Powerful

Good movie, but best of all time? Hardly . . .

It was OK. I don't see why everyone loves it so much. It wasn't very smart or deep or well-directed.

It's funny, it's tense, it features two great performances from two actors and the director expertly creates a web of odd tension where you actually don't know what is happening for the majority of the run time.

If the blind recluse Gideon Locke seems a tad depressed and bewildered in 1990's "The Haunting of Morella," I suppose he's got reasonable enough cause. Seventeen years earlier, his beautiful wife Morella had been crucified and eye-gouged to death for the crime of witchcraft (in an opening scene that still pales in comparison with the similar one in Mario Bava's 1961 horror classic "Black Sunday"), and now, his look-alike daughter Lenora is beginning to show signs of possession. This by-now-familiar storyline has been padded out with gratuitous (but always welcome!) nudity, lesbianism, mucho gore and various gross-out FX to the point where any resemblance to Poe's short short story "Morella" is glancing at best. This being a Roger Corman production, the film has been put together on the cheap, but typical for Corman, still manages to look handsome enough. In her dual roles as Morella and Lenora, Nicole Eggert proves something of a mixed blessing. She is OK in the evil witch role, but hardly seems a proper young 19th century British lass; more like a whiny Valley girl. As her towering and murderess governess, Lana Clarkson literally stands out in this cast. Her nighttime waterfall tryst with servant girl Maria Ford is a hoot and a half, as I'm not certain that Frederick's of Hollywood existed 200 years ago! Best of all, of course, is my main man, David McCallum, as Lenora's reclusive father. Blind, unkempt and constantly rattled, he is here as different a character as can be imagined from supercool U.N.C.L.E. agent Illya Kuryakin. Anyway, while nothing great, "The Haunting of Morella" should prove just fine for an evening's entertainment. Oh...I just love the name of the actor who passes sentence on Morella in the film's opening scene: Clement von Franckenstein!

The Haunting of Morella starts 100's of years ago as Morella (Nicole Eggert) is crucified to a wooden cross, denounced as a witch guilty of witchcraft, blasphemy & murder. Morella's husband Gideon (David McCallum) pleads for mercy but it falls on deaf ears, he holds his & Morella's young daughter Lenora as Morella then has her eyes burnt out & is then left there for a week as she presumably dies. Jump 'Seventeen Years Later' & it's coming up to Lenora's (Nicole Eggert) 18th birthday & a lawyer from a nearby village named Guy Chapman (Christopher Halsted) delivers the news that Lenora will inherit Morella's fortune on her 18th. However being a witch & all that Morella had planned for such small inconveniences as being murdered, Lenora's governess Miss Deveraux (Maria Ford) is in fact a servant of Morella who sacrifices the female servant Ilsa (Gail Harris) & her boyfriend Miles (Brewster Gould) in a blood draining ritual to reincarnate Morella so they can have lesbian sex together & do lots of evil things that witches do I suppose. However, Gideon isn't having any of it & sets out to send his ex-missus to the grave for good...Directed by Jim Wynorski The Haunting of Morella didn't do much for me, I thought it was the below average low budget straight to video Roger Corman produced cheapie that it so obviously is. The script by R.J. Robertson is supposedly based on a story by Edgar Allan Poe which might be true but if it is I doubt if much of Poe's literary work is prevalent here. To it's credit The Haunting of Morella at least isn't boring, it moves along at a fair pace & has the requisite amount of babes, blood & breasts to stop most genre fans going into comatose state like a lot of low budget crap can seem to do. The character's are basic, the plot & narrative is simplistic & caters for the lowest common denominator, the exploitation elements are average & as a whole the film isn't particularly satisfying although I thought it was an OK watch if your not too demanding (& to be honest you'd better not be!). There really isn't much else I can say about The Haunting of Morella except if you like these cheap blood 'n' breast horror films then you may like this one otherwise there's very little here to recommend.Director Wynorski doesn't give the film any sort of distinctiveness or style, he's a point & shoot sort of guy isn't he? There is a fair amount of nudity but I was disappointed with the gore content, but then if you think about it it's cheaper & easier to film a naked woman than set up a complex special effect isn't it? A fact that I'm sure the economy conscious Wynorski never overlooks...Technically the film is average, I must give the filmmakers some credit for trying to make a period piece although at times it looks like a school play with limited sets, bad lighting & cheap costumes. The Haunting of Morella contains one of the cheapest & fake looking slit throats I've seen in a long time & the rest of the so-called special effects aren't much better. The acting is of, shall we say a low standard.The Haunting of Morella is average at best & low budget rubbish at worst. A must for Wynorski fans, if such an animal exists but for everyone else there are much better horror films out there.

The late Lana Clarkson is really the star of this one! As the evil lesbian Governess towering over the budding Nicole Eggert, she seeks to reincarnate her long dead lover (Nicole's mother, "Morella") with the blood of virgins! This includes servant girls Maria Ford, Debbie Dutch, Gail Harris, and Miss Eggert herself! Memorable are the bath scenes (a Wynorski trademark) by Lana, Nicole (bathes in blood!), Debbie, and of course the midnight tryst under the waterfall with Lana, Maria, and a very sharp KNIFE! Gorehounds as well as fans of EVIL WOMEN, lesbianism, and unashamed female nudity will enjoy this one! CAUTION: Gory violence, nudity, lesbianism, and other things that make life worth living. :-) Jimbo

Not a bad version of Poe's short story. There seemed to be some lesbian overtones I didn't catch in the book, but that's okay. Beautiful women and a fairly spooky plot. I liked it.