I wanted to but couldn't!

Fanciful, disturbing, and wildly original, it announces the arrival of a fresh, bold voice in American cinema.

By the time the dramatic fireworks start popping off, each one feels earned.

An old-fashioned movie made with new-fashioned finesse.

Before reviewing, I should qualify that I had a specific purpose for watching this film, which was to find a movie or documentary that I could show to the Africa class that I teach, and one of our textbooks is an ethnography of south Ethiopia. I hoped Adwa would be a good historical introduction to the Ethiopian, Italian war. I was very disappointed, Perhaps my disappointment is related to my expectations for the film, and/or my orientation as a Westerner with a preference for linear, documented historical narratives.The first 5-minutes of the film is images of drawings and paintings, with music overlaid. I can only presume these are Ethiopian drawings, and Ethiopian music, both of which "seem" to be depicting some kind of battle. The rest of the movie is a mixture of images of drawings, random images of scenery, random interviews with people who are not credited, and narrations that are not contextualized or sourced. The narratives often seem not to match the imagery. For example, narrative of a treaty that happened by a river, while the imagery is of cattle, and a many standing in front of a bunch of children. There is no attempt to connect the images to the narrative. The people interviewed, some sitting in chairs in offices, some standing in villages, could be anybody, from anywhere. We aren't told if they are history professors, former politicians, villagers who survived the war, or just hired actors. None of the historical narratives are sourced. None of the drawings are sourced--they could be from anywhere, from any time, about any battle--we just don't know from what is presented in this film. We don't know if any of the scenes are from Ethiopia, if they are old or new video, etc.A previous reviewer talked about the film's "poetics." Perhaps if you want 90 minutes of free-form music, imagery and story, then this film might suit your needs. If you want a documentary you can trust to show students, or for a reliable "history" of the Adwa battle, I would look for alternatives to this film.

I should start this off by saying that being of Japanese and Caucasian decent I could possibly be an errored commentator to this film; however I was truly moved and inspired by watching it and interacting with its director (Haile Germina) at the LA African Film Festival. Also knowing my background what connected to me about the film was not the same as the rest of its audience, but it speaks on many levels (mine may seem a bit flat, so see the movie yourself). With that being said...The film is a dramatic documentation of the 1896 attempted colonization of Ethiopia by Italy. Ethiopia like many African countries contains a rich history and culture ignored by the west. And more so ignored by American mentality. The battle of Adwa and story of Emperor Manalik and Empress Taitu are legendary and should be a part of the human history. Instead we learn about Christopher Columbus and such annihilating greats. At the time of Adwa and the many years to follow Manalik and Taitu were viewed as champions to much of the world. They had accomplished what would be considered impossible by defeating the Italians, their story spread as far as the Americas. This is a great showing of the battle of Adwa what lead to it and what preceded it. The film also previews its (in the making) sequel, a documentary to show 40 years latter. Another great feat one that most other nations could boast of, Haile Salassie holding off the Italian Fascists.The film is a must see. So little is shown about this defeat of European arrogance. The film is not about military victory, but a victory of morals. Just in the poetics that this film speaks it is sure to connect to anyone open to it.