Greed, corruption, ignorance, and disease. Midsummer, 1349: the Black Death reaches northern Germany. Minstrels go to Hamelin for the Mayor's daughter's wedding to the Baron's son. He wants her dowry to pay his army while his father taxes the people to build a cathedral he thinks will save his soul. A local apothecary who's a Jew seeks a treatment for the plague; the priests charge him with witchcraft. One of the minstrels, who has soothed the Mayor's daughter with his music, promises to rid the town of rats for the fee. The Mayor agrees, then renigs. In the morning, the plague, the Jew's trial, and the Piper's revenge come at once.
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Thanks for the memories!
Memorable, crazy movie
Excellent but underrated film
This is a gorgeous movie made by a gorgeous spirit.
When I began watching "The Pied Piper" I assumed it would be a children's movie. After all, it starred pop singing star, Donovan, and is a tale traditionally told to kids. However, soon after it began I could tell this was no child's tale! Instead of the version I heard, this one is set during the time of the Black Death in the mid-1300s and is a tale about superstition, hypocrisy, wretchedness and greed. The version I'd heard as a child was more just a story about greed.Hamelin, Germany is a town possessing three sorts of people--smart people (and I counted only three--Gavin, the Alchemist and the Piper), greedy turds (all the church people and leaders of the town) and assorted victims just waiting to get it! When the Plague nears, the smart Alchemist somehow knows the rats carry the disease (how he knows, we are never sure) and warns the town that they must rid themselves of the rats. At first, no one takes him seriously but when the rat population explodes, the folks in town become revolting (insert own joke) and the town's officials are forced to do something other than scrounge for money or conscripts in some god-awful war for the Papacy.You probably are familiar with the rest of the tale, but if you aren't, the Piper agrees to remove the rats IF they pay him a thousand gilders. They readily agree, but after the miraculous feat occurs, they stiff him--saying they'll give him fifty and he should be happy to have that! Nice, huh?! So, to teach them a lesson (or perhaps he's a pedo), he plays his pipe again and the kids of town all follow him and disappear forever. The towns folk don't realize what's happening, as they're too busy burning the Alchemist alive for 'causing the Plague'! Only the handicapped kid, Gavin, is spared, as he walks too slow to keep up with the Piper. Whether this is a good thing or not is a bit vague--after all, what would a grown man want to do with all those kids?!? The film is well-made but also a really creepy movie from start to finish. It is more a story about stupidity and karmic retribution--not bad topics, really, but far from a fun film for the entire family! The costumes and sets were very nice but the whole film is a creepy downer (though I must admit the depiction of Plague was VERY sanitized). I know it's not in the traditional tale, but I wanted to have some reassurance the Piper was not a serial killer, pedophile or owner of a dog food company!!! By the way, in one scene Donovan plays a modern six-string guitar--something not invented until very recently. The original four and five-stringed varieties were not even invented until 100-200 years after the film was set.
Jacques Demy invariably wrote his own lyrics - I use the word loosely -and got away with their mediocrity because he usually hired Michel Legrand to set them. This time around he hired Donovan and lost out on both words and music so perhaps it's just as well that he (Demy) was clearly aspiring to something more than just a light musical but a Socially Significant document embracing usury, racial prejudice and pestilence. It wouldn't be Demy without some picture-book visuals and indeed the opening sequences in particular are reminiscent of Ingmar Bergman whose bitter black coffee had been slightly diluted to cafe-au-lait. The casting is Odd to Quaint and doesn't really work but it has to be said that the scenes with the wedding cake, the rat exodus and the children exodus have a certain style.
Back when I was a (allegedly disturbed) young child, "The Pied Piper of Hamelin" was my absolute favorite fairy-tale. I owned many tapes that were filled with bedtime stories and fairy-tales, but I mostly just listened to "The Pied Piper" because it featured fascinatingly morbid topics like the black plague, child abduction, rat infestations and a mysteriously sinister guy playing the flute. I was always convinced the premise of Robert Browning's eerie poem could form the basis of a series of unimaginably dark horror movies, but unfortunately there aren't that many. This British production, filmed on location in Germany, is a pretty great version but it's incredibly obscure for some reason and I spent an awful long time purchasing a decent copy. Now that I finally own it, I'm both thrilled about re-experiencing the familiar story lines as well as surprised about discovering entirely new story aspects I wasn't even aware of. The new (to me, at least) elements mostly handle about political and religious hypocrisy, so I presume that is the reason why they weren't included in any of the fairy-tale versions I grew up with. But it remains a fascinating story and a fabulously engaging film, only suffering from obvious and regrettable budget restrictions. Director and co-writer Jacques Demy had a clear and personal vision of the story, and it's definitely not a movie for young children to watch. Although never graphic or repulsive, "The Pied Piper" thrives on a disturbing atmosphere and it never evades any controversial themes, like the abuse of political power by the Catholic Church and the arranged marriages with minors. Donovan is excellent as the Piper, passing through Hamelin with a family of traveling circus artists. The burgomaster and the Baron (another splendid role for versatile super-actor Donald Pleasance) supposedly run the secluded little town, but they mainly obey the will of the uncanny red monks that always look over their shoulders. The friendly Jewish alchemist Melius is concerned about a threatening outbreak of the Bubonic plague, the power-hungry son of the Baron (John Hurt) is about to wed the under-aged burgomaster's daughter for financial reasons and the Pied Piper is the only person capable of freeing the town from its rat infestation. The script of this film is well filled and requires your absolute full attention, but the elaboration of the different story lines is highly compelling and the dialogs are enchanting. The costume designs and scenery are terrific and genuinely take you back to the dark and unsettling medieval times. Donovan, primarily a singer, also provides the film with a couple of great songs (most notably "They Call me the Pied Piper" and "Life has its ups and downs") and there are at least two near-brilliant and unforgettable sequences. Namely the rats breaking out of the wedding cake and a harrowing execution scene near the end. If you own "The Pied Piper", it's definitely a film to treasure.
The bubonic plague often began with the death of the rats before it spread to the people. This movie's version of the pied piper seems far closer to the origin of the story than anything else I've seen.