Nice effects though.

I don't have all the words right now but this film is a work of art.

It's a feast for the eyes. But what really makes this dramedy work is the acting.

While it doesn't offer any answers, it both thrills and makes you think.

this, for me personally, was really absorbing and fascinating subject matter for a celebrity profile documentary. i'll have to admit i'm one of those persons whose life was profoundly effected by the Sherman Bros. music. not only did i grow up with it practically from the cradle, i sort of majored in it as a quasi-pupil of sorts. i probably am more familiar with pretty much all of the Sherman Bros. works more than anybody i've ever met. i used to listen to their soundtracks over and over and over...get the picture?i remember knowing the difference between their Disney and non-Disney musical scores when i was very young and others hadn't the slightest. i even revered the scores to Disney films like 'Family Band' and 'Happiest Millionaire' when others had long forgotten those movies. 'Family Band' and 'Millionare' were my first soundtracks ever. even before i had the original soundtrack to 'Mary Poppins' i had those. i was probably around eight at the time. so you can imagine the influence these two men have had on my life.funny thing is, i really know little or nothing about their personal life or about who they were. i am familiar somewhat with the chronology of their work and of the various songs and melodies, and i am familiar with the many photographic images, but that's about it. most of the stuff i discovered here in this documentary was news to me and i wasn't sure i liked everything i heard.i was somewhat shocked to learn that the musical duo that gave us so many happy, happy, joy, joy, children's ditties, were so petty, dysfunctional and cranky with each other. i have a brother, and we are close enough, but i know how this sort of thing goes. i guess i just expected more mature behavior from these two. knowing what i do know about personality types, i venture to say the problem might have lay mostly with Robert, God rest his soul, because he is more withdrawn and less communicative. these types are often moody and are often silent because they are secretive and judgmental. he is also the older sibling, and according to Rank, has the whole dethroned king complex. dunno. just guessing. it was sad, but very revealing to know this about them. i mean it really makes you feel like you kind of got to know them.there were some sweet, but overly brief interviews with Lesely Ann Warren and John Davidson. and it was interesting, for me, to hear 'Bedknobs and Broomsticks' star Angela Lansbury, talk about Robert and his service in World War II and how it effected his treatment on that film score. it was also of interest to hear that their father was a well known songwriter and a immigrant. never knew any of that.for true aficionados of the Disney classics, this film should be a real treasure. it is done with fondness and warmth without being overtly sentimentalized. for those that don't really respect or truly love the films of Walt Disney himself, this whole thing might not mean much at all.the Sherman Bros. are my favorite song writers for musical theater of the last century. true, a lot of musical theater doesn't always appeal to me, i find a vast majority of it overrated, but musicals are my favorite genre never the less. the Bros. have never gotten the respect of say a Rodgers and Hammerstein, Lerner and Lowe or even a Rodgers and Hart, i think it's time. their scores are truly whimsical and delightful treasure. even if the creators were grounded and mired in their own spiteful, crabbiness.

"The Boys: The Sherman Brothers' Story" is a documentary about Robert and Richard Sherman, the legendary songwriting brothers who composed the music for such films as "The Jungle Book," "Chitty Chitty Bang Bang," "Bednobs and Broomsticks" and their indisputable masterpiece "Mary Poppins," which features one of the finest scores ever written for an original movie musical.Though "The Boys" was produced and distributed by The Disney Studios - for whom the duo worked for many years – and was written and directed by their sons, Gregory V. and Jeff Sherman, this is no hagiography designed to provide a whitewashed account of its subject. On the contrary, it provides us with a warts-and-all look at the siblings who, while they could make great music together on a professional level, found it virtually impossible to harmonize on a personal one. In fact, their relationship was so strained that they essentially raised their families in isolation from one another (they even attended separate funeral receptions when their parents passed away) - and still today, the two men, even in the twilight of their lives, have yet to heal the breach that separates them.What's interesting – and, frankly a little maddening - about the film is that we're never quite sure what it is that caused this rupture, mainly because the boys themselves seem unable to account for it (half the time they seem to be unaware it even exists). All we know is that, for decades in public, they were able to put on a happy face and maintain the fiction that they were every bit as close as brothers as they were as songwriters, while out of the limelight and to the awareness of those who knew them, they had drifted irrevocably apart.Through interviews with their children, co-workers and admirers over the years, as well as with Bob and Dick themselves, the movie chronicles their childhood growing up in New York City, then Beverly Hills; their devotion and indebtedness to their songwriting father, Al Sherman; Robert's injury in World War II and the trauma of helping to liberate Dachau; their early years writing pop songs together and with others; their entry into composing for the movies with a song for "The Parent Trap." Then it's on to their years as the only songwriters lucky enough to be under contract to Disney; their close personal relationship with Walt himself; their Oscar-winning triumph with "Mary Poppins;" their eventual split with the studio after the death of Walt; their later work through the '70s and beyond; and their reunion at the London premiere of the stage version of "Poppins" in 2006.Despite the fact that the rift between the two is never adequately explained, the movie provides a treasure-trove of information, clips and snippets from that period in which they produced their work. There are moments of ribald humor and wistful nostalgia as we relive the memories the Sherman boys have provided for those of us fortunate enough to have grown up on their songs (they were even responsible for that most maddeningly memorable of ditties, "It's a Small World"). Indeed, in the face of all the personal animosity between the two men, it's the music and the memories that ultimately "help the medicine go down" while watching "The Boys: The Sherman Brothers' Story."

This little shown intimate portrait of the Sherman Brothers seems to have been largely overlooked in favor of the more broadly drawn "Waking Sleeping Beauty". That is most unfortunate because this is much more profound both as a peek into the creative functioning of the Disney empire...and as a fascinating unvarnished love letter to the astonishingly prolific and inspired team that gave the studio product so much of it's sparkle...This is an exquisite film with the interviews and clips arranged for maximum impact...(the DVD is even more of a treasure trove...the out-takes and extended scenes being just as valuable as the material that made the final cut). The tear jerking moments depicting "The Boys'" relationship with Walt Disney...and his love for "Feed the Birds" has been hinted at before...but this film brings it into a clear focus that makes it a must see for everyone who ever loved one of the studio's films...or ever hummed along to one of the teams immortal creations.There will be some people upset that this ends up being less of a happily ever after fairy tale than they would expect. This documentary lovingly depicts the somewhat strained relationship between two brothers who were very different people and how they were able to come together in one glorious project...the creation of songs that will live as long as there are children to re-discover them.Co-directed by the sons of "The Boys" this is also a delicious portrait of the lives of two families...and of Hollywood Magic in the mid 20th century...The moving reminiscences and archival clips are alone worth the price of the Disc!

There are some things that I wish I didn't know. That the famous brothers Sherman don't really get along or like each other all that much is one of those things. It's sad. And it is ironic, considering most of their music and lyrics seem a match made in Tin Pan Alley heaven. I am glad, however, that this somewhat disjointed and clumsy documentary about their lives reminds us of the many songs they have created: from the theme to the Tiki Room in the Disney theme parks to fun throw-away songs for Annette's surf movies of the 60's. Truly, their output for the better part of three decades was astounding. It is a shame that their sons couldn't have cobbled together a better, more compelling tribute to the pair. This film is cinematically lifeless and adds little understanding to their polar personalities. Try as they might "The Boys" just come off as one dimensional and rather dull. Thank goodness their tunes will speak for them for eternity instead of this well-meaning but awkward film.