Outrage

September. 27,1950      NR
Rating:
6.7
Trailer Synopsis Cast

A young woman who has just become engaged has her life completely shattered when she is raped while on her way home from work.

Mala Powers as  Ann Walton
Tod Andrews as  Rev. Bruce Ferguson
Robert Clarke as  Jim Owens
Raymond Bond as  Eric Walton
Lillian Hamilton as  Mrs. Walton
Rita Lupino as  Stella Carter
Hal March as  Detective Sergeant Hendrix
Jerry Paris as  Frank Marini
Angela Clarke as  Madge Harrison
Roy Engel as  Sheriff Charlie Hanlon

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Reviews

Spidersecu
1950/09/27

Don't Believe the Hype

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Kaydan Christian
1950/09/28

A terrific literary drama and character piece that shows how the process of creating art can be seen differently by those doing it and those looking at it from the outside.

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Paynbob
1950/09/29

It’s fine. It's literally the definition of a fine movie. You’ve seen it before, you know every beat and outcome before the characters even do. Only question is how much escapism you’re looking for.

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Deanna
1950/09/30

There are moments in this movie where the great movie it could've been peek out... They're fleeting, here, but they're worth savoring, and they happen often enough to make it worth your while.

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cwade22
1950/10/01

I was going to give it 1 star, but I respect Ida lupino. One thing I really can't stand is Bad writing! The Female lead is running and all active, then she trips on a very small staircase, and just decides to go to SLEEP on the very hard platform! REALLY?! All she had to do was KEEP RUNNING! Writing that forces characters to do stupid things like run away from a man whistling, but she didn't just keep running, she had to keep stopping and hide. Dumb! Also, she was all energetic in her fleeing, but she tripped on Purpose, over a big garbage can! Then, she got in a truck and Honked the horn, ON PURPOSE! The acting was so bad and forced, but I couldn't discern if it was the bad writing leading the bad acting, or just these actors were so bad. I've been watching old tv shows lately. The concepts are nice, but the writing is Dumb! As if it were lazily written. Characters that are smart, doing dumb things because the writer had to finish the episode. Every time I see dumb writing and characters doing dumb things that contradict their normal behavior, I just repeatedly say aloud, "this show sucks. The writing sucks!" This film is old, but that's no excuse to have poor acting and poor writing! All the positive reviews seem to ignore the obvious flaws that ruin the film. How can ANYBODY watching make it past the Chase scene without asking questions and being confused as to how dumb She was?! Also, the Very loud Truck Horn didn't stop! Nobody bothered to stop it! An old man living in the building next to the loud truck horn Stuck his head out, then shut his window to go to sleep! REALLY?! I doubt his window could be that sound proofed to block out that loud horn sound! And he just closes the window?! WITHOUT GOING DOWN TO CHECK WHY THE HORN WAS GOING?! Really?! That detail is UNREALISTIC! I guess, if thatvold man went down to check the horn, he'd have PREVENTED the rape, and the movie wouldn't have happened. Still, spare us a dumb movie with unrealistic details. I'd rather there be no movie than force a movie, write unrealistic details and depict the characters as dumb. In what world is it smart for a girl to run away from a whistling man, INTO A DARK ALLEY?! She could've stayed on the street! Also, How did she pass out, all of a sudden, seconds after She was running?! To take this movie seriously is to dumb my brain down. I can't let pass certain details because details are like puzzle pieces! You can't just throw in a few pieces that don't fit, just to complete the puzzle piece count. If The girl were smarter, and She never ran into a dark alley, and that old man went down to check the truck, the movie would be more believable. Don't write details that make characters look dumb and careless! This female lead looked dumb and careless. This movie was about rape! Yet, I didn't pity the woman because she made the dumbest mistakes and the writing was so bad. How could the writing be this bad?! How can you write the girl to be so stupid, to run in a dark alley, or an old man to ignore the LOUDEST TRUCK HORN RIGHT OUTSIDE HIS WINDOW?! Somebody resurrect Ida Lupino, and get her to answer these questions, then get her to correct these very obvious flaws. I wanted to like the movie, but it didn't earn my respect. Future Writers, PLEASE LEARN FROM THIS FILM! Very good Concept, Very Bad writing. You can have the best concept ever, but Bad writing will Ruin it. Even with the best actors, it'd still be ruined. How can people just ignore these big details/flaws at the start?! If you watched Her running and kept asking "Why did she just do that, or go there, or fall down and go to sleep on that Very Hard Wooden Stage?!" You are not alone! And if you asked any of these questions, that makes it difficult to take this film seriously. I don't like my mind being insulted. Again, CONCEPT IS great! Writing and acting are VERY BAD!

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edwagreen
1950/10/02

Outstanding film detailing the mental breakdown of an engaged woman who is molested while on her way home from work. The film shows what mental detachment may bring as well as the repercussions of such a terrible situation.Mala Powers was terrific in the role of the victim whose life goes complete awry after suffering such an experience. We see the stigmatization that she finds after the outrageous incident. Unable to cope, she flees her home only to find peace and tranquility on a farm and the love of a minister finding his own way after his experiences during World War 11.We see the kindness of other people, and just when things seem to be getting somewhat back on course, a very forward guy leads Powers to imagine her previous incident and therefore with near tragic consequences.This was beautifully directed by Ida Lupino and shows the goodness of people in attempting to aid a lost soul.

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drystyx
1950/10/03

Ida Lupino is a name that we know for one of the most stunning beauties ever to appear on screen.And the beauty is great.So is the actress.So is the director.This is a stage fare sort of film. A great film has to work on stage as well as screen. A great film has to inspire kids to make believe, although the subject matter here probably is over the heads of most kids.This is the story of a respectable young woman, a total beauty on the order of Ida herself, rich in values, who is sexually assaulted.What she goes through after-wards is well depicted. Not only does Ida show us what the world sees, but she shows us what the young lady sees.Throughout the film, we get textbook directing and more. Not only is it blocked like a professional stage director would block it, but it is given all the additives that film can give. To say more would be to spoil what will be a pleasant experience for the viewer.I call it "perfect directing", but you can't have a film this perfect without perfect writing and acting as well. This film excels on all levels.I am a stickler for credible characters in incredible circumstances. However, here, we have credible characters in credible circumstances, and we still watch with interest. It is a heart filled story that will leave the strong men in tears.And it is not dated. Still relevant today. A hidden gem.

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jenabaum
1950/10/04

I saw this little (only an hour and 15 minutes) movie last night, remarkable for it's subject matter (rape and its aftermath) and notable because it's director is Ida Lupino. It was interesting because rape is not a subject that was often depicted in dramatic features, albeit a B-level feature in the early 50's. The story was told in an honest way, and after I got used to the avoidance of the term "rape", substituted for "criminally attacked" (hey, this was the 50's and it did have to get an MPAA rating) I was kept interested for the rest of the film.

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