Sick Product of a Sick System

Good start, but then it gets ruined

The film creates a perfect balance between action and depth of basic needs, in the midst of an infertile atmosphere.

Let me be very fair here, this is not the best movie in my opinion. But, this movie is fun, it has purpose and is very enjoyable to watch.

An odd woman takes her girlfriend to stay at her place in the country, but a former girlfriend has something to say about that ...Slow and creepy mystery. The atmosphere is set perfectly by photography and music, but especially through the overgrown lakeside estate from the early '70s, when locations were cheap. I'm not sure this is a horror - it does dabble in the ghostly, but really it's all about psychosis - although the gore is effective: films from this era relished their stabbing scenes, and the crunchy-cabbage sound effects in this one got me every time.The lead actress is excellent, and the performances all round are good, but the big drawback is in the character of the odd-job man: the performance is a little awkward, and the purpose of the character turns out mundane, missing the opportunity to make this a true horror, where things turn inside out and the past becomes cosmic truth. Ahem. In the end it's just a tale of bloody madness temporarily disturbing the surface of normality.Music sets the tone. Photography is mostly delicious, and the house and lake take on real character.Overall: Nicely disturbing, but falls short.

This was the third Larraz title I've watched after VAMPYRES (1974) and THE COMING OF SIN (1978) – and will be promptly followed by another, THE HOUSE THAT VANISHED aka SCREAM…AND DIE! (1973); it's his second best-regarded effort after VAMPYRES itself and, in retrospect, a reputation that's fully deserved.Even so, the film is hardly the heady brew of erotica and visceral thrills that was the latter (though it contains similar lesbian undertones and the occasional outburst of shocking violence) but rather a deliberately-paced mood-piece – in fact, it might best be described as REPULSION (1965) in the countryside (with all the inherent eeriness that such a remote setting entails)! In any case, relying as it does on fleeting frissons (the subtle appearance of a 'mysterious' woman roaming the mansion), admirably-sustained tension (the connotations involving Peter Vaughn's character and, of course, the various murder sequences) and a carefully-deployed central puzzle (which keeps us guessing down to the very penultimate shot!), the film is surely a testament to Larraz's versatility within a genre which had all but turned stale by this time (even more so vis-a'-vis the then-crumbling British movie industry).Interestingly, the lead role is played by Angela Pleasence – daughter of horror icon Donald; just because she's his spitting image, the actress' odd looks are perfect for her mentally unbalanced character (though I doubt Larraz intended it to be a serious case history, there is the singular fact of SYMPTOMS being one of the competing entries at that year's Cannes Film Festival to consider!). Equally thoughtful was the selection of the other principal cast members: the aforementioned Peter Vaughan's burly and stern handyman could, at first glimpse, have been played by just any heavy-set person – but there's no denying that the part benefits immensely from his experienced presence; and pretty Lorna Heilbron (from THE CREEPING FLESH [1973]) as Pleasence's housemate, with short-cropped hair suggesting the then-fashionable androgyny. Affable character actor Raymond Huntley, a veteran of many a British comedy, plays the owner of the village drugstore in what proved to be his last film.Incidentally, this was yet another picture – bafflingly M.I.A. on DVD as we speak – which I recently acquired on DVD-R i.e. I've had to make do with a full-frame edition culled from TV with forced Spanish subtitles to boot…but which is appropriate in this case, since the director actually hails from that country!

First of all I love pretty explicit and audacious lesbian vampire flick "Vampyres"(1974),but more rare and obscure "Symptoms" is even better and certainly different in tone.It's a very subtle,calm and restrained horror film with plenty of mysterious atmosphere.Helen Ramsey arrives back from Switzerland to her old-fashioned family home,accompanied by a friend Ann West.It quickly becomes clear that Helen suffers from a nervous disposition.At night both Helen and Ann hear voices in the house and Helen seems convinced that there is something in the attic,a trap door to which is in the ceiling in a corner of her room."Symptoms" is a genuinely frightening horror film about a woman slowly slipping completely into madness.The cinematography is striking,the interior sets are terrifyingly dark and the acting by Angela Pleasence is fantastic.I fell in love with this film and can't praise it enough.

Being a devoted horror buff, I've seen a great many strange and wonderful horror movies in my time, but I tell you none of them even begins to compare to SYMPTOMS! This rarely seen gem centers on Helen(Angela Pleasance), a rather odd young woman who invites her friend, Ann(Lorna Heilbron) to come stay with her at her decaying old house in the English countryside. Terror unfolds as Helen's sinister handyman(Peter Vaughan) discovers the corpse of her previous house guest, sending the disturbed woman into a violent and uncontrollable rage that culminates in the deaths of several innocent people. Though the plot is relatively simple, Spanish horror director Jose Larraz handles the material in a complex manner and like his British counterpart, Alfred Hitchcock, is able to find terror and menace in the most simple and mundane activity. Larraz also milks the strikingly eerie English landscape for all it is worth. The strongest aspect of SYMPTOMS however is the marvellous performaces by Angela Pleasance and Lorna Heilbron. Pleasance, the daughter of famed British character actor Donald Pleasance, is a supremely gifted actress who seldom ever got a role as good or as intriguing as this. Heilbron, a striking British beauty with genuine talent to match her sultry good looks, is a sadly underused actress who is intense and believable every moment as Pleasance's unsuspecting friend. Unfortunately, this is a frustratingly difficult film to find. It's never been released to video in the US, and the only reason I have seen it is because I had the good fortune of catching it on late night television some years back. They really need to release this one to video and DVD. I'm sure it will get the wide audience it deserves if it is given a reasonable amount of build-up and exposure!