People are voting emotionally.

As Good As It Gets

Fanciful, disturbing, and wildly original, it announces the arrival of a fresh, bold voice in American cinema.

It's the kind of movie you'll want to see a second time with someone who hasn't seen it yet, to remember what it was like to watch it for the first time.

First of four B films adapted from very popular radio programmes of the 40s and 50s Highly enjoyable for fans of old fashioned mysteries. Nice location work in Canterbury though matte shots from cars involving rolling scenery date it. Leads both good including Sheridan who would move onto A films including the wonderful "Genervive"

This adaptation of a BBC radio series soon betrays its origins.There are a number of mini climaxes,which would normally be where the programme would stop awaiting the unfolding of the latest quirk in the story the following week.However here we have the laboured device of a number of characters about to divulge the name of the murderer Rex when all of a sudden they are shot or poisoned.The problem is also that so many characters are murdered that it all becomes rather commonplace and clichéd.The film is not helped by the fact that there is a nightclub scene shortly after the beginning which seems to bring the whole plot grinding to a halt till Celia Lipton has trilled a couple of songs and expired.By the way the murderer is not too difficult to guess if you know what British actors tended to play villains.This film was clearly intended to play as a first feature but i have to say that the majority of British B crime films are far more entertaining than this woeful effort.

This is a moderately entertaining, if rather insipid, film based on the BBC radio series written by Francis Durbridge, with Paul Temple, the writer of detective novels, acting as a detective himself. Here he is played by John Bentley, the first of his three films as Paul Temple. He is a very personable and adequate actor for the role. His wife 'Steve Temple' is played in lively fashion by Dinah Sheridan. She looks so eerily like the contemporary British actress Rosamund Pike that I kept imagining I was watching Pike in the role. A true mystery would run something like this: could they possibly be related? Both were born in London. Oh well, probably not, but it is just uncanny, that's all: a case for Paul Temple. And as all writers named Temple know, solving mysteries can be a lot of fun. The credited continuity girl for this film was June Faithful, although it does not appear in her list of credits on IMDb. I knew her much later in her career, and have absolutely no idea whether she is alive or not, for that is not recorded on IMDb either. This was probably her first continuity job. The cinematographer for the film was Geoffrey Faithful (and in his case, it does appear on his lengthy list of credits on IMDb; he died 1979, aged 86), who shot VILLAGE OF THE DAMNED (1960), MURDER SHE SAID (1961), and countless other films between 1913 and 1971, when he retired. He was probably June's father, and may have got her into the job on this first picture. This film is notable for containing much excellent location cinematography of the town of Canterbury as it was in 1947, with streets nearly empty of traffic, and before the town was largely ruined by tourism, chain stores, and rampant commerce. Much of the action is set there. A lot of the cinematography is atmospheric, commencing with the opening sequence inside the corridor of a moving train at night. If only the story and the direction had been better, this film could be something of a classic, but alas, it is not. A series of murders of women are taking place, and various sinister characters are 'set up' for us as either the real culprit or as red herrings, one of them played by the remarkable Burmese-Jewish actor Abraham Sofaer, who never failed in many a film to deliver an impeccably chilling rendition of a potential villain, aided by his weird looks. Another possible villain of the piece is ominously played by Hugh Pryse, who does a really good job of it indeed. Pryse died at the age of only 44 in 1955, only seven years after this film. He should have gone on to enjoy a distinguished career as an older character actor, for which he was eminently suited. Who is really killing all these women? They all turn out to be patients of Abraham Sofaer. Well, you can imagine the rest, but I shall not tell whodunit because that would be telling whodunit.

Second film in the brief Paul Temple Film series has Temple and his new wife living in flat in London. The pair gets mixed up in a series of blackmail murders that are being committed by fiend that signs himself Rex.Not quite up to the first film, the plot is even more confused and confusing, though it moves along at a good clip with a couple of nice action set pieces sprinkled through out which helps to get through its over length. I liked the film but at the same time thought it wasn't up to the first one. I kind of understand why the films in the series were few in number. Mystery fans may want to take a look.6 out of 10