Island of the Doomed
November. 15,1967We take six diverse people--an unhappy married couple with a younger wife, a scientist, an older eccentric lady who is voiced in a Fran Drescher manner, a heroic young man (George Martin), and a desirable young woman for him to be interested in--who choose to vacation at the estate of a Count who is engaged in odd scientific research, and watch them deal with the gradual sense of doom...and the gradually more aggressive killer plants developed by Cameron Mitchell. The film is well-paced, and it leads to an exciting climax. MANEATER OF HYDRA/ISLAND OF THE DOOMED must have looked great on a massive drive-in screen back in 1967--it's still worth seeing today for the fan of 60's Euro-horror and for fans of the great Cameron Mitchell.
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Reviews
Good movie but grossly overrated
To all those who have watched it: I hope you enjoyed it as much as I do.
This movie feels like it was made purely to piss off people who want good shows
One of the film's great tricks is that, for a time, you think it will go down a rabbit hole of unrealistic glorification.
"La isla de la muerte" (alternately called "Island of the Doomed" and "Maneater of Hydra" in English) is the sort of movie that only three people could present: Elvira, Joe Bob Briggs, or at least one of the guys on "Mystery Science Theater 3000". I saw it on Elvira's show. It's basically a "Day of the Triffids" ripoff. A bunch of tourists go to an island where a man is breeding carnivorous plants. Naturally, the whole thing is an unintentional laugh riot. To be certain, the character Myrtle reminded me of Kyle's mom on "South Park", while the character David looked how Tony Randall would look if left in the microwave too long.Anyway, it's the sort of thing that you watch for pure entertainment. When the Mistress of the Dark presented it, she naturally added no shortage of campy commentary (namely that a plant-themed movie has a character whose last name is Moss).PS: director Mel Welles played the flower shop owner in the original "Little Shop of Horrors".
Cameron Mitchell is a mad botanist on an island in the Mediterranean where he is raising weird carnivorous plants and hybrids. He is visited by some tourists who have been brought over to tour the island (and become lunch). As time goes on and the tension between the tourists rise, the bodies begin to accumulate, will anyone be safe? Weird and wacky (in a good way) Euro-horror film about killer plants. This is the definition of guilty pleasure. Its the sort of Late night schlock film that is just too of the wall to be believed. Actually the film is mostly played rather straight as a typical thriller with something weird going on. Its only in the later stages, when we really see the plants in action that things turn surreal. Give the film points for giving us at least three victims we want really badly to die (wife of the older gentlemen, visiting botanist and annoying American with a camera) Its a scary movie but at the same time these people really do deserve to die. I found myself cheering when each bought it. Of course this film has some great beasties in the hybrid plants and hey are the sort of things that may cause you to second guess the next time you go by your house plants. Worth a look see for those loving wild monster movies. (perhaps as a double feature with the Revenge of DR X aka Devil's Garden aka any number of any other titles)
I hadn't watched this film for about 15 years, but after watching it again I must say that it works quite well. There is an excellent sense of atmosphere created, and Cameron Mitchell underplays his part more in the manner of a Karloff than of a Lugosi (as this is really an update of the old "mad doctor" films of the 30s and 40s). We take six diverse people--an unhappy married couple with a younger wife, a scientist, an older eccentric lady who is voiced in a Fran Drescher manner, a heroic young man (George Martin), and a desirable young woman for him to be interested in--who choose to vacation at the estate of a Count who is engaged in odd scientific research, and watch them deal with the gradual sense of doom...and the gradually more aggressive killer plants developed by Cameron Mitchell. The film is well-paced, and it leads to an exciting climax. MANEATER OF HYDRA/ISLAND OF THE DOOMED must have looked great on a massive drive-in screen back in 1967--it's still worth seeing today for the fan of 60's Euro-horror and for fans of the great Cameron Mitchell (although Mitchell does not dub his own voice).
The heroine in the clutches of a vampire tree, the hero leaping to her aid with an axe - slashing at blood-sucking branches with his weapon - then being attacked by the mad scientist who created the tree, also with an axe!An axe battle between the two, under the writhing blood-sucking branches, in the middle of a rain-drenched thunderstorm. GREAT staging! What happens next is bloody (incredibly bloody, in fact), outrageous, melodramatic, over-the-top, and (dare I say?) EXCITING!Now come on - isn't that last ten minutes worth the previous hour and 20 minutes of bad dubbing and odd characterisation?And what the HELL is that old German woman gibbering on about?Fans of Man-Eating Plants should check out the Mel Welles site.