Tells a fascinating and unsettling true story, and does so well, without pretending to have all the answers.

If you like to be scared, if you like to laugh, and if you like to learn a thing or two at the movies, this absolutely cannot be missed.

It’s not bad or unwatchable but despite the amplitude of the spectacle, the end result is underwhelming.

It’s fine. It's literally the definition of a fine movie. You’ve seen it before, you know every beat and outcome before the characters even do. Only question is how much escapism you’re looking for.

I thought it was a pretty good film. I loved the story lines. And the music was really good throughout the film. It showed young black people from a another perspective. It was fresh and innovative. It reminded me of Spike Lee's "She's Gotta Have It". It was edgy and provocative. I would like to see each of the stories developed into short films of their own. Too bad we can't see more films of this caliber on the big screen. The way young black people are depicted in American culture is often disheartening. I look forward to seeing more films from this writer/director. Maybe we can start telling more of our stories from other point of views besides the "hood" point of view.

Touted as a between-the-sheets peek at black love and sexuality, this bit of gold is one of the purest representations of those moments that you either find yourself in or overhear when you're not listening.Written and Directed by Dennis Dortch, this film delivers five bite-size vignettes that touch on some very good points about sex and its ruses. The cast is made up relatively unknown actors and that brings some authenticity to it since you're not setting yourself up to see what a big-wig actor is doing in the movie. The soundtrack is also a very solid stand-out feature and a fringe benefit indeed, every song or instrumental quip adds a bit more flavor to whatever mood or tone is on the screen, building an ambiance that pulls you in more to the stories. After watching it though you may feel a bit mislead as all the stories are fairly universal and not set in stone as stereotypically black. The fact that most of the actors are black and it's not a sleaze-fest or an overly-dramatic, Tyler Perry-esquire film brings it to an avenue that makes it accessible to just about everyone.Each story has a mood and pretext of its own, so as to not give anything away, I'll be as vaguely detailed as possible. Reciprocity dips into the whole 'giving and receiving' scenario and shows how persuasive and impatient we can get when what we want is dangled in front of us. The characters, Jeanette (Kathryn Taylor) and Tony (Brandon Valley Jones) engage in some foreplay and one whimsically shortchanges the other after getting a late-night special. The reactions and the haggling is very rewarding and the clip is just long enough for you to appreciate the gist of the moment. Her Man touches on an all-too-familiar exchange, for Bahamians at least, sweet-hearting. We get to see a gradual heated exchange between a married man, D'Andre (Marcuis Harris) and his woman-on-the-side, Helena (Chonte Harris). This is probably the most dramatic of the vignettes and stands out amongst the others because of its emotional value, brilliant acting and dialogue. You will find yourself not knowing who to root for or even if you should root, given the situation. Broken up into two parts, Tonight puts us with Tamala (Mylika Davis), a sprightly teen, as she celebrates her Fourth of July birthday. The first part touches a bit on peer-pressure and how some guys can get aggressively persistent when it comes to sex and it shows just how strong and resistant women can - and should - be in those situations. The second part introduces, Julian (Jerome Hawkins)- a friend's older brother and deals with the laws of attraction, basically, and shows just how cocksure women can get when they want something and how resilient one should be when things fall apart. (Reprise), the shortest of the bunch with Candi (Nana Hill) and Russell (Kareem j. Grimes), gives us a peek into sexual exploration and a nice heads-up on how couples can ease each other into new territory. The last is American Boyfriend, this is the only one that I felt sold itself short because it had so much potential. It deals with interracial coupling and takes it a step up by having the girlfriend, Jasmine (Emily Liu) be Chinese and the boyfriend, Jesse (Alphonso Johnson) be not only American but African-American. This dives in to two stereotype pools as people will tell you that Asians are notoriously cliquish when it comes to coupling, especially if the family is traditional and African- Americans can be very political when it comes to dating outside of the shaded area. With that, Jasmine has yet to tell her parents that she has a boyfriend- that isn't Asian and, as fate would have it, her family comes by for dinner whilst her boyfriend is over, ushering her to hide him until they leave. As the day passes, Jesse gets restless and the family starts to weigh in on Jasmine's personal life and an abrupt interaction happens, much to her dismay. The dialogue from both perspectives is pretty decent and it leaves you jumpy to see what happens, however, this is probably the only one from the bunch that will leave you wanting more.A Good Day To Be Black & Sexy is a great find and you will enjoy it with friends, albeit friends that are mature and comfortable enough with their own sexuality. There aren't any Gay or Lesbian interactions here and that may alienate a few but it's still a great watch, even if you just want a fresh black-themed flick to relax to.Standout Line: "You called and invited yourself over, I cooked and now you got beef. What is up with all of that? You got a problem with me trying to make you happy today?"

This movie snuck up on me. I was clueless to its existence the week it blew into a local multiplex. 7 days later it was gone and I had to scramble to find an insider friend with a screener so I could see just what was meant by the title "A Good Day to Be Black and Sexy." Frankly, I was left with the cinematic equivalent of blue balls (quite the cross to bear for a black man).The film is a series of six vignettes...wildly divergent ones at that - from tone and style to length and level of eroticism. The film's title, poster and trailer all led me to believe I was in for more heat than I received and no clue to its sophomoric drama. Had this been marketed as about young people and the baggage that comes with sex, I would have been better prepared for what was delivered on the screen.The most satisfying story comes early in the sequence: Vignette #2 subtitled "Her Man." This episode had the deftest balance of sexiness and storyline. It opens with a couple in the middle of some slow-n-sweet afternoon delight - woman on top. We soon learn that this is a married man being ridden by his chick on the side - at her house - and running late to get back to work and his wife. A tug of war of wills ensues that is very realistically acted out as both parties are forced to share their feelings about what is really going on here...beyond the bonin'. The dialog is so well done that you wonder what percentage was improvised off of a given story arc, then fortified by some slick post-production editing between two or three takes. Both Marcuis Harris and Chonte Harris are strong here (and not related, I hope...unless they are a real life couple which would explain their undeniable chemistry). Plus Chonte makes the cutest facial expressions, conveying a myriad of emotions. The end of this story, which hinges on the guy's serial carelessness with his cellphone, will have folks shouting back to the screen, "Oh, no she didn't!" The other eps suffer from being overly long, poorly lit, woefully improbable and/or just not hot. The opener, "Reciprocity," while mildly humorous, will have ladies and gents alike calling the girl out of her name for her sexual selfishness. The two-part story "Tonight" takes forever to make a point about the way a young girl (a very sympathetic Mylika Davis) chooses to lose her cherry. (Note: this would have been an appropriate place to send a safe sex "message" by at least panning to an open condom wrapper.) A quickie dealing with a straight man's adamant refusal to partake in anything anal-erotic is damn near unintelligible. And in the closing segment "American Boyfriend" - about a Chinese girl trying to keep from her family that she's messing around with a Black guy - the biggest laughs go to her sister (the fetching Chris Yen) whose attempts to one-up the situation by coming out about her lesbianism at the dinner table steal lead actress Emily Liu's thunder.Besides "Her Man," the only other saving grace is the music - well-chosen selections ranging from Rahsaan Patterson and Teena Marie to several lesser-known acts serving up some seriously sensual boudoir boot-knockers. When this DVD-destined misfortune descends from late night cable to urban video bargain bins, tossing in a CD or MP3s of the soundtrack songs as a bonus would surely increase sales. Also identifying the songs by scene in the end credits, as was thoughtfully done in another recent black indie film "Medicine for Melancholy," would be helpful for both the musicians and consumers. In the meantime, director Dennis Dortch should market this as the black hybrid "Love American Style"/"Afterschool Special" that it is, or bump and grind on up to an NC-17 and truly bring black and sexy back.

With a little fear and trepidation, I saw this film at Sundance in Jan 2008. I ended up enjoying it immensely! Instead of one story with a single set of characters, the movie used several vignettes (each with different actors) to cover different sexual scenarios with realism, sensitivity, humor and intelligence. The camera angles and editing style lent a visceral "reality TV" feel to the movie, but never was it pornographic or in bad taste.This set of stories have a little something for everyone because these experiences and situations are universal to being human. Two of the stories in particular still make me chuckle when I think of them because I've been there (well, almost!). Lastly, the soundtrack is a perfect match for the film. Filmmaker Dennis Dortch spent some time as a recording engineer before deciding to go into film, and this results in a soundtrack that is tight and very complimentary to the mood; a work of art in its own right.