hyped garbage

A movie that not only functions as a solid scarefest but a razor-sharp satire.

It’s not bad or unwatchable but despite the amplitude of the spectacle, the end result is underwhelming.

The film's masterful storytelling did its job. The message was clear. No need to overdo.

WHEN ONE WANTED to take an already frightening story and turn it into an even more disturbing shocker, there are two steps that would insure success. First, cast Lon Chaney in the Lead. Secondly, have Todd Browning direct. Fortunately for MGM, in 1925, WEST OF ZANZIBAR had both going for them.AS MANY OF the dramas of the period did, this film had a Show Business setting. In this case, we have Stage Magician, Professor Phroso (Lon Chaney), suffers the loss of his spouse, Anna (Jacqueline Gadsden)to her lover, Crane (Lionel Barrymore). The two men quarrel and fight, where Phroso suffers a severe fall; leaving his legs paralyzed and "dead." YEARS LATER, BOTH men are in Darkest Africa, where Phroso operates a trading outpost; where he uses his skills at prestidigitation to cheat Natives out of ivory. Eventually, Mazie (Mary Nolan) daughter of the now deceased Anna, comes under Phroso/"dead Legs" control and is left to wallow in the worst den of debauchery in Zanzibar.AFTER DIRECTLY CONFRONTING Crane, "Dead Legs"/Proso discovers that Mazie is after all his daughter. A sudden uprising by the African Natives, who have been cheated for so many years in the "Dead Legs" trading post, threatens to kill the Daughter and Proso sacrifices his own life; allowing Mazie to escape with young 'Doc' (Warner Baxter).OUR SYNOPSIS CAN do no justice to the film. With this outstanding "Duo of the Macabre", being Mr. Chaney and Mr. Browning, every scene is saturated with disturbing and frightful implications. DISDAINING THE BLOOD & gore that has come to be synonymous with "Horror", the production team instead creates all of their horror in the mind of the viewer.Please, please take the time to screen this film if you haven't yet done so. If you have, see it again

The opening sequences of Lon Chaney as the magician foreshadow the dark atmospheres that director Tod Browning would later create for Freaks and Mark of the Vampire. Excellent photography and an astonishing physical performance that was the hallmark of Chaney's work. I remember this film being shown on Chicago's PBS outlet WTTW-TV during the 1970s. It was tinted in certain scenes and featured a new score that was fresh, yet not too modern. A master from this television showing has to exist somewhere.Why this fantastic film is not more readily available is a mystery. It deserves to be seen on DVD or Turner Classic Movies.

West of Zanzibar (1928) *** (out of 4) Tod Browning's shocker about a man (Lon Chaney) who loses his wife to another man (Lionel Barrymore) but to make matters worse he also paralyzes him. The man eventually moves to Africa where he sets up shop with plans to seek vengeance by kidnapping the daughter that the lover had with his wife. It goes without saying that once again Browning creates a world of weirdos, crazies and downright evilness that no other director could ever create. It also goes without saying that Chaney once again delivers a brilliant performance and again he's able to get sympathy while at the same time coming off evil. Chaney has a lot of work to do with his crippled body and he pulls this of without a hitch. Barrymore and Warner Baxter also give good performances. The final showdown between Chaney and Barrymore is priceless as is the big plot twist. Later remake with Walter Huston as Kongo.

Crippled during a confrontation with his wife's lover, Phroso, a famous English magician (Lon Chaney, Sr), vows to exact terrible revenge on wife and lover. A couple of year's later when the wife, fatally ill, returns to London with a young child, Phroso's plans are put into action. After she succumbs to her illness, Phroso emigrates to Africa with her child, where the wife's lover is an ivory trader, a vocation also undertaken by Phroso. Now known as Dead-Legs he becomes the most feared and degenerate backcountry ivory trader west of Zanzibar. He raises his daughter, who he presumes is not his own, to be a drug-addicted prostitute. With his wife's child debased, he waits like a spider in his web for the man who cuckolded and then paralyzed him. Dark stuff, this.It's a morbid although entertaining little tale, and Lon Chaney gives his usual top-notch performance, transitioning from the big-hearted Phroso to the crippled (in both body and sole) Dead-Legs. The movie is worth watching just for his performance. Tod Browning is in his element and delivers up a dark, creepy tale. So what that the plot twists are telegraphed from a mile away, and the portrayal of Africans is negatively stereotyped. If these shortcomings can be overlooked, this is a good example of the Browning-Chaney collaborations. Not bad for a silent film, which has a recorded soundtrack, coming as it did on the cusp of the transition to sound.