I love this movie so much

Better Late Then Never

When a movie has you begging for it to end not even half way through it's pure crap. We've all seen this movie and this characters millions of times, nothing new in it. Don't waste your time.

Each character in this movie — down to the smallest one — is an individual rather than a type, prone to spontaneous changes of mood and sometimes amusing outbursts of pettiness or ill humor.

The fact that this is a remake of a 1933 film and a reworking of a film made in 1938 is not that unusual for Warner Brothers. Often they remade films only a year or two or three later. Other studios often did the same but Warner seemed to do it a lot. In spite of this being a remake, and I usually hate remakes, I found I enjoyed this every bit as much as the other two films--perhaps a little more. This is because instead of the tough guys Cagney or Bogart playing the lead, this one had Stanley Fields who brought an entirely different element. He was much larger and scarier looking but also had a comedic edge to him--sort of like a big criminal teddy bear!! The only part that didn't work for me was the whole hockey team angle--that was weird and the street kids seemed practically like champion skaters almost immediately! Still, this is an enjoyable Warner film and another chance to see the early (and best) incarnation of the Dead End Kids--a group that morphed and changed a lot over the years as the East Side Kids and the Bowery Boys (which were almost like a parody of the Dead End Kids). Well worth seeing.

The first of two films in which Ronald Reagan was featured with the Dead End Kids was Hell's Kitchen where after one stint of time in reform school in Crime School, the boys are back in the juvenile joint. The adult players take a distinct back seat to the boys in both these films.Crime School was an out and out remake of the James Cagney classic The Mayor Of Hell and this one also has aspects of those films in it as well. We've got a self righteous warden of the school in Grant Mitchell who's once again skimming off the tops and treating the kids like dirt. His infamous cooler is an old meat locker where he locks the kids in to 'cool' them off. When one of them dies, it all hits the fan.Challenging him for control of the institution is paroled racketeer, Stanley Fields who is playing his role like a cut rate Wallace Beery. Ronald Reagan is his nephew and Margaret Lindsay is the secretary of the school under Mitchell and who is ready to quit when Caesar arrives on the scene. Jack Warner must have really been in a bind here because he even acknowledges a hit film from another studio. One of the reforms that Fields wants to bring in is a kind of self governing institution by the kids like Father Flanagan's Boys Town. In fact I'm sure that's why this film was made, to cash in on the success of Boys Town.No Oscar winning performances here though like Spencer Tracy's. Still it's entertaining enough.

Hell's Kitchen (1939) ** 1/2 (out of 4) The Dead End Kids star in this remake of The Mayor of Hell and Crime School. This time out (again) a gangster (Stanley Fields) gets out of going to prison but he must do good in the community so he gets involved with a reform school where he soon learns that the owner is abusing the boys. If you've seen either of the previous versions then you won't be shocked by anything that happens here but Fields is good enough to raise the material to a watchable level. There's several failed attempts at humor, which brings the film down some but the drama is pretty strong throughout. Ronald Reagan plays Fields lawyer.

The Dean End Kids are fine - Led by Billy Halop, the "kids" perform well. In fact, they are better in this "juvenile delinquent" genre than many others. Mr. Halop is strong, with Leo Gorcey, Gabe Dell and the others; they work well as a team. It looks like Bobby Jordan is directed (Lewis Seiler) to overplay, but he is endearing.The "Adults" are not so good. Stanley Fields is okay, but his performance doesn't belong in this movie. Ronald Reagan isn't very good, with a performance that may not belong in any movie. Margaret Lindsay is pretty. Some of the performances are inappropriately comic.There is a reference in this film to MGM's "Boys Town" (1938), which invites comparisons. It's direct enough for anyone who as seen the "Boys Town" films. The character played by Ms. Lindsay wants to use the techniques successfully employed by Spencer Tracy's character on the "Dead End" kids of "Hell's Kitchen".The studio took the cheaper route with the "Dead End" series, obviously. The film is not technically competent. For example, a great "West Side Story"-type moment is ruined when the chanting on the soundtrack doesn't match the marching Dead Enders. Actors don't know how to play their parts - or don't play their parts at all. Still, the Dead End Kids make it enjoyable. Their terrific "Trial" for Headmaster Grant Mitchell is a most complete summation of the American justice system. Through all the bad editing, you'll get some suspense and action, too - including a "foul" hockey game, and a fire.***** Hell's Kitchen (7/3/39) Lewis Seiler ~ Billy Halop, Bobby Jordan, Leo Gorcey