everything you have heard about this movie is true.

If the ambition is to provide two hours of instantly forgettable, popcorn-munching escapism, it succeeds.

The story, direction, characters, and writing/dialogue is akin to taking a tranquilizer shot to the neck, but everything else was so well done.

Blistering performances.

I'm surprised that I'd never heard of THE EYES OF THE MUMMY before I sat down to watch it as it turns out to be a superior and decent little chiller. It must be one of the earliest 'mummy' films out there even though the villain of the piece isn't a bandage-wrapped fiend but rather a sinister Arab character whose love for the film's heroine sees him pursuing her across continents.For a film made in 1918, THE EYES OF THE MUMMY feels surprisingly fresh and relevant. The lack of any real budget is quite obvious in the depictions of Egypt and the like, but the story packs plenty of incident into the running time and the characters are well drawn. Pola Negri is a good choice for female protagonist and convinces in her sympathetic part. Emil Jannings goes down the all-out pantomime route as the villain of the piece and is such a delight to watch. The climax goes down a surprisingly tragic route that more modern horror films would undoubtedly baulk at.

The title refers to Pola Negri's eyes. Captured by the evil Arab, Radu, (well played by Emil Jannings) Negri, as 'Queen Ma,' is forced to be his slave and trick tourists in an Egyptian pyramid by hiding within a sarcophagus with her live eyes showing through its eyeholes. A visiting painter, Albert Wendland, (Harry Liedke) supposedly the hero, falls in love with her and takes her back to Europe.The film works as a kind of proto- 'Hammer Films' melodramatic thriller, as Radu follows her to Europe tracking her down and stalking her to seek his revenge on her having left him. Jannings is darkly made up, but we still get to see his menacing eyes and gestures that made him such a super star in the next decade after the film was made. (For some reason, it wasn't released in the United States until 1922.) Pola Negri does a good job showing her gratitude, devotion and love to Wendland, as well as her alienation from her new European environment and hesitation to participate in it. It's only when she performs a 'native' dance at her coming out party that she relaxes and begins to mix and fit into her new culture (as a popular exotic dancer). Woo! But her dancing! You haven't seen anything this funny since the Babylonian dancers in 'Intolerance' (1916)! All jerky hootchie kootchie motions which briefly profile the curves of her cello shaped body (actually this type of female body was popular in films and soft core during the teens and twenties).The action really picks up as all the coincidences have Radu closing in on Ma. The whole movie is pretty well edited, but the last fifteen minutes are especially well done. While the hero tries to rush to Ma's rescue, Radu exerts his hypnotic Svengali power over her, kills her, and then, after kissing her, out of remorse, kills himself. The hero rushes in, but...too late! This is the kind of tight little thriller / tragedy that Hammer would do so well in the sixties.The Alpha Video DVD I have features a continuous piano soundtrack by Rachel Guches that has some interesting dissonances, but also the pop tune 'My Reverie' (?).Even though the silent miming is a little too much, the film tells an interesting story, moves along at a good clip, and features good acting by Pola Negri and Emil Jannings. I give it a five.

I agree the film was not restored well at all. The music did not go along with the visual images. It seemed as though whoever wrote the score was just not paying attention to the movie. The music sounded rather chipper for scenes that seemed dark and a plot that is haunting. A new version is coming out March 28,2006 with a new music score. Hopefully that one will be much better. I heard that the new score is all piano and that the composer also did the score for The Mechanical Man. Which is a very rare old silent film that was found. Looking forward to seeing it. Hopefully the next version of Eyes of The Mummy will be much more better.

The more silent Lubitsch I see the more I think he's was a lousy silent director who managed to succeed only because he found his niche in sound and comedy. His ANNA BOLEYN, SUMURUN and EYES OF THE MUMMY are just plain awful. This is a very poor film technically and even the great Jannings is wasted as the villain. Negri is effective but overacts badly. Her dance is just plain silly. Only for dyed in the wool fans of the director and the two stars.