A verité portrait of Jonas Mekas making his daily rounds, JONAS shows us the underground impresario attending a peace rally, filming in Central Park, typing up notes at the Village Voice and projecting his latest rushes at the Film-Makers' Cooperative. A true New Yorker, Mekas seems to be everywhere at once, always with a Bolex camera slung over his shoulder. In detailing these routines, director Gideon Bachmann comes away with a striking time capsule of a city bent on art.
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Highly Overrated But Still Good
Best movie ever!
At first rather annoying in its heavy emphasis on reenactments, this movie ultimately proves fascinating, simply because the complicated, highly dramatic tale it tells still almost defies belief.
This is a coming of age storyline that you've seen in one form or another for decades. It takes a truly unique voice to make yet another one worth watching.