Yawn. Poorly Filmed Snooze Fest.

Lack of good storyline.

Bad Acting and worse Bad Screenplay

The thing I enjoyed most about the film is the fact that it doesn't shy away from being a super-sized-cliche;

A group of Army recruits (led by STAR TREK's Nichelle Nichols) head into the Kentucky woods for a weekend of training. What they don't expect to run into are some zombie Confederate soldiers led by the ghost of a lady who just happened to be married to Pvt. Ray Ellis (Maxwell Caulfield) in an earlier life. You still with me? While the set up of Confederate zombies seems great, don't get your hopes up as director Armand Mastroianni decides not to go all out. The film should have been more RETURN OF THE LIVING DEAD and less what it is now. The biggest problem is that it takes place over a series of days, when it should have taken place in one night. The leads to a series of build ups and screeching halts that really drag the film's pace down. Also, the zombies should have been the focus but they are an afterthought and mostly obscured. Instead, we get this mystery woman - who no one questions why she is in a nightgown in the middle of the woods - and some mumbo jumbo regarding her son (who has some kind of magical powers that make his hands glow and also lived into the 1980s after a 1864 prologue!). Probably the most interesting thing about the film is seeing Nichols alongside future STAR TREK: THE NEXT GENERATION star LeVar Burton. Co-starring Martin Balsam's daughter Talia.

I didn't like this movie although the premise is really good. These post-war zombie movies are very popular and this one is very decent. If done correctly, this movie would have the status of a respectable zombie movie. The cinematography is really good and plays a key part in the most important scenes, for example, the ending.The f/x are really are cheesy but work for the movie's purpose. Still I can't recommend this movie for it's visuals... in fact, it's a boring movie with a lot of wasted potential.Watch it only if you get it for free. I catched it on late cable many years ago and I can't say that I regret about it, but I wouldn't watch it again!Try "Stryker's War" for a more entertaining movie in the likes of this one.

1865: A sadistic Union army commander forces several Confederate soldiers to walk across a minefield, brutally slaughtering the whole luckless lot of 'em in the process. 1985: A small group of raw Army recruits go into the same backwoods territory where the massacre occurred for basic maneuvers. The motley assortment of scruffy grunts discover the hard way that the eerie land is crawling with vicious, inhospitable, creepily cadaverous skull-faced zombies who don't take kindly to any trespassers on their sacred terrain. The zoms are still alive because a little psychic boy who witnessed the massacre in 1865 refuses to let the poor buggers die. The kid's beautiful, still alive mother (the strikingly comely Margaret Shendal) falls for nice guy GI Ray (hunky Maxwell Caulfield of "Grease 2" and "The Boys Next Door" fame) while the other less lucky squad members get stiffed by the shambling undead Civil War ghouls.Although the seemingly can't miss premise -- a genuinely inspired fright film amalgam of "2000 Maniacs," "Southern Comfort" and "Night of the Living Dead" -- promises a good, spooky "high concept" horror movie outing, "The Supernaturals" alas qualifies as a humongous letdown due largely to a terribly dry and rudimentary execution. Director Armand Mastroianni, the same guy responsible for the awfully boring slasher turkey "He Knows You're Alone," crucially fails to build any necessary tension or momentum, thus allowing this dud to tediously slog towards a rather drawn-out, less-than-harrowing conclusion. Caulfield, Nichelle Nichols ("Star Trek" 's Lt. Uhura), Levar Burton, Bobby Di Cicco, Talia Balsam, and "Bad Ronald" 's Scott Jacoby all contribute excellent, creditable performances, but not even their considerable acting skills can inject any much-needed vitality into this lifeless, lethargic loser. The nifty, scarcely seen zombie make-up by Mark Shostrom, a typically nice, moody score by the great, grossly under-appreciated B-movie composer Robert O. ("Mansion of the Doomed," "Grizzly") Ragland, and Peter Collister's stately, proficient cinematography are all up to snuff, but sound technical credits can't compensate for this snoozer's unbearably dormant, extremely slow and soporific pacing, conspicuously meager two-cent production values, and a hopelessly muddled, confusing story that isn't unraveled in a clear, compelling manner. Co-written and co-produced by longtime hack horror filmmaker Joel Soisson, this stupendously lackluster Sandy Howard production proves to be as successful at evoking chills and involving the viewer as General Custer was at besting the Indians at the Battle of Little Big Horn.

The plot is good, it's quite interesting but cheesy special effects, and bad acting make this a bad movie. The zombies are laughable, and the ending is... more than laughable. Avoid this one at all costs!