Highly Overrated But Still Good

Absolutely Fantastic

This is a small, humorous movie in some ways, but it has a huge heart. What a nice experience.

It's funny, it's tense, it features two great performances from two actors and the director expertly creates a web of odd tension where you actually don't know what is happening for the majority of the run time.

Three Violent People is directed by Rudolph Maté and adapted to screenplay by James Edward Grant from a story co-written by Leonard Praskins and Barney Slater. It stars Charlton Heston, Anne Baxter, Gilbert Roland and Forrest Tucker. Out of Paramount Pictures, it's a VistaVision production with Technicolor photography by Loyal Griggs and music scored by Walter Scharf.It's post Civil War Texas and Confederate Captain Colt Saunders (Heston) finds himself with a bride (Baxter) who has a secret past, and taxable assets at his ranch that scheming Carpetbaggers want for themselves. Into the mix comes Colt's brother Cinch (Tryon), who is minus an arm from an accident in childhood; where Colt was his heroic saviour. Things will come to a head as resentments, skeleton's in closets and post war greed will fracture the dynamic of the Bar S ranch.Try to remember that people aren't perfect. They just aren't. They make mistakes. And when they do, they suffer. They pay. Inside themselves they pay.It made little impact back on release in 56, where the release of Heston's other film that year, The Ten Commandments, dwarfed it considerably and simultaneously propelled Heston into the big league. It didn't help that Three Violent People is a very character driven picture, literate and heavy on the melodrama. This is no gunslinging action based bonanza, this features interesting characters talking a lot, where the screenplay has the big players nicely drawn, creating a pot boiler that only rewards those open to an intelligently paced structure. The title, sadly, is misleading and doesn't do the film any favours.You were one of the rear echelon heroes who hid on General Butler's staff while better men were getting killed in battle.Film has definite links to another "literate" Heston picture from 1954, The Naked Jungle. Sanctimonious macho male takes a wife and recoils when learning of her past. Cue the fleshing out of relationships for an hour until the pot starts boiling over and the pace ups and unfolds with a pleasingly suspenseful third act. Action until that third act is sparse, though there's good drama to keep one interested, very much so. This is also a gorgeous picture to look at, not just the rugged but beautiful landscape around the Bar S (Arizona), but also the colours that beam out from the screen, Loyal Griggs' (Shane) photography reason enough to seek this undervalued Western out.I got the one with the red hair ready for the buzzards.Lead cast performances are up and down, Baxter and Heston's chemistry is fine and sexy, but they do appear to be in competition with each other to see who can steal a scene. Baxter, looking positively ravishing throughout, really over does it early in the pic, while Heston forgoes his most agreeable subtlety from those early passages to ham it up later in the day. The best performance comes from Roland (Cheyenne Autumn), who as Bar S gran vaquero, Innocencio Ortega, not only looks immeasurable cool, he also casts a humanistic shadow over proceedings. Tryon, whose edgy one armed brother adds major spice to the narrative, turns in a rare effective performance.The problems are evident throughout, some over soaping by actors who should have known better and the villains are badly in need of flesh on their bones. Yet this is a Western that plays better now to Western fans than it would have done back in the 50s. Where the character driven bent can be appreciated without expectation of a "yeehaw" fuelled Oater. This be one for the ears, eyes and the brain rather than the pulse. 7/10

This was the film Charlton Heston made immediately after The Ten Commandments and the last one on his original contract with Paramount Studios. For a co-star for Three Violent People, Heston got Anne Baxter who was Nefretiri in the DeMille epic.Heston plays Colt Saunders, Confederate veteran who is trying to get back and re-start his ranch and keep it from the hands of carpetbaggers in from the north. He's got a one armed brother played by Tom Tryon who has issues to say the least. Tryon did not lose the arm in the Civil War, it was lost in an accident during childhood and Heston was the one who amputated it.And if that's not enough Heston meets and marries Baxter without knowing anything about her. She's got a very shady past that comes out at a most inopportune time and drives a wedge between them.There's a lot of the righteousness of Moses in Heston's Colt Saunders. Unlike in The Ten Commandments it's not a welcome virtue for Anne Baxter or for the audience. Bruce Bennett and Forrest Tucker play a real pair of bottom feeding carpetbagger officials. And the always enjoyable Gilbert Roland plays the grand vaquero, foreman, of the Saunders spread.Not a bad western, western and Heston fans will like it.

Charlton Heston made two good westerns: "The Big Country" and "Three Violent People". "Three Violent People" will show you a rousing good time. It is about a former-Confederate soldier (Charlton Heston) married to a southern belle who is hiding her former job as a saloon girl (Anne Baxter). When the husband finds out, he loses interest in his wife. Then the soldier's brother (Tom Tyron) takes over.This is Anne Baxter's best western. I think it is her only western. Tom Tryon made two more good movies: "The Cardinal" and "In Harm's Way"; then he retired in 1971 and became a successful novelist. You will notice Hollywood's best supporting actors in this movie.

At the time of its release, "Three Violent People" attracted little notice. Most critics probably labeled it "routine" and then turned their attention to other matters. Now, in this age of decline in film quality, we can look back and be impressed by things we once took for granted: a strong, consistent, logically-developed plot; characters that have some style and substance; dialog which consists of more than merely "Watch it!" and "Move over!"Not that "Three Violent People" is some sort of undiscovered gem. By the standards of its day it was little more than a passable western with a better than average cast and lovely color photography, but what pleasure it now brings!Charlton Heston and Anne Baxter, (re-united from "The Ten Commandments"), make an attractive couple. He's strong and stalwart, she looks good in her elaborate costumes. (However did she fit those dresses into a trunk to carry on a stagecoach?) Tom Tryon may not seem fraternally related to Heston but he adds his usual dash of smoldering sensuality. He even manages to do a bare-chest scene even though he plays a man who's lost his right arm! (But then, Tryon usually managed to provide some "beefcake," even in a Disney comedy such as "Moon Pilot.") Also worth noting are three of Gilbert Roland's sons: Jamie ("MASH") Farr, Robert ("In Cold Blood") Blake, and Ross Bagdasarian, who later scored a hit with his Christmas song featuring Alvin and the Chipmunks.One final point, if Heston and Tryon are two of the "Violent People" of the title, then who is the third? Anne Baxter? She may be deceitful and manipulative, but "violent" doesn't seem like an apt adjective to describe her.