the audience applauded

Memorable, crazy movie

I don't have all the words right now but this film is a work of art.

The film creates a perfect balance between action and depth of basic needs, in the midst of an infertile atmosphere.

"3 1/2 Minutes Ten Bullets" (2015 release; 98 min.) is a documentary about the "loud music" incident at a Jacksonville gas station in 2012, where a middle-aged white guy ends up shooting at 4 male black teenagers in a car playing loud music, and killing one of them. Upon his arrest, he claims that he was "standing his ground", as defined under Florida law. But was he? Couple of comments: this documentary tackles a super-interesting case from the legal perspective (disclaimer: I am a lawyer myself, although my practice is NOT in criminal law or doing court trials). The lawyer defending the shooter zeros in on it when he addresses the jury: "these are the elements of the Florida "stand your ground" law. You may or may not like that law, but that is irrelevant. Your duty is to apply the elements of that law." The amazing thing is that the jury does apply the law correctly in the end. What is not so amazing, and in fact is quite disappointing, is that this is not an "objective" documentary. It is pretty clear from the get-go where the documentary makers stand in their beliefs. This should've been a riveting documentary and while certain parts of it are (in particular the court scenes), it is not enough (for me, anyway).I recently stumbled on this documentary while browsing the Documentary section of HBO On Demand. Glad I checked it out, even though as already mentioned, the documentary is not even-handed. But the legal case itself is worth checking out.

STAR RATING: ***** Saturday Night **** Friday Night *** Friday Morning ** Sunday Night * Monday Morning In November 2012, a group of black teenagers drove into a convenience store parking lot in their red SUV to buy some cigarettes and gum. Whilst one of them had gone to get what they wanted, another car pulled alongside theirs and the driver, Michael Dunn, asked them to turn their music down. The driver complied, but Jordan Davis, a backseat passenger, kicked up a fuss and turned it back up. This lead to a verbal altercation between him and Dunn, which escalated into Dunn firing ten shots at their vehicle as it sped away, leaving Jordan dead. As the trial of Dunn plays out in the courtroom, and the verdict draws near, racial tensions in the US rest on a knife edge.In multi racial, gun happy America, a breeding ground has been served up for conflicting cultures to collide and for tragic outcomes to ensue. The case of Trayvon Martin a short while ago caused a national outcry at the time, but here, a similar case in the shape of Jordan Davis is documented, another casualty of the gun culture. The state where the incident took place, Florida, currently operates the 'Stand Your Ground' law, that allows a gun owner to operate their weapon in instances where they even perceive a threat, which this film scrutinises.Filmed in a crisp, pristine picture, the film sacrifices talking head perspectives for a straight out real life presentation of Dunn's trial in court (not legal as far as I was aware?) While this takes up most of the film space, it's the outside elements that give it its striking touches, with Dunn's phone conversations with his fiancé playing out over silent, eerie overhead shots of passing traffic with the sound drowned out, as well as the pain and loss of Jordan's parents. His more middle class background and upbringing is the most uneasy conflict with the stereotype his image presents, and its his friends, who all seem to want to break into the rap scene, who serve to challenge the predetermined mentality many may have of them, with 'thug' being the new n word, as one of them laments.This documents a tragic human drama, from which no winners emerged, but from which important questions were raised and vital steps were suggested to put things right. ****

The day after Thanksgiving 2012, four male African-American teenagers in Florida pull into a gas station for cigarettes and gum, but a 47-year-old white man in the car parked next to them outside objects to their loud music. Michael Dunn later says in his testimony that he thought one of the boys, Jordan Davis, had a firearm and he perceived a threat on his life, resulting in a shooting that left 17-year-old Davis dead. Most likely, what really set Dunn off was the disrespect shown from a teenager towards a middle-aged man...a generation-gap problem that has existed since the dawn of civilization. The director of this emotional documentary, Marc Silver, takes the racial aspect of the case and builds and edits his film around it. We see Jordan's parents grieving his loss, we see his mother praying and worshipping and setting up a tiny cross in the sand on the beach, but hardly any time is spent on Dunn's fiancée (who comes across as an honest, interesting woman in court)--we don't even get her reactions after the verdicts are read. Silver wants to keeps a stirred pot boiling, and he isn't fascinated enough in the case as a whole to be completely objective (he's convicted Dunn already). The verdicts in both trials (this a result of a mistrial called on one of the counts, which was then retried off-camera) are fair, based on the actions of a man who was demanding respect by force. Dunn's motivations in that split-second when he took out his gun aren't probed in depth; Silver wants to reveal Dunn as a liar (which is true) and as a man with racist attitudes (which is debatable). When you come out of a documentary with more questions than answers, perhaps the film hasn't done a succinct enough job examining the central situation. We understand that Jordan's family is devastated, that he was a solid young man just out for a good time with his buddies (each shown to be completely innocent of malice). The trial judge says, "There are no winners or losers here," though, sadly, I don't think anyone heard him. **1/2 from ****

This is a powerful and deeply moving documentary about a subject that continues to plaque America: the demonization of young black men and the subsequent deadly actions taken against them, both by private citizens and law enforcement.Excellently shot and edited, the film is a courtroom drama. We already know the outcome--if you had been following the case--but the filmmakers flesh out the human dimension of the murdered youth, 17-year old Jordan Davis. Through riveting scenes in the courtroom and heartbreaking conversations with his parents and friends we get a sense of what was so mindlessly lost when this young man was murdered. Though the murderer is ultimately convicted, the film makes it clear that there is no "closure" when a life is so quickly and callously taken.This important film challenges all of us to continue to see the humanity in each other...especially those who have been historically demonized, marginalized and stereotyped.