Very disappointed :(

Memorable, crazy movie

Great Film overall

Expected more

Sometimes it is better to be deaf, but more on that later. Let's take the positive things first. We're talking about great technical aspects surrounding this movie. The camera work is exceptional, the lighting is really good. The overall quality is way better than some other similar low budget efforts. Someone had a vision and that vision came to life in quite some fashion.Having said that, the movie also has some issues. It pays homage to "old" horror movies. Just the fact it's playing in the Disco era (hence the title and the music, both fitting) alone should be a giveaway. And it's not a bad thing, it's just that sometimes there are bumps and quite a few hiccups along the way. If the story was a tight as the look of the movie, we could have had a real winner. And while some of it is done on purpose (or as a tribute to the movies this was inspired by), you'd wish they'd have spent a bit more time on the script ...

A Canadian slasher movie that resembles films like Cruising, Maniac and Dernière Séance. This serial killer gets crazy upon hearing disco music. As soon as the first tunes reach his eardrums, his eyes turn black and he gets in a killing trance (triggered by some childhood trauma). Although Discopathe is an atmospheric picture with some truly interesting and horrific moments, it couldn't ever grab me by the throat, nor scare me at any time. I suppose this movie hasn't got the intention to shock, but more to generate a dismal vibe like Dernière Séance and 1970s feeling like Cruising. This is definitely something for aficionado's and exactly therein lies its charm. It just didn't work for me this time.

It's truly a joy and relief to know that somewhere in this world (in Canada, apparently) some people are still making refreshing and creative new horror movies! "Discopathe" is a highly original, tongue-in-cheek and clumsy - although I'm sure that's intentional – low budgeted slasher flick that put a giant smile on my face from start to finish. Writer/director Renaud Gauthier (you can also spot him in a delicious cameo appearance as the protagonist's father) thought up a plot that is quite insane and simplistic but the setting, atmosphere and particularly the grotesque make-up effects form a downright terrific homage to the rancid and nasty exploitation horror flicks from the late 70's and early 80's. Duane Lewis is a handsome twenty-something New Yorker, but he has one major problem. The sound of disco music causes him to go out of his mind and turns him into a maniacal killer. Unfortunately for him, disco is something nearly impossible to avoid in the year 1976, especially when sexy Rollerblades-girls practically force him to go out clubbing. After having committed a gruesome murder, Duane flees to Montréal and inconspicuously hides himself as a caretaker in a catholic all-girl boarding school. But even here in this supposedly secure environment, Duane is again confronted with lewd disco-loving girls and his homicidal tendencies rapidly come back to the surface… bigger and nastier than ever! The violence as well as the killer's hateful facial expressions of "Discopathe" will instantly remind genre connoisseurs of all those gloriously controversial misogynic slashers from several decades ago ("Maniac", "Don't go in the House", "New York Ripper"…) but the subject matter here is light-headed and much easier to digest. I realize there might be something seriously wrong with me, but I thought it was brilliantly amusing and nostalgic to witness a crazed killer hack up and mutilate the corpse of a young girl with broken 7 inch records! Renaud Gauthier also included several obligatory but marvelously clichéd sub plots, like lesbian experimenting and perverted priests within the boarding school's walls, obsessive coppers with porno movie mustaches and the ludicrous childhood trauma. And then last but not least, of course, there is the sensational and aptly selected soundtrack. The great, exhilarating music makes the film's relatively short running time fly by even faster and several tunes are guaranteed to remain stuck in your head. "Discopathe" is a more than welcome must-see slasher for real horror freaks.

Discopathe tells the story of a young man whose childhood is traumatized by an incident involving Disco music. Since that time he cannot bear to listen to this music and even becomes a psychotic killer when exposed to its groovy bass lines and pumping bass drum.Okay, it's all a bit silly really but with that in mind, this movie is such a cool load of fun.Exploitation genre fans of stuff like Maniac, Tenebrae and The New York Ripper are likely to find much to enjoy in this tongue-in-cheek gore fest. When it gets gruesome, it ticks the splatter box pretty well so that hardened gore hounds can get their fix, yet it manages to keep the mood light, unlike the movies which it pays homage to.The language switch halfway through the film is a bit jarring for the English speaking viewer, as the film kind of presses a reset button but it manages to regain pace fairly quickly and get back on track. Unlike many films these days, it has a very satisfying ending.If you really can't stand disco music, this film might get a bit tedious, with the soundtrack being truly awash with the stuff but personally, I thought it was its beating heart.If in recent years you have enjoyed the likes of Hatchet, House of the Devil and Planet Terror which look back fondly on the golden era of splatter, then this one will probably join those on your list. I'm not too sure if it is likely appeal to the rest of the movie-going public but then I don't think director Renaud Gauthier would care that much. He certainly wears his heart on his sleeve for Discopathe.