When Dorine Douglas' job as proofreader for Constant Consumer magazine is turned into an at-home position during a downsizing, she doesn't know how to cope. But after accidentally killing one of her co-workers, she discovers that murder can quench the loneliness of her home life, as a macabre office place forms in her basement, populated by dead co-workers.
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Reviews
I don't have all the words right now but this film is a work of art.
Good concept, poorly executed.
If the ambition is to provide two hours of instantly forgettable, popcorn-munching escapism, it succeeds.
The film never slows down or bores, plunging from one harrowing sequence to the next.
This movie is strangely entertaining, I don't really know why. The story isn't anything special, it's just the old concept where a harmless person becomes murderous for really vague reasons. Our office killer kills someone by accident, and that somehow makes her start killing people on purpose. Very well, I'll take it. So we get to see her murder a bunch of people, just one after the other, and it's well, there is no right adjective. It's not funny because people are dying gory deaths, it's not shocking because well, look at this thing, but it is pretty good. I believe it's kind of a tongue-in-cheek kind of thing, and I believe it's working. Carol Kane also plays her role very well, helped by the screenplay that's gradually making her character meaner. At one point she encounters some girl scouts selling cookies. What follows is just not cool. Well, maybe a little. I'm also really digging this ending. Either way, this is essentially following a formula, but there's still some creativity involved here and there and I appreciate that.
I was impressed to see this film had so many bad reviews, both from critics and viewers. I saw it and I actually think it is a very good inside joke, it is only necessary to get the "spirit" of it. Director Cindy Sherman uses gore and some very curious camera positions to make you a little bit scary and also laugh once or twice (not out-loud, though). The performances from Carol Kane (totally crazy) and Molly Ringwald (in a very against-the-type turn) are very good. The supporting cast (German actress Barbara Sukowa and The Soprano's Michael Imperioli) is also interesting. I think this film makes a perfect midnight video snack with some friends.
I'd say this film was poorly directed, except I'm not sure any attempt was made to actually direct it.Cindy Sherman is a good photographer, and as such the shots which are framed as moving photographs are well art-directed (in particular, the David Lynch rip-off psychedelic gathering of the souls of the victims), but that (and the Marc Ribot style song over the closing credits) is about the only good thing about this film. Otherwise, technically as well as artistically, this film is deeply flawed.Carol Kane's performance is at times overwrought and at times dull, while the rest of the cast phones-in the expected flat, B-grade horror film acting job. None of the lead characters are at all engaging, and the attempt at garnering sympathy for the horrendously pathetic Dorine is a failure in light of how successful the film is at making her both despicable and irritating. The emotionally charged scenes are so awkward as to immediately break any momentum the film had managed to gain and leave you feeling embarrassed for the filmmakers.All in all, this film went direct to video for a very good reason, and unless you're doing a "Bad Horror Movie Marathon" I'd say it's best left collecting dust at your local video shop...
i am a generous grader but this might be the worst movie i have ever seen, and i often like bad horror movies. story, acting, direction all terrible. AWFUL AWFUL movie with no redeeming quality. the master should be burned