as ever (she later became Mrs. Fred MacMurray after a stay in a convent).The real find here was Lon McAllister. Poised and completely charming, he had an easy way with dialogue, an expressive face and an ingratiating smile. This should have been the beginning of big things for him, but it wasn't. Too bad the perky, Mickey Rooney boy-next-door types were going out of fashion (Rooney himself never regained the stardom he enjoyed before he went into the military during WWII.) McAllister ought to have succeeded in television, but perhaps he tired of show business. Wonder what happened to him after this?