Save your money for something good and enjoyable

Memorable, crazy movie

This is one of the few movies I've ever seen where the whole audience broke into spontaneous, loud applause a third of the way in.

A terrific literary drama and character piece that shows how the process of creating art can be seen differently by those doing it and those looking at it from the outside.

This is an early HBO production and has a rather impressive cast-- Richard Widmark and Keith Carradine in the leads.When the story begins, a maniac named Ed Vincent has butchered his family and compulsively arranged the bodies about the home---and even left a birthday hat on his murdered 5 year-old! Considered he not only killed his wife but his three kids, this is a case that really weighs heavily on Detective Joe Steiner (Widmark). However, despite looking for seven years, the case remains unsolved and Steiner retires from the police force. In the meantime, some man is involved in a horrible auto accident where they are completely disfigured. After being in the hospital many months, he's rebuilt by doctors and is ready for discharge. However, during this time, no one has been able to determine who he is...and the guy appears to have no idea who he is as well. He names himself Allen Devlin and eventually he gets married and has some kids...and appears to be leading a rather normal life.Steiner has refused to let the old case die and follows a lead taking him to the guy in the accident. Perhaps this was Ed Vincent...though after all the plastic surgery, it doesn't look like Vincent. So Steiner digs a bit deeper and even approaches Devlin to tell him his suspicions. At this point, Devlin is willing to listen...and wonders if perhaps he IS Ed Vincent. So, Devlin begins to investigate on his own...to see if anything can link him to the monster, Ed Vincent. What's next in this suspense film? Well, a weird masked man begins assaulting women...and it looks a lot like a case that coincided with the disappearance of Ed Vincent.As far as suspense films go, this one provides a lot of suspense. It also keeps you guessing and has a lot of misdirection to keep confusing the audience (in a good way). Excellent acting and a film worth seeing.

Superior TV film opens with a murdered mother and her kids set up as if they were celebrating the youngest's birthday, which was when the murders took place. The father/husband, Ed Vincent, is missing and assumed the culprit. Detective Steiner (Richard Widmark) becomes obsessed with finding Vincent. Meanwhile, a guy picks up a hitcher only to wreck shortly thereafter. One man dies, the other (Keith Carradine) has no memory and needs facial reconstruction surgery. The survivor eventually recovers and marries his nurse (Kathleen Quinlan). Years later, a still obsessed Steiner receives an anonymous tip in the form of a newspaper clipping. He's thus led to believe that the survivor is in fact Ed Vincent, and sets out to be sure.Great film, I really enjoyed it. Supported by a strong cast, the characters are all fleshed out and feel real. The film also plays with your expectations, turning them around time and time again. This in turn ratchets up the tension. There are some creepy moments as well, like sinister phone calls and the scenes with the zipper-faced maniac on the prowl. Speaking of that, I loved the mask, and wished it had been used more. It comes off too soon during the finale. Two other minor quibbles: I didn't find Quinlan's character sympathetic, and there's one bothersome contrivance involving a radio towards the end.Highly recommended film with a strong central theme.

Well here's another fine example to state why you shouldn't always judge movies on their appearance and production values. I almost deliberately missed out on this "gem" of the 1980's because it's a made-for-TV movie, and those usually stand for no blood, politically correct story lines, derivative plots and an annoying overload of sentimentality. "Blackout" immediately bursts through this clichéd image of the TV-movie with an exceptionally tense and atmospheric opening sequence. The story opens with the disturbing discovery of 3 dead bodies, a mother and her two children, nightmarishly exhibited as if they were celebrating the youngest one's birthday. The elderly cop Steiner promptly becomes obsessed with finding the killer, which undoubtedly is the husband and father. Almost at the same time of the discovery and a couple of States further, a man survives a horrible car accident, albeit with a total loss of memory and in desperate need for plastic surgery. His memory doesn't return, but he starts a new life under the name Allen Devlin and marries the nurse who treated him. Six years later, the meanwhile retired Steiner is still looking for the killer and receives an anonymous letter with a picture of Devlin and his new family. Is he the vanished killer who doesn't remember his past? Or is someone trying to sabotage his newly found happiness? "Blackout" is a truly effective and suspenseful thriller. There are very few possibilities of whom the killer may be, yet the intelligently written script keeps you guessing and doubting till the very last twist. Even with the quite large number familiar themes, like amnesia and love-triangles, the plot feels original and the suspense feels genuine. As expected, there aren't any vile murders shown on screen and the use of blood and make-up effects is kept to a minimum. Hey, it's a TV-movie, remember, and the emphasis lies on tension. Naturally a lot of credit must go to director Douglas Hickox, who's clearly one class above the average TV-movie director. Hickox previously directed the Vincent Price horror classic "Theater of Blood" and the historical drama "Zulu Down", so he definitely knows how build up an ambiance and how to guide his cast in the required direction. Speaking of which, the cast is excellent with Richard Widmark, Keith Carradine and Michael Beck. "Blackout" comes with my highest possible recommendation and, for once, one the IMDb's recommendations is spot-on as well. The site encourages you to watch "The Pledge" (starring Jack Nicholson), which also revolves on a retired copper continuing to obsessively hunt down the culprit of a long-forgotten crime.

I think that many of the complaints leveled against this movie are mostly due to the fact that it is similar to the theatrically-released film "Jagged Edge". Because "Blackout" was made for television and because most people saw "Jagged Edge" first, "Blackout" is seen as derivative. Nothing could be further from the truth. If anything, "Blackout" is the superior film, in my opinion. The performances are wonderful. Quinlan & Carradine give the best performances of their careers & Widmark was one of the best actors ever, bar none. Because the solutions to the crimes are similar in both movies, "Blackout" suffers by comparison. If "Blackout" had been released theatrically a few months earlier, nobody would remember "Jagged Edge" now.