A Sense of Freedom

October. 19,1979      
Rating:
6.9
Trailer Synopsis Cast

The true story of Jimmy Boyle, who was reputed to be Scotland's most violent man.

David Hayman as  Jimmy Boyle
Alex Norton as  Malkie
John Murtagh as  Piper
Fulton Mackay as  Inspector Davidson
Sean Scanlan as  Jackie
Jim Boyce as  Sgt. Bobbie
Jake D'Arcy as  Robbie
P.H. Moriarty as  Prison Warder
Lesley Mackie as  Malkie's Wife

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Reviews

Lightdeossk
1979/10/19

Captivating movie !

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Konterr
1979/10/20

Brilliant and touching

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Lachlan Coulson
1979/10/21

This is a gorgeous movie made by a gorgeous spirit.

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Fleur
1979/10/22

Actress is magnificent and exudes a hypnotic screen presence in this affecting drama.

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drublecube
1979/10/23

Although the video description is a little misleading as it suggests Jimmy Boyle was an innocent man, the movie, based on Jimmy's autobiography, tells the story of Jimmy's life as a brutal gangster and is amazing from beginning to end. There's a lot of violence and a lot of blood, but some very emotional moments as well which make you re-evaluate your opinion of a person.After terrorising people for ages, eventually Jimmy starts to get a taste of his own medicine - but this guy is too hot to handle.The emotions are raw in this movie and though there is some music, none is needed. The lack of music adds to the intensity of the film and David Hayman's acting as the star of the movie is better than brilliant - he shows us pure evil, anger, sadness, and compassion, and every emotion seems as real as the other.People say that beatings work against criminals so they think such violence should be used as a deterrent - this film proves exactly THE OPPOSITE - when Jimmy is treated like a human instead of being beaten, there is a drastic change which leads to him running a rehabilitation centre and preaching against gangs and violence.The fact that VIOLENCE DOESN'T WORK AS A DETERRENT is what this film proves, evidenced by a man who's suffered loads of it.Jimmy's 'sense of freedom' is when he is treated like a human instead of being beaten.

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thelaird
1979/10/24

I was so disappointed when I put this disc into my machine. The dialogue is dubbed in Standard Scots!! Even though in many cases it's the original actors supplying the dialogue, it still sounds very strange. Native Scots will find this difficult to watch due the strange accents. Accents that sound very unnatural. Accents that are neither Kelvinside nor Morningside. I have not made it to the end of this DVD because the dubbed soundtrack is so annoying and off putting.The distributor missed a trick with this release. The American DVD release of Gregory's Girl has two soundtracks – English and Scottish. They could have done the same with A Sense of Freedom.Let's hope that STV release this drama in its original form.

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j-scott33
1979/10/25

A brutal Man. A brutal system. This is the true story of hardman Jimmy Boyle based on the tough streets of the Gorbals in 1970,s Glasgow. A hard hitting story of a man who,s loan sharking and racketeering eventually leads him to prison where his anti authoritarianism is met with rough justice by the prison wardens. This low budget film proves that money and special effects need not be the key in mastery

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simon-118
1979/10/26

Peter McDougall, British televisions most unfllinching writer, skilfully avoids making this a message-movie or an adaptation in a traditional sense. It is partly fictionalised, as it is not a story about criminality, it is about Boyle, a man with a will of iron who defies all society's attempts to dispose of him, and eventually reforms through compliance not defiance. David Hayman is very convincing and there's a wonderful cameo from Hector Nichol as a gatecrasher at a party. The violence is noticeably a long time coming. McDougall never needs to throw as many shocks in as possible, but brings in whatever is needed when it is needed. The icing on the cake is Frankie Miller's score and John McKenzie again showing he can film violence more truthfully than any other director. Wonderfully honest for STV, the emotion reaches more grim levels than McDougall's previous BBC works. Hayman plays the death of his mother and his contemplation of suicide beautifully, but most impressive is his curled up, wounded animal figure on the cell floor saying his name over and over again. This is the way to make a television film.

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