When Gene, a maniacally deranged computer-game designer, gets dumped by his beautiful artist wife, he devises a masochistic plan for revenge. Taking his spouse prisoner, Gene locks her in her windowless Los Angeles loft but leaves her with something to keep her company -- a deadly mamba snake. Via electronic sensors and cameras, he watches with glee as his terrorized ex-lover fights for her life.
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Simply Perfect
Purely Joyful Movie!
The movie's not perfect, but it sticks the landing of its message. It was engaging - thrilling at times - and I personally thought it was a great time.
One of the most extraordinary films you will see this year. Take that as you want.
All's fair in love and murder, apparently, as a man attempts to kill his ex-wife through use of a modified exotic, poisonous snake. The man, some computer bigwig, plants a tracker on both the snake and the woman so he can view their proximity to each other while he waits outside in his car. To ensure that his wife not escape, he jams her door (apparently she only has one?) and taps into her phone which allows him to periodically call in to make sure she's still alive.Fair Game probably has one of the most interesting premises I've seen in a while but, due to only having one real potential victim, it gets bogged down by a ton of false scares. You keep seeing the snake seemingly draw near or think it's going to pop out only for the woman to miss it entirely. Humorously, she goes a fairly long while before she realizes it's even in the studio apartment with her. After that, the woman's paranoia causes her to act out in increasingly bizarre ways as he panics.Long before Kill Bill popularized the black mamba, it was being used as the exotic snake of choice in this movie. In retrospect, it's actually a huge step up from other films which favored things like cobras. I suppose it's just one more thing that sets this movie apart. Trudie Styler, the intended victim, gives a very witty, neurotic performance that will endear her to some while likely annoying others. This level of weirdness, however, may make the viewer question why she'd be the one to leave the relationship >_> Gregg Henry, her would-be killer, plays the role rather stoically and has few bits of dialog to speak of. He essentially serves as a background piece, a catalyst for this fateful encounter. The real action remains squarely between the girl and the snake. More interesting than either the male or female leads is the brief cameo by Bill Moseley, who ironically is the only cast member to really do much with the rest of his career (one that's spanned numerous horror films, might I add).The title refers to the notion that the man is giving his ex-wife a chance of survival. The snake, which has been doctored with some chemical that makes it both hyper-aggressive and more toxic but also means that it will die on its own in an hour, is a less than perfect execution method. The concept kind of justifies the rather bizarre attempt on her life, although the story still slightly pushes the boundaries of credulity. If the movie has one real fault it would be that very little happens at first but once things start happening it quickly loses the shock value and gets fairly campy.
one black mamba in a warehouse apartment versus one hot white mama. Trudie styler(aka mrs sting) plays the ultimate game of keep away from one angry venomous reptile placed there by a spurned computer game playing geek.(it's always the quiet ones you know?)most of the plot is incredulous to be generous,but i did think the one scene where she dumps flour on the floor to track the mamba's movements was pretty smart. well if nothing else if you have ever wondered what sting's wife bare bottom looks like, then you will see it in all its pale moon glory! i laughed, i cried,(not really i cheered for the snake!)and for the first time , i honestly believe that i could have mane a better movie than Italian director mario orsini. for one thing there would have been more shots of her fine hiney, and less of the geek in the car watching the game unfold with a voyeur's delight.
(This has all the makings of a cheap exploitive thriller.)"Mamba" ("Fair Game" in the United States) is a decent, albeit somewhat exploitive thriller about Gene (Gregg Henry), a deranged computer game designer who locks his ex-fiancé Eva (Trudie Styler) inside their apartment with a deadly Black Mamba snake.Directed by Mario Orfini, he keeps a tight pace and strong sense of dread as Eva runs around her apartment trying to avoid certain death at the fangs of a lethal snake, all the while Gene watches the madness from a car parked down on the street. Styler really carries this film on her delicate shoulders, even remaining strong in some of the sillier haunted house/slasher-style moments. It does seem kind of strange that her apartment is devoid of windows (thus setting up the fun-house element for Gene's later entertainment).One thing that does seem to bother me is how the camera does seem fixated on Styler during a few instances when she has to strip off her clothes. While the camera misses a few of the more explicit shots of her feminine features, you kind of get the idea that Orfini (and the audience) are still getting tantalized."Fair Game" gets a fair rating for at least keeping you watching.4/10
A narcissistic intellectual video game designer doesn't appreciate the fact that his "weakling" ex-girlfriend has moved on with her life, trying to earn a living from her putty sculptures(?!)enjoying the fruits of her labor in a posh vast loft, blessed with limited windows, highly secure. Gene(Gregg Henry)decides to put an end to this by "inheriting" a deadly venomous black mamba, required by a snake handler(Bill Moseley, in one his many grubby roles..the actor has a whole trunk load of these parasites he can pluck for use)he dupes and murders. Gene's plan at eliminating an "ungrateful" inferior girlfriend is to seal Eva's(Trudie Styler, and hour or so of running time spent with her is enough for any wary viewer to endure)home, locking her inside with the Mamba snake, with a special tracking device on both of them, watching their "progress" from his car. Gene injects more hormones in the snake supposedly giving it a limited life expectancy providing the Mamba with "extra motivation" for attacking anyone in it's proximity..Gene even has a timer set on his computer as to when the snake would die if it couldn't release it's venom in time. So the main meat of the film is Eva by herself practicing meditation and yoga, talking and joking to herself, making funny expressions to herself in the mirror, and generally goofing off until she realizes the snake is in there with her..and the fact that her loft is locked tight with no exit it seems. The film often cuts to Gene in his vehicle, "sweating" it out as the counter clicks away and Eva often evades the deadly fangs of the Mamba.I would recommend seeing this film for those interested in Gregg Henry. The DVD release of "Just Before Dawn", and films like "Slither", "Payback" and "Body Double" feature his talents. But, I think his work here is exceptional. I think the point-of-view shots of the snake slithering around in the loft are quite reminiscent to those snake-cameras used by thieves attempting to find passages through difficult security systems in hi-tech actioners. The director often uses this device probably because it's a lot easier, and a bit more realistic. On paper, this film could be a winner. It probably is if you find Trudie Styler interesting or entertaining, because, in just my opinion, the film hangs on her likability..she is in the film the most and it's her plight we must be concerned with. I found her pretty annoying so her plight didn't concern me, to be honest. I was more interested in Henry, because he created this air of pomposity and I've always been a fan of actors who could create a quiet menace, seething underneath this calm exterior. I like how the director often shoots him from below as if he were standing on a pedestal looking down on his prey. I say if you like Styler's performance and character, the film will work..if not, then you'll feel the same way I did. Really, the interesting premise on paper never quite materializes on screen although, as I've mentioned already, Henry's villain is quite memorable. To be honest, in a real movie, a character such as Styler's would've been mincemeat. The funniest scene would have to been when Eva stares down the mamba with a lit cigarette lighter.