Mental patient Arnold Masters, hospitalized for a murder he didn't commit, learns astral projection--the art of leaving one's physical body and transporting the soul someplace else--from a fellow inmate. Upon his release, Arnold uses his new powers to bump off the people he holds responsible for his arrest, his mother's death while he was imprisoned and the price of meat! Lt. Morgan and Lt. Anderson are the cops on his trail, while his caring shrink, Dr. Scott, tries to prevent any more deaths.
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Reviews
Fanciful, disturbing, and wildly original, it announces the arrival of a fresh, bold voice in American cinema.
Through painfully honest and emotional moments, the movie becomes irresistibly relatable
The acting is good, and the firecracker script has some excellent ideas.
This movie tries so hard to be funny, yet it falls flat every time. Just another example of recycled ideas repackaged with women in an attempt to appeal to a certain audience.
"Psychic Killer (1975)" its not that bad, its actually a pretty fun and enjoyable B movie. When it comes to 70s low budget exploitation is hard to find one that actually has some decent elements, and "Psychic Killer" certainly has some notable moments in the middle of all its absurdity.Its decently made and its not boring (its mostly entertaining) even if it has some scenes that are quite dull. It delivers the usual dose of gore and nudity that these movies are known for and it does it in a very amusing way.With an interesting plot, halfway decent scenes and a good pace, "Psychic Killer" stands out from the average 70's schlock.
"Psychic Killer" is fun 1970's horror at its best. Peppered with a cast of B-vets such as Paul Burke, Aldo Ray, Nehemiah Persoff, Julie Adams, and Whit Bissell, and starring Jim Hutton (in a nicely scary performance), the movie goes at a nice pace and features some tense moments. There are even bits of gore tossed in for good measure.The film has Hutton as a man wrongly convicted in the death of his terminally ill mother's doctor. It seems the doctor refused to treat the lady once he found out she had no medical insurance. An argument between Hutton and the doc results in a brief scuffle where the doctor falls to his death. Hutton is arrested, found guilty, and sent to a mental institution. Once there, he encounters a fellow patient who has the power of astral projection with the aid of a medallion and several books. After this patient uses this power to kill one of his enemies, he dies and leaves the medallion and books to Hutton. Shortly after, Hutton is finally exonerated (the real killer confesses to the crime)and freed. He goes home and uses his newfound power of astral projection to begin a mission of revenge against the people who wronged him and his mom. Police Lieutenant Morgan (Burke) and his partner (Ray) are baffled at these seemingly unrelated "accidents". Hutton's psychiatrist (Adams)and a local expert on paranormal research (Persoff) try to help."Psychic Killer" benefits from tight direction by former actor-turned-director Ray Danton, good camera-work and location shooting to cover up a small budget, clever dialogue that mixes in bits of humor amongst the hokum, and solid turns by a top cast of veteran genre stars. Even Neville Brand and Rod Cameron show up in bit parts."Psychic Killer" is not the type of film that pretends to be anything other than what it is: sturdy, B-grade entertainment for genre fans.
"Psychic Killer" of 1975 is a highly enjoyable and underrated little flick that should appeal to all my fellow fans of 70s low-budget Horror. This is, of course, pure camp fun, and in no way essential or great, but the ridiculously low rating of 2.6/10 is completely unjustified. This has a somewhat corny and yet quite original storyline. Arnold Masters (Jim Hutton) is wrongfully accused of a murder and put in a mental institution. When the real killer is found, Arnold gets released, vowing revenge on those he holds responsible for his arrest and the death of his mother, who died while he was locked up. Arnold has learned some things about paranormal phenomena like astral projection from a fellow inmate, and he is willing to use his new psychic powers for his revenge... The plot is corny, of course, but it is also great fun. The actors are often overacting, but not in a bad way. On the contrary, the performances were one of the film's best qualities, in my opinion. Hutton fits in the role of Arnold very well and the cast furthermore includes actors such Neville Brand ("Eaten Alive"), Neremiah Persoff ("The Harder They Fall"), Paul Burke ("Daddy's Gone A-Hunting") and, most memorably, Julie Adams ("Creature From The Black Lagoon"), who was married to director Ray Danton. The murders are quite bizarre and fun to watch but, with one exception, not really bloody. The bloody one is quite well-made, especially regarding the obviously minimal budget. Even though often illogical, the film is very imaginatively executed, and occasionally quite humorous. Also, the low budget does in no one lessen this one. If anything it increases the film's cult-factor. Overall, "Psychic Killer" is no masterpiece, but it is definitely better than its reputation. Overall, this is a camp and original little flick that is highly entertaining and recommendable to all fans of low-budget Horror.
To be honest, I actually looked forward to watching the entire movie...but then again I'm used to watching the worst of the worst Blaxploitation movies.But the acting was actually really good. Of course all the characters names have already slipped my mind, but the female psychologist was really good, can't remember if I've seen her in anything else - guess I should research that.The 'meat' scene was a lot more graphic than I expected. It was cool to see Judith Brown in something else other than all the Pam Grier movies I've seen.One thing to improve Psychic Killer would have been more of Stack Pierce (THE black Visitor from the TV Series 'V') in the film (at least some more flashback shots would've been cool). Another thing may have been a non-matted widescreen print. Couple of things were cut off in this print. In other words, I think it was shot in 4:3, but matted for the DVD/theatre release.I really liked this movie, and will keep it in my collection.