Pretty Good

Absolutely Fantastic

I think this is a new genre that they're all sort of working their way through it and haven't got all the kinks worked out yet but it's a genre that works for me.

Not sure how, but this is easily one of the best movies all summer. Multiple levels of funny, never takes itself seriously, super colorful, and creative.

When I was a kid I used to get a big kick out of movies like this. Red Skelton is owner of a camera store who is in debt. He pulls some shenanigans to make some money and achieves only more debt. Arlene Dahl, a rich land developer, takes pity on him and quietly sends enough customers to the store to relieve him and see that he has a considerable profit as well. He loses that too. But in the process of failing, he succeeds in saving himself, the store, Arlene Dahl, and the day.Now, as I watch this from my now ancient, creaking frame, I mostly find it just silly. The slapstick and goofy expressions that once provoked a storm of laughter now just elicits a wince.There's no point in detailing the story or its weaknesses. You can find similar gags -- often better gags -- in Laurel and Hardy shorts or on the situation comedies of today.I don't mean to bomb it entirely. All of us were once under fifteen, or still are, and that audience might still find it rewarding, although I can't be sure.

WATCH THE BIRDIE is certainly one of Red Skelton's lesser efforts. Storyline has good potential, but something went wrong. Looks like scenes were maybe filmed but cut as the movie jumps around with not much logic. Due to the short run time I'm sure much was left on the cutting room floor. No explanation as to how the Arlene Dahl character knows Red's name and where he works. A lot of other missing information. The worse part is the clips of two old MGM films. Just stops the movie dead. However, if it weren't for that scene the movie would have been barely an hour long. Only for Skelton fans, or not even. Arlene Dahl is a real beauty and Ann Miller is her usual perky self. Not much else is worthwhile.

Its one of the masters of comedy, Red Skelton in a slapstick romance flick playing three parts: Rusty Cammeron, Pop and also Grandpop. Rusty is trying to keep the family camera shop from going under. He tries his hand at newsreel filming that leads to some hapless, funny situations and the chance meeting of an heiress Lucia Corlane(Arlene Dahl)...Rusty is smitten. Nothing he wouldn't do for his new love; even filming the ground breaking of her new housing complex. He manages to film her financial adviser making a dirty deal that would leave Miss Corlane broke. A fun vehicle for one of the "cleanest" comedians in the business. Others in the cast: Ann Miller, Leon Ames, Richard Rober and Pamela Britton. Jack Donohue directs the screenplay of Ivan Tors.

Only Red's many fans will enjoy "Watch the Birdie," one of Red Skelton's weaker movie comedies. "The Yellow Cab Man," released the same year (1950) is much better. To see classic Skelton, check out "A Southern Yankee," his most critically acclaimed feature, containing the famous scene of Red carrying a flag with bars and stars on one side and stars and stripes on the other so neither the Yankees or the Rebels will fire at him. Any of the "Whistling" pictures Red made during World War II are worth a look, in particular "Whistling in Brooklyn." All three have the added attraction of featuring one of the funniest men in the movies, Rags Ragland, who left us much too soon."Watch the Birdie" does contain some funny routines and several humorous situations, such as the wild chase at the end with Red and Arlene Dahl atop one of the craziest contraptions imaginable--a huge lumber lift vehicle. But much of the comedy is forced and some of it falls flat, especially the scene at the doctor's that takes place in a crowded dressing room. There are some hilarious lines delivered by Red with his usual skill, yet many are shopworn and stale.Though Red was a master of mimicry and impersonation, his portrayal of his own father and grandfather fails to gel with the story being told. The father character is just not funny. The grandfather ploy works much better, being presented as an octogenarian playboy with a young thing wrapped around him.Believe it or not, the funniest part of the movie is the opening credits. Red reads the names, making clever comments, such as: "These two girls fought over me. Ann Miller wanted me to marry Arlene Dahl and Arlene Dahl wanted me to marry Ann Miller." "We had four writers on this picture. Three could write. The other one was my wife's brother."The story has Red an unsuccessful operator of a camera shop owned by his father. While trying to make money to pay his bills and save his business by doing freelance filming on a boat, he is accidentally knocked overboard by heiress Lucia Corlane (Arlene Dahl). In attempting to make amends, she and Red fall for each other. Miss Corlane is determined to save Red's little shop providing him enough business to pay his debts. In the process, Red uncovers a plot by Miss Corlane's business manager, Grantland D. Farns (Leon Ames), and his unscrupulous accomplices to steal Corlane's money through manipulating a housing project of hers that is under construction. To aid Red, Corlane assigns him the task of taking pictures to promote the housing venture. Red unknowingly shoots film that contains incriminating evidence against Farns. Farns and his partners in crime are determined to snatch the film before it reaches the district attorney's office.Though not one of his best films, "Watch the Birdie" has enough humor and slapstick to keep fans entertained. It is always a delight to watch a truly funny man on the big screen. Red was adept at both physical and oral humor. If Red can't make you laugh, it's doubtful that anybody can.