That was an excellent one.

In truth, there is barely enough story here to make a film.

The film makes a home in your brain and the only cure is to see it again.

Although I seem to have had higher expectations than I thought, the movie is super entertaining.

I love this one-- it's the little film that could. It is easily my most favorite B-film. It has some great Irish music, some fast-paced action scenes (especially at the end), and appealing lead performers (like Dennis Morgan, John Payne & Gloria Dickson) to sustain our interest. But what impresses me most is the way this story deftly combines several different genres-- it's a musical, police procedural, romance, mystery and gangster drama all rolled into one. It tries to be all things to all viewers, and since the cast is so versatile, it succeeds. And to think they packed it all into a film that doesn't even run a full hour! Great entertainment.

After seeing any number of films from Warner Brothers I'm convinced that several properties at once were written with James Cagney in mind. And when he said no they devolved on to lesser players in the pecking order.Case in point is this film Tear Gas Squad in which there is no such specialized squad in any police department I know. And we only see tear gas being used in the final showdown with the bad guys here. What this is all about is yet another buddy film that was probably meant for the team of Cagney and Pat O'Brien.Dennis Morgan plays a nightclub singer with not too good an opinion of cops, but joins the force any way to impress Gloria Dickson who comes from a family of them. And she's got Sergeant John Payne who is also courting her who gives Morgan a ticket and gets a lot of lip from Morgan. So when he winds up Morgan's training officer you can only imagine what follows.Which you've seen in any number of Cagney/O'Brien films all of them better than this. At least Morgan got to sing a bit. John Payne who has a few good notes in his system as well sang not a bit.Fortunately for both Morgan and Payne better films were coming along although Payne would have to move to 20th Century Fox for them.

Cocky young nightclub singer joins police force to win affection of cop family's daughter.The title remains a mystery since the crime part comes as something of an after-thought. And when the title tear gas finally does fly, it's short-lived. Actually, the movie's a showcase for Morgan who's clearly on his way to bigger and better things. Despite the B-budget, he comes through here in spades with a lively performance and a fine singing voice. In fact, the production looks like an opportunity for a number of likable younger players— Payne, Reeves, Anderson— resulting in an uncommonly good-looking male cast. The rivalry between Morrissey (Payne) and McCabe (Morgan) appears both natural and the movie's dramatic centerpiece.Sure, the story's about as hackneyed as they come. But it's a Warner Bros. production and no one was more energetic on screen than the studio of Cagney, Flynn, and Robinson. Their crews knew how to keep a story moving in both filming and editing. And, despite the limitations, this lively little endeavor is no exception.(In passing—note the presence of two cast members from 1950's Superman series, George Reeves {Joe McCabe} along with John Hamilton {police chief}. Also, look quickly for Perry Mason's William Hopper in an early walk-on.)

There's a definite B-film flavor for this quickie from Warner Bros. that has DENNIS MORGAN as a nightclub singer trying to impress a girl (GLORIA DICKSON) with his impersonation as a police officer during a nightclub act. Little does he know she's from a family of officers, which is why she fails to be impressed by him.JOHN PAYNE is one of her brothers, also a policeman who knows Morgan because he gave him a traffic ticket for speeding. The story turns out to be a trifle distinguished only by a generous sampling of Irish songs by Morgan, who never sounded in better voice. Unfortunately, the story is hackneyed stuff, with Morgan deciding to actually join the police force instead of just impersonating one. Naturally, he has to shape up under Payne's leadership in training school.It's predictable nonsense with DENNIS MORGAN's way with a song being the only worthwhile reason for watching. Running less than an hour, it's a harmless programmer but easily forgotten.