Sadly Over-hyped

A Major Disappointment

It's not great by any means, but it's a pretty good movie that didn't leave me filled with regret for investing time in it.

Instead, you get a movie that's enjoyable enough, but leaves you feeling like it could have been much, much more.

Director Michael Apted returns to interview these young adults who are now 21 year olds. They are starting to get interesting. They are no longer little kids talking without comprehension.It starts off with the group watching themselves in the first two movies. Of course Apted starts with Nicholas, the scientist in the group. He pontificates and reflects on the past films. I wonder how much the films are affecting these kids. I wonder who dreads the upcoming interviews. I wonder if they try extra hard to look good in these films.The most compelling are Neil and Suzy. Neil has drop out and working in menial jobs. He's dropping out of society. And Suzy is now fully into her role as the poor little rich girl. We find out that her parents separated soon after '7 Plus Seven'. These kids from the various walks of life is starting to gain colors. And not all the colors are pretty. But Michael Apted is digging deeper now and we're gaining more insights.

The 'Up Series' represents one of the most fascinating and unusual uses of film in cinema history - a documentary life-long chronicle of the lives of 14 people starting at 7 years old, revisiting them every seven years through age 49 (so far). While I could quibble, wishing for a bit more depth here and there (especially with the women, where there's a bit too much emphasis on love and marriage at the expense of all else), it's really an astounding, moving, frightening and uplifting document. There's no way to watch this remarkable series of films without reflecting deeply on one's own life, and how you have changed (and stayed the same) over your own lifetime. While Michael Aped deserves every bit of credit he's received for this amazing piece of cultural anthropology, it's important to note this first film, 7 Up,was actually directed by Paul Almond, and Apted was a that point a researcher for the project.

In 21 Up the seven year olds and then the fourteen year olds we saw in previous 'Up' films are now adults, or at least on the cusp of it. Some are married, some are in college (even Oxford), while others are a little more disillusioned or perfectly happy working menial jobs like at a factory. One of the kids wanted to be a horse jockey and he's well on his way. Another, Bruce, who at one time thought he would be a missionary in Africa to help people, became disillusioned and went into another field altogether. And while some get married, they still have words to say about why they are married and how it doesn't change their lives at all.Where we saw the kids in the first Up film become a little more shy and awkward in 7 Plus Seven, this time we see them a little more sure- or perhaps more sure about their uncertainty in life- and Apted focuses on subjects like marriage, careers, ethnic and racial tensions, politics, things covered in the previous segment but without so much emphasis on juxtaposition between clips (not that the flashbacks to previous films aren't useful). The insights are clear and always interesting, and we see how the same kids are still together in this film, or a little more varied (the three boys, for example, do not quite dress or look a like, one clean-cut and the other with long hair).And, ultimately, we get a sense of what the Up series will evolve into: finding about who these people are by tracking what's happened over time and what they think could happen (or might not) in the future. And in 21 Up it's about coming of age, going through those teenage years into something else, or the same thing as they thought they would be at 7. It's never boring, and we want to see what will happen next or how their view has changed with the passing of time and history around them.

Here, the Up series began in earnest. "Seven Up!" and "7 plus Seven" were shorter, and the interviewees, naturally, didn't have much of interest to say. Listening to what silly things cute children have to say doesn't make for a very serious or interesting documentary. The interviews at 14 weren't of much initial value, either, especially with the shyness of two of the participants. Yet, I did enjoy listening to and contrasting the political ideals of young socialist Bruce and conservative John, as well as contrasting their manners. The first two segments do gain importance and value, though, with this and the following installments, as parts of them are intercalated with the new interviews. It's not even necessary to see previous Ups, as a result; each of the latter documentaries stands well on its own.At twenty-one, the subjects are now young adults and are naturally more insightful, reflective and, importantly, more articulate. Here, as well, Neil had taken shape as the most compelling figure in the series; he is now melancholic, nervous and poor. And, in this episode, he is bitter when discussing his parents and upbringing. With the other participants, I saw confidence and contentment, especially compared to when they were teenagers, even if they were uncertain of their futures--or chain smoking.What Michael Apted and the filmmakers did with the film that I especially liked was that they brought the gang together to watch the previous two films and caught their reactions to the films and asked them their thoughts on the series. Generally, it seems, they don't see the importance or purpose of the series; perhaps, they even see it as somewhat of an intrusion. I suppose I wouldn't see the purpose or significance of the first two films, either, without having seen "21" and the subsequent films that aggrandize upon their beginnings; it's the subsequent films that give the previous ones significance. As far removed or alienated as one seems at twenty-one from his seven-year-old self, the Jesuit proverb still holds truth, as Apted discovers.Early in the film, Neil says that by bringing the group together, the filmmakers might be defeating their original purpose of examining class, or socioeconomic, barriers. And, that focus does seem to be forgotten at times in this addition, although, I suspect, for different reasons. Not only has the series taken on more significance than its initial intent, but also, the interviewees are now more concerned with themselves; even on their pasts, there is more reflection and insight. They're looking inward, planning and thinking about their futures and thus looking forward.