Vibrations

July. 02,1996      R
Rating:
4.7
Trailer Synopsis Cast

A musician who lost his hands falls for a woman whose technologically adept friends help him make a comeback.

Christina Applegate as  Anamika
James Marshall as  T.J.
Faye Grant as  Zina
Paige Turco as  Lisa
Scott Cohen as  Simeon
Bruce Altman as  Barry
David Burke as  Geek
Steven Keats as  Lieutenant Cray
John Ales as  Miles
Robert Sedgwick as  Bugger

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Reviews

ThiefHott
1996/07/02

Too much of everything

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SnoReptilePlenty
1996/07/03

Memorable, crazy movie

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Platicsco
1996/07/04

Good story, Not enough for a whole film

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Console
1996/07/05

best movie i've ever seen.

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ben-eck
1996/07/06

James Marshall (our erstwhile hero) slumps into a chair in a black-lit, glow in the dark bedroom. For a second, this could be something in 'Flatliners'. But no. What transpires is far more frightening. Scott Cohen (Max Medina from the Gilmore Girls playing basically the same character but with 808 State instead of Proust, plus a backwards cap) leaps behind a keyboard. A synth sax solo follows. A glissando. "Do you know anything about techno" asks Max. James Marshall stares back, dead eyed. "See, the idea is to get the vibe going". Dead eyes. "Then you maintain the vibe with a transducing bass" (sic). Dead eyes. "We're primal, heading for cosmic". Dead eyes. "And just when you think we're in galactic ecstasy... We go... ACIIIEEEEDDDD!". In walks Christina Applegate. "This is hardcore nutronic mutilation!!" exclaims Max Medina. Yet still, dead eyes. "We're going on a psychotically calibrated, electronically executed, digitally compressed, pus excreting, journey to sonic grooviness!". Finally, those dead eyes light up! James Marshall smiles. He is no longer a drunk deadbeat with no hands. He's a sober hard worker with robot hands and in just a moment he's going to snog Christina Applegate. Things are looking up. That's worth a grin, right? Or perhaps he's just excited about the pus. This film is a utopian vision of all we have lost as a society. They serve mango juice at free parties, for goodness sake. You could afford a spacious NYC apartment just by working in 'marketing' (read: sellotaping fluorescent posters to lampposts and selling t-shirts at parties). If you were behind on your rent you could just sexually abuse your landlady. Wholewheat bread was apparently a novelty. You could wear a white t shirt with a black leather waistcoat and look moderately cool. I wish I was about 15 years older. And the music is actually really good, throughout. Really. There's a moment when they all sit around eating dinner discussing their generation. "We're generation x" says Appleby, "the generation with no name". "Yes" says Max Medina "there's nothing left to invent, no frontiers left to cross. The boomers did all that, we just get to enjoy it". "Actually" says the geeky character (whom they just call 'geek' all the way through) "there is one frontier left. Cyberspace. The space inside a computer. It's the last great unknown". Man. He had his revenge alright.

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lost-in-limbo
1996/07/07

First you don't know what to expect with a title like this, yet alone the cover on the video case (which is different to the one that's on this site). Sci-fi thriller? Far from it. This low-budget straight-to-video fare is set-up through the industrial techno (music of course) scene and inspired for the generation X. Well it seems to think so. It's a drama/blossoming love story/redemption and revenge all rolled into one.TJ Cray has big plans as a musician, but on his way to his first major concert he gets in an altercation with some thugs which involve his hands being served. Depression hits hard where he flees his family and friends and bums around New York City mostly drunk. Soon he's rescued by Anamkia and though hard work he discovers a way around living his music dream again.It was a pleasant diversion in the end with a constantly throbbing, loud and upbeat soundtrack to boot. Well with the subject at hand, you would hope so. Anyhow it won't win any awards and within is a cheesy feel to it all, as at times it goes over board with the sweetness. At least the script remained snappy, quick-witted and involving even though it wasn't the best. A red-headed Christina Applegate gives an appealing performance and certainly glows. James Marshell along side is likable too. Scott Cohen adds to the fruity factor.The story (one of those feel-good types) goes through the motions (and it flows rather well) involving the states that TJ finds himself in (angst, pity and relieve) and when the music scene opens expect a lot of sequences of DJ's doing their stuff in dance raves. This is when everything is turned around. The costume that's created for TJ is rather well-etched too.A decently charming time-waster that's truly grounded in its matter.

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Trace Oakley
1996/07/08

When I first saw VIBRATIONS back in 1996, I described it to friends who swore I was making it up. A keyboardist (James Marshall) has his hands cut off by some thugs playing around with a backhoe. He becomes a homeless bum after his girlfriend flinches at the touch of his fake hands. Our hero then catches some zzzs in a warehouse next to a rave, and is booted out by the manager, played by Christina Applegate. She is later accosted by some thugs - not the same ones who cut off James' hands - and he comes to her rescue just as they pull a switchblade which lands squarely in the palm of one of the fake hands. This frightens the thugs, who wander off muttering that "that dude isn't real or something." Charmed by his heroics, but not his smell, Christina takes James home for a bath. She just happens to live in the same building as some techno-wizards, who create "cyberhands" for our poor disabled protagonist. Just like that he becomes the top handless techno music star in the country. The scene where he's reunited with his policeman dad is too precious, excruciating, and unbelievable to describe, as are the final moments of the film, which involve revenge against the first batch of thugs, and a cryptic nod of the head to dad that clearly signals, "those are the guys who cut off my hands." The acting is atrocious, the script is beyond ludicrous, and it's astonishing that anyone could keep a straight face while on screen.That said, in the spirit of PLAN 9, GLEN OR GLENDA, and others of that ilk, VIBRATIONS is a lot of fun.

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princessbride90
1996/07/09

Okay as the other people have commented, the movie was somewhat corny but, the music was awesome! If you like techno and club music then you have to buy the soundtrack to this one.The plot was good, just a low budget film......what low budget films are usually high ranked? hahaI bought the movie because I saw the preview on another movie I owned and thought it was worth a try. I have watched it numerous times and it isn't that bad. It will make you want to dance though (club scenes) :)Techno rules~Angie~

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