Very well executed

Sorry, this movie sucks

Perfect cast and a good story

hyped garbage

Not a great film by any means, this is still an interesting study of a woman standing by her man in the hardest of times and stepping aside when she believes that she is no longer needed in his life. Barbara Stanwyck give one of her typically multi-dimensional performances as a woman over 100 years old who tells her story to a rising female biographer, flashing back to her days as a very young girl in Philadelphia society and moving on to the wild west when tragedy separates her from the man she loves, rising politician Joel McCrea.While the narrative is excellent, dragging segments and some convoluted details makes for a missed opportunity for what could have been a classic. It is similar in many ways to the Greer Garson/Walter Pidgeon teaming, "Mrs. Parkington", and is a tribute to the bravery and integrity of the men and their women who helped the foundation of our country. Directed by William A. Wellman, it is not just a women's story, but like the best marriages focuses on what partnership. It was a propaganda film of a different sort for World War II, and holds up still on many levels. Brian Donlevy is excellent as the man who stands between Stanwyck and McCrea, while Thurstan Hall is her imperious father. Young K.T. Stevens is sincere as the young girl who reminds Stanwyck (hidden behind old age make- up and a Whistler's Mother dress) that everything is important when your young. So while this isn't one of her best known films, performance wise, it is a true sleeper.

This is a woman's picture (specifically, Barbara Stanwyck's picture). The narrative skips large portions of time. What a surprise to see in the opening credits that the screenplay is based on a short story by Vina Delmar. Surely, it seems to be based on an epic novel-- and it could easily have been stretched out to 'Gone with the Wind'-style length. The film is compromised by the constraints imposed by the production code (involving the bigamy of Joel McCrea's character and an extra-marital affair between Stanwyck's character and Brian Donlevy). But Miss Stanwyck's hard work helps pull off the story, and the flood scenes are very well photographed, especially a sequence with an overturned stagecoach and infant children. It is easily the most memorable part of the film. There is a lot of rain/water used in this picture. In one scene, the entire studio floor is visibly flooded.Some aspects of the plot are too contrived. It is a little too easy for Stanwyck to turn back instead of going on after the bridge tragedy to find McCrea. Maybe if there had been a quick scene of her attempting to locate him, but the road being washed out where she was forced to turn back, then that would have been more believable. Did anyone else feel as if the biographer was going to turn out to be Stanwyck's stepdaughter, or rather, the daughter of McCrea's character with his second wife? I suppose the filmmakers were prevented from showing McCrea as having committed bigamy, though the marriage certificate at the end proves it.

When the statue of the founder of Hoyt City, Ethan Hoyt (Joel McCrea) is dedicated, the sensationalist reporters and a biographer (Katharine Stevens) head to the house of the one hundred year-old Hannah Sempler (Barbara Stanwyck), where Ethan died, to know the relationship between them. Ms. Hannah sends them all out but the lady. Then she tells her life since she was a teenager and felt in love with the pioneer Ethan. In 1848, in Philadelphia, Ethan dreams on building Hoyt City, but he needs financiers and influent people to change the route of the railroad. Hannah decides to leave her upper-class father and marries with Ethan. Eight years later, she meets the gambler Steely Edwards (Brian Donlevy) and they become close friends. When Ethan discovers silver, Steely lends money to Hannah with the condition that she does not go to the mines with Ethan. Along the years, Ethan becomes rich and far from Hannah that he believes had died in a flood. Years later, they meet each other again in Hoyt City but their love is doomed since Ethan has raised a family of his own."The Great Man's Lady" is a classic with some of my favorite directors (William A. Wellman), actresses (Barbara Stanwyck) and actors (Joel McCrea and Brian Donlevy); and haunting music score by Victor Young. Unfortunately the story is a confused romance with a not well-explained triangle of love. I did not understand the quote "spring never comes again", since spring returns every year. My vote is six.Title (Brazil): "Até Que a Morte nos Separe" ("Till Death Do Us Apart")

~~~Since I was only 12 when I saw this years ago, I was very impressed with everything about the movie-----the stars, the storyline, the costumes, the historical flavor, and the emphasis on the noble character of the leading stars----Barbara Stanwyck and Joel McCrea who were always great in everything in which they ever appeared. It was the only movie I ever returned to see the second time before I started seeing numerous repeats on the TV Movie Channels. The movie starts and ends with Barbara Stanwyck portraying an elderly lady who tells the story of her relationship to Joel McCrea from youth through maturity. Through a series of flashbacks, Stanwyck tells her story to a pretty, young, blonde reporter who is interviewing her in the hope of getting a hot story on the day an imposing statue of McCrea is dedicated.