From my favorite movies..

Fantastic!

Best movie of this year hands down!

At first rather annoying in its heavy emphasis on reenactments, this movie ultimately proves fascinating, simply because the complicated, highly dramatic tale it tells still almost defies belief.

This is an underrated and unrecognized breakthrough performance for Carlin. This was the beginning of the transformation to the angry old man of the nineties (this transformation is not complete until Jammin' in New York), tapping into the palpitations released from assault comedians of old (Lenny Bruce) and new (Bill Hicks), pelting out more provocative material together with a far more acerbic delivery. His often hilarious comments about language, cancer, feminism and politics in general, and the general state of modern society are jarring when compared to the "7 words you can't say on television" and "a place for my stuff" routines of old. His thoughts on language are particularly thought provoking, at least for a stand-up comedian.Interestingly he's even beginning to grow his hair long again, maybe symbolizing his return to the maverick boldness (for the time)of his 70s material--only more aggressive, and updated.This should keep you smiling--if that's what you like to do. If you don't, then watch this, it might be beneficial, to you. --of course, unless you're offended by what's being said.

While the material is better than pretty much any other living comedian (though Eddie Izzard comes mighty close), George's delivery is weaker than usual. It's interesting that this show was packaged with the far superior Jammin' in New York. You can see he was working on new material in 1990 that became far more refined by the 1992 show. Still, I'd recommend it for any Carlin fan.My favorite part was the bit about talking loudly in a party when everyone is suddenly silent. I shan't repeat the punchline here, cuz then I'd have to click the "If you have a spoiler..." box and ruin a great joke.

Only George Carlin could create entire dissertations based on completely surreal situations concocted in his (self-proclaimed) sick mind. Only George Carlin could get away with talking about the issues he tackles and addressing the fact that we the listener, the audience, get offended much too easily -- that we're offense prone.Carlin talks about the Words that Speak the Truth. Language is big with Carlin and he uses it like swords to attack his audience to not only extract the laughs but to shoot them with what's real and what's not; what we mean to say when we say what we mean. Addressing the uses of "words you can't call people" he expertly spews forth a barrage of epithets, which only make us more aware that we may be a little more racist than we would like to think ourselves as. The same time he talks about how our own language has evolved over the years: what once we called trailer homes, now we call mobile homes, partly-cloudy has become partly-sunny, cripples become physically challenged.It's sometimes hard to laugh at Carlin. There are moments when instead of laughing, you stop and think: because he's saying the truth, and the truth "ain't pretty". The uncomfortable situations we find ourselves in, the ease in which one can offend feminists, the hilarity of rape (and the possibility that one day, instead of being called "rape victims" they will be names "involuntary sperm recipient" makes our use of political correctness questionable. Carlin has no limits and knows it. And boy, is it an event to watch him regurgitate his furious observations. You gotta love someone this crotchety who sees things in a particular way and who dares to "go there" where most comedians, even the hardcore ones, would not.

There's no doubt.. George Carlin knows more about life's little moments and existence than we care to think about, and his expression of it makes us laugh more and more every time. At least it does for me. This is one of my most favorite stand ups of his. Euphamisms and Things you never see/hear are some of my favorites from this one.