Save your money for something good and enjoyable

I am only giving this movie a 1 for the great cast, though I can't imagine what any of them were thinking. This movie was horrible

This story has more twists and turns than a second-rate soap opera.

It is a whirlwind of delight --- attractive actors, stunning couture, spectacular sets and outrageous parties. It's a feast for the eyes. But what really makes this dramedy work is the acting.

In "Johnny O'Clock" Dick Powell has three femme fatales for the price of one. The first is hat check girl Harriet Hobson (Nina Foch), the second Nella Marchettis (Ellen Drew) the gold digger wife of Powell's boss Guido (Thomas Gomez) and finally Nancy Hobson (Evelyn Keyes) the sister of hat check girl Harriet. How the three weave in and out of O'Clock's life forms the basis of this film noir ably directed by Robert Rossen.The name Johnny O'Clock is obviously an alias and although we hear Police Detective Koch (Lee J. Cobb) read off a list of Johnny's known aliases, we never learn his true identity.Johnny is the high living well-dressed junior partner of gambler Guido Marchellis. He runs the gambler's casino for him all the while professing that he himself is not a gambler. When two of the main characters turn up murdered, Johnny is immediately suspected of the crimes. He is dogged unrelentlessly by Inspector Koch who seems to have it in for Johnny. Through it all Johnny becomes involved with the three aforementioned females at various stages of the investigation.This was a different sort of role for Powell. This time around, he is not the hard boiled detective or wise cracking private eye he usually played but a shady sort of character who is out only for himself complete with character flaws and a past. Lee J. Cobb plays the police inspector as only he could, a role he would reprise several times throughout his career.Evelyn Keyes, who had just married John Huston, makes an alluring heroine. Nina Foch is suitably innocent as the Johnny's "blind date" and Ellen Drew is sexy and seductive as the real "femme fatale" of the piece. Others in the cast are John Kellogg as Charlie Johnny's "man", Jim Bannon as brutal cop Chuck Blaydon and a young Jeff Chandler as a gambler named "Turk".Complete with all of the dark shadows and night scenes, "Johnny O'Clock" makes for an entertaining "film noire" murder mystery.

A great cast stars in "Johnny O'Clock," a 1947 noir written and directed by Robert Rossen. It stars Dick Powell, Evelyn Keyes, Lee J. Cobb, Ellen Drew, Thomas Gomez, and Nina Foch.Not that many years have passed since Dick Powell was a singing juvenile, but here he is as Johnny O'Clock, a somewhat cold tough guy who has a partnership with Guido Marchettis (Gomez) in a gambling casino. Johnny's a hard guy to figure - with the hat check girl Harriet (Nina Foch), he's helpful and kind, and it's hard to decide which is the real Johnny.There's a crooked cop who works for Johnny and Guido named Chuck Blayden (Jim Bannon), who's making trouble for Harriet and there's an Inspector Kotch (Lee J. Cobb) who wants Johnny to answer some questions. Then there's the gorgeous, sexy wife of Marchettis, Nelle (Drew), who's had an affair with Johnny and wants him back. In the midst of all this, Harriet is found dead and it's assumed to be suicide.When Harriet's sister (Evelyn Keyes) comes along, there's an instant spark between her and Johnny. But Johnny is in trouble, thanks to a couple of watches, and the disappearance of Blayden.For some reason, this films ends up being a disappointment. Despite Rossen's wonderful direction, it's not tight enough, nor is the story strong enough. One sort of has the feeling of being dropped into the middle of something. That doesn't mean there aren't interesting elements. One is the tiniest hint of homosexuality in the character of Charlie (John Kellogg), an ex-con who works for Johnny and lives with him.The performances across the board are very good, led by Powell as an attractive, solid tough guy with hints of humanity, and Keyes as a strong but vulnerable woman.Still worth seeing.

Johnny O'Clock has everything under control. He has a partnership in a thriving casino and all his little peccadilloes are at ease in his world. Then things start to go awry, his partnership with Marchettis comes under severe pressure on account of Mrs Marchettis' dalliances, and worst of all, the hat check girl he had a soft spot for has turned up dead. Johnny is feeling the heat, from every corner of his world it seems.At the time of writing this, Johnny O' Clock has under ten reviews written on IMDb and barely 200 votes cast, one can only assume that Johnny is badly under seen! Without knowing the issues of accessibility on TV and DVD, it may just be that this little noir treasure has slipped through the net of many a genre observer. Without pushing the boundaries of noir and its devilish off shoots, it's a film with all the necessary noir components in place, a tightly accomplished film that definitely deserves a bigger audience.The plot, though very basic in the context of the genre/style it sits in (thus making it easy enough for the casual viewer to enjoy), is a series of double (triple) crosses smothered in a delicate hint of aromatic femme fatale. Throw in crooked and grizzly bear like coppers, get Robert Rossen to make it his directorial debut, and ask Burnett Guffey to photograph it, and you got a lovely helping of noirish stew. All you then ask for is your cast to come up trumps, and thankfully they do.Dick Powell plays Johnny O'Clock with the right blend of dapper charm and cool calm toughness, Lee J Cobb (grizzly bear copper), Thomas Gomez (Pete Marchettis) and John Kellogg (the muscle) all play it tough without over egging the pudding. The girls are nicely played by Evelyn Keyes (99 River Street & The Seven Year Itch), Ellen Drew (The Man from Colorado) and the delicious Nina Foch (The Ten Commandments) - with Drew showing definite shades of Hayworth at times, though only shades mind!It's not a dark picture and those hoping for a head scratcher will be sorely disappointed, and I would be a liar if I said that I didn't think the ending needed a more dramatic punch. But I'll be damned if this wasn't a most enjoyable experience, twisty and turny without making the head spin for sake's sake, Johnny O'Clock is well worth your time. Time! Get it? Groan. 7/10

Well, it's got all the right trimmings -- Dick Powell, Thomas Gomez, Lee J. Cobb with a cigar. Names that sound phony and semi-ethnic -- "Guido Marchettis," "Johnny O'Clock". Released in 1947, black and white. High-class setting with diversions into the seedier parts of an unnamed city. Tough cop, greasy heavy, lying ex-girlfriend, innocent blond new girlfriend, treacherous jealous friend. Edgy dialog.(Gunshots offscreen) "What's that noise?" "Somebody's got a nasty cough." "I've got a bullet in my gut and fire in my brain." "You were in the army. What did you learn?" "What I already knew." "My man was killed." "Accident?" "Yes -- the war." The photography is neat and crisp. Rossen's direction is efficient. He moves the bodies about with ease. But the plot is simply lacking in real drama and doesn't have much in the way of character development. There seem to be several unrelated subplots. A young woman seems to have committed suicide, but maybe it's murder. Her sister arrives in town and falls for Johnny O'Clock (Dick Powell) but will they marry? A bad cop disappears. But we don't really get to know any of them to care much about them. And everything is pulled together with a few offhand words by Dick Powell just before the end.I kind of wanted to like it because I'm fond of noirs and think that Rossen's work elsewhere has sometimes been superb, but this one got by me. People walk around and talk to one another. There are card games and two shootings. Girls smile at men, who dismiss them. It's all on the surface. As the detective says in "Psycho," "If it doesn't jell, it isn't aspic. And this isn't jelling." It's still interesting to watch -- once.