Very well executed

Pretty good movie overall. First half was nothing special but it got better as it went along.

It's entirely possible that sending the audience out feeling lousy was intentional

It's the kind of movie you'll want to see a second time with someone who hasn't seen it yet, to remember what it was like to watch it for the first time.

The only thing I enjoyed about this movie was the concept. I was hooked by the cover art and the synopsis on the back of the DVD and so I rented it. I was very disappointed in the low budget quality and poor acting. I could have made a better movie using my old mini-DV camera. If "B" quality doesn't bother, perhaps you could get into this. I can think of hundreds of cool ideas to take this idea - the idea that only 180 something people are left on the planet. Think of the infrastructure - buildings, roads....THINGS, you could pillage from billions of abandoned buildings! The film seemed to barely touch on some of the essentials you'd be forced to deal with right away, like how to sustain your food and shelter. Let's hope maybe a bigger studio or something buys the rights to this story.

In the 12 years of scrounging since everyone they loved died and society collapsed, nobody really seems to have changed that much. When they aren't having dinner parties, surfing or smoking weed, they look like they have been.The improvised dialogue is more about what the actors think of our present society than a convincing picture of a future one. The woman who wants to have a child and raise it on her own is particularly ridiculous. Who in their right mind would seek to become a single parent in a world with no reliable medical care or food supply? The movie actually improves quite a bit in the last 30 minutes. The cinematography gets better, the acting gets better, and there is finally some tension and plot connected to the setting.Then the movie ends.

"Ever Since the World Ended" doesn't illuminate itself with flashing bulbs and overly artistic camera work, nor does the film degrade itself by venturing into the over-dramatic and quasi-philosophic. Rather, the movie succeeds at what it intends to be: realistic.The comparison between older characters longing for the pre-plague past and younger characters acknowledging cynicism for the materialistic life we find ourselves in now provides an interesting scenario in itself. Where the film truly shines is during the small and almost subtle moments of humanity: shots of San Francisco completely devoid of activity and life. Simple footage of an area known for its population suddenly vacant make for simple yet profound imagery; to actually imagine such a transformation is, in itself, rather difficult.Additionally, any viewer with any sort of historic appreciation can participate in the following scenario: Even now, people marvel at the innovations, art, engineering and lifestyles of ancient civilizations. Perhaps inadvertently, "Ever Since the World Ended" sets its future generations up with this scenario. What existed before was a civilization of skyscrapers and vivid imagery; what exists now (in the film) is a world of close-knit personalization and a general worldly-innocence. Although generations immediately following the events in the film would probably not 'appreciate' (for lack of a better term), the past that was, the generations in the future conceivably would (like we do today with the Greeks, Egyptians, and so on).Although this movie lacks a certain flash that certain film-goers demand, it still provides an interesting view into the hypothetical future of mankind. Post-apocalyptical stories may not be uncommon, but certain stories seem more tangible than others; this is one of them.

This is an interesting experiment, but just an experiment,and in no way ready for prime time. What bothered me most(and there were a lot of things that bothered me) was the absolute failure of imagination. Here, Calum Grant, the writer of this "the-end-of-the-world-as-we-know-it" scenario, can't let go of the world that has just ended; the survivors (as he imagines them) carry on as if they are in some self-actualization collective. It is SO "west coast" that it becomes a laughable re-affirmation (and this crowd "re-affirms" every five seconds) of every San Francisco stereotype I've ever seen. They don't have to show the Golden Gate bridge, one knows after the first ten minutes of dialogue where this is set. I give credit, as I always do, to the people who had the determination (if not the talent)to get this project off the ground and finished. However, if these yappy, later-day hippies are all that's left of civilization I'd be tempted to shoot myself...no, wait...I'd shoot them first.