Truly Dreadful Film

I like movies that are aware of what they are selling... without [any] greater aspirations than to make people laugh and that's it.

When a movie has you begging for it to end not even half way through it's pure crap. We've all seen this movie and this characters millions of times, nothing new in it. Don't waste your time.

This is a must-see and one of the best documentaries - and films - of this year.

In one of those odd coincidences I seem to run into time and again, one of the the last Westerns I saw and reviewed on this site was "Deep in the Heart of Texas", starring Johnny Mack Brown and Tex Ritter. That flick also came out in 1942, AND also utilized the talents of the Jimmy Wakely Trio. This film's original working title borrowed from the song that's heard prominently here a couple of times, and you can't get more Western than 'Deep in the Heart of Texas'.With only a single appearance as Tadpole Millhouse in a prior Autry flick, Joe Strauch Jr. has the gimmick down real well as Frog's (Smiley Burnette) young companion, right down to the mannerisms that go with the look-a-like, though scaled down appearance. Tadpole has some fun at Smiley's expense, switching out his Slicko Hair Tonic (with Breath O' Roses!) for some of old Doc Hanley's Mineral Ointment. While Smiley pines away for the picture's leading lady (Fay McKenzie as Alice Bennett), Tadpole has an eye for the cute Jean Porter going by the name of Pudge. Couldn't figure that one out, Pudge wasn't pudgy, and was actually quite cute when you come right down to it.Well the working plot here has Gene befriending an upstart teenager Connie Lane (Edith Fellows), who would rather be anyplace else than the Smoke River Ranch, recently converted to a dude ranch to help pay the bills. Gene replaces old foreman Hap Callahan (William Haade), who even though might rightly hold a grudge, I just couldn't see why he would take a gunshot at Gene during the horse round-up. What's even more questionable is that Gene shoots back! You know, they could have killed each other! I guess in simpler times the viewer wasn't supposed to be so concerned about bodily harm, as long as the good guys beat out the bad guys.The most interesting part of the picture came when Gene did an outright commercial within the story line promoting his message for the defense of the country - 'Buy United States Savings Bonds and Stamps'. For me, that's the kind of good guys versus bad guys message I'd like to see more of today, especially when there's so many bad guys in the world to go around.

"Heart of the Rio Grande" must be one of the least entertaining pictures Gene Autry ever made. Never have I seen such obvious substitutions of doubles for the principal players, nor such an inept use of the process screen. The direction throughout could not justly be described as merely routine, for this level of mediocrity represents the peak of Mr Morgan's achievement. At its nadir, the handling is embarrassingly inept — for example in the way Morgan has heroine Fay McKenzie grin inanely at the camera in a reaction shot to Mr Autry's serenade. Alas, the defects of the direction are not the picture's only handicap. Probably its chief blot on the average fan's barometer is its fatuous script. As the synopsis makes plain, the story winds around an old, tiresomely familiar theme. Worse, it's encrusted with reach-me-down dialogue and patronizing platitudes, such as Gene Autry's "Don't forget what I said about bein' pardners with your horse when you go ridin' the trail!" and "Maybe other parents don't put their business ahead of their children!"But even worse still, "Heart of the Rio Grande" rates just about zero on the action scale. Admittedly, near the start, Gene's stuntman gallops after a train and then rescues Miss Fellows from a runaway truck. But that's the end of any action spots until five minutes before the end when the script suddenly stages a revenge shooting practically out of nowhere. The gun-shot activates a wild horse stampede, but it turns into a very mild affair with a couple of stuntmen playing leapfrog a fair distance away from the not-too-wildly onrushing herd.Oddly enough, despite the dearth of action, there's also little comedy relief. Smiley Burnette's foolery is mercifully constrained. But sandwiched in between all the sermonizing twinkle are eight or nine songs. Autry handles most of them, Burnette has one, Miss Fellows one, The Jimmy Wakely Trio one, and even Miss McKenzie joins Gene in a duet.Needless to say, Miss Fellows lays it on as the spoiled brat. Jean Porter hovers around in the forefront of the background. Haade emerges as a quite likable villain — which makes his sudden and unexplained action at the finish all the more incredible. Rounding out the cast are Sarah Padden in a tiny role, Eddie Cobb in a one-line bit, and Smiley's horse, "Ring-Eye", in a brief scene."Heart of the Rio Grande" is billed as a so-called "modern" western. Realistic! Yet the cowboys all wear Victorian six-shooters and a full orchestra suddenly sprouts up, audible but invisible, in the middle of the desert to accompany a chance song.Sadly, production values rate as exceptionally mediocre. The photography is so flat as to make even the picture's actual locations look uninteresting. Sound recording comes over as tinny, art direction drab, costumes unattractive, and film editing heavy-handed.

This Gene Autry outing is more like a Judy Garland/Mickey Rooney musical than a western. (Too bad Judy and Mickey weren't in the show.) There's not only singing but also a bit of dancing. Two of the songs have become standards, "Deep in the Heart of Texas," which serves as the theme and was the working title for the film, and Johnny Bond's "Cimarron" (Johnny Bond appears in the film as a member of the Jimmy Wakely Trio). Jimmy Wakely went on to star in his own shoot-'em-ups. He later teamed with pop singer Margaret Whiting to have a number one hit with the Floyd Tillman classic "Slipping Around," one of the first country pop songs to deal in an honest manner with adultery.The story is not much, involving a spoiled rich girl who goes west to a dude ranch and is horse broken by Gene and his cowhands. Her father flies west to take his daughter away from what he considers to be a cruel, harsh environment only to rediscover himself and his daughter. In the meantime Gene has all kinds of trouble with an ornery galoot who once was the foreman.Frog Millhouse is around for laughs as is his clone Tadpole. Tadpole looks and acts like a young Frog and is just about as humorless. This go around Frog does have a few funny lines to deliver. I'm not sure exactly what the relationship was supposed to be between Frog and Tad. Since Frog was unmarried, perhaps Tad was adopted or taken in by his older lookalike. They did relate well to each other on the screen but there's still not much to laugh about beyond their looks. Frog's real talents, his music and his songwriting, do get showcased and that's a plus for the movie.Gene Autry fans should like this one, especially those who love his music. Others may find it a bit tedious.

"Heart of the Rio Grande" (1942) is probably the most lyrical of Autry's movies and therefore has held up better than his more action oriented films. When ranch owner Skipper Forbes hires Gene as her new foreman, the old foreman Hap Callahan (William Haade) is allowed to stay on as a ranch hand. Hap resents Gene and his plans turning the place into a dude ranch. There is a lot of friction between them culminating in a fight and Hap's dismissal. He plots revenge.Early in the film a girls' school arrives at the dude ranch for the summer. The teacher Alice Bennett (Fay McKenzie) serves as both Gene's tame romantic interest and his sidekick Frog's (Smiley Burnett) unrequited love. Their dueling serenade of Alice is the best of a whole bunch of pretty good musical elements in the film.All the girl students look about high school age which gives the film a lot of charm that would be missing if they had populated the cast with 20 something starlets. The most prominent of the students is Connie Lane (Edith Fellows best known as Polly Pepper in all those Pepper films of the 30's), the spoiled daughter of a rich businessman. At first Connie makes a lot of trouble for everyone but eventually she takes to Gene and works to improve his opinion of her. Burnette can lay claim to originating the mini-me concept. In "Heart of the Rio Grande" Frog Millhouse is shadowed by a fat little boy, appropriately named Tadpole (Joe Strauch, Jr.). Tadpole dresses just like Frog including the same hat style (front brim turned up). He has a lot of precocious lines and a very bass singing voice. Jean Porter plays another of the students (mysteriously named Pudge) and soon becomes young Tadpole's first crush. The vivacious Porter is drop dead gorgeous, in the image of Vargas redhead Jean Dean."Heart of the Rio Grande" is mostly music and comedy, what action there is consists almost entirely of Gene rescuing Connie from an assortment of dangers. This is not a bad thing. Then again, what do I know? I'm only a child.