The Graham Vicks production of FALSTAFF opened the new Covent Garden Royal Opera House, and was not to everybody's taste; the garish primary colours of the costumes. The staging is effective--the complicated counterpoint of the ensembles is reflected in unobtrusive blocking that keeps the vocal lines clear and separate, especially in the final fugue. Bryn Terfel's Falstaff is a memorable creation, self-mocking and self-aggrandising at the same time--so much so, in fact, that he almost does not need the vast prosthetic body he has to wear for the part. Desiree Rancatore is an admirably sweet-toned Nanetta; Bernadette Manca di Nissa an appropriately sardonic Mistress Quickly; Roberto Frontali as Ford, in his Act 2 scena, perfectly distils and parodies every jealousy aria ever written, including Verdi's own. Haitink's conducting is exemplary in the lyrical passages, gets almost everything out of the fast and furious comic sections.
Similar titles
Reviews
Thanks for the memories!
If you don't like this, we can't be friends.
Entertaining from beginning to end, it maintains the spirit of the franchise while establishing it's own seal with a fun cast
I really wanted to like this movie. I feel terribly cynical trashing it, and that's why I'm giving it a middling 5. Actually, I'm giving it a 5 because there were some superb performances.
As much as I like the 1999 production with Bryn Terfel, I do prefer this one from 1982. One major reason is Carlo Maria Giulini's conducting which is very musical and restrained yet also passionate. The orchestra are also magnificent, with a rich vibrant sound.The costumes and sets are appealing, likewise with the lighting, while the sound and picture quality are first rate, and while he has done better work before and since Brian Large does an exemplary job with the video directing especially in Act 2 Scene 2.The staging is conservative yet inspired (with neither Ford or Falstaff doing their imitation of Alice which can be rather vulgar for some), perhaps rather pedantic and square at first, but once the story gets going it gets wittier.The story is always entertaining, the characters likable and compelling my favourites in this case being Nanetta and Falstaff and the music, while I don't put Falstaff as a whole in my top 5 of Verdi's best operas despite being his final masterpiece, is fantastic.The distinguished cast in this production prove themselves to be very great here. My personal favourite here is Barbara Hendricks' sparkling Nanetta(her rendition of the Fairy Queen's song is a joy), but I also loved Brenda Boozer's Meg Page, who was very beautiful, extravagant and witty. Katia Ricciarelli excels also as Alice Ford, and the late Lucia Valentini-Terrani's Mistress Quickly is excellently projected vocally.Leo Nucci is perfect as the blustering yet also quite poised(here that is) Ford as well. Dalmacio Gonzalez is young and handsome, and he does look the part of Fenton and sings beautifully, if not quite commanding the stage as he could've done, while Bardolph is a little too clownish at times for my tastes. Renato Bruson, one of my favourite new-found singing-actors is a superb Falstaff, he is a fine actor with wit, charm, charisma yet he is also nuanced and debonair and I can't praise enough his excellent technique and rich velvety voice.In conclusion, a great cast, an excellent conductor and a fine production. 9/10 Bethany Cox
Top Streaming Movies
